Recommendations based on "The Future"

National Bestseller * New York Times Editors' Choice * A Roxane Gay Literati Book Club Selection"Haunting and luminous, How High We Go in the Dark orchestrates its multitude of memorable voices into beautiful and lucid science fiction. An astonishing debut." — Alan Moore, creator of Watchmen and V for Vendetta"Epic . . . Sequoia Nagamatsu is a writer whose imagination is matched only by his compassion, the kind we need to light our way through the dark." — Chloe Benjamin, New York Times bestselling author of The ImmortalistsRecommended by Los Angeles Times * Entertainment Weekly * Esquire* Good Housekeeping * Buzzfeed * Business Insider * Bustle * Goodreads * The Millions * The Philadelphia Inquirer * Minneapolis Star-Tribune * San Francisco Chronicle * The Guardian * PopSugar * Literary Hub * and many more!For fans of Cloud Atlas and Station Eleven, a spellbinding and profoundly prescient debut that follows a cast of intricately linked characters over hundreds of years as humanity struggles to rebuild itself in the aftermath of a climate plague—a daring and deeply heartfelt work of mind-bending imagination from a singular new voice.In 2030, a grieving archeologist arrives in the Arctic Circle to continue the work of his recently deceased daughter at the Batagaika Crater, where researchers are studying long-buried secrets now revealed in melting permafrost, including the perfectly preserved remains of a girl who appears to have died of an ancient virus.Once unleashed, the Arctic plague will reshape life on Earth for generations to come, quickly traversing the globe, forcing humanity to devise a myriad of moving and inventive ways to embrace possibility in the face of tragedy. In a theme park designed for terminally ill children, a cynical employee falls in love with a mother desperate to hold on to her infected son. A heartbroken scientist searching for a cure finds a second chance at fatherhood when one of his test subjects—a pig—develops the capacity for human speech. A widowed painter and her teenaged granddaughter embark on a cosmic quest to locate a new home planet.From funerary skyscrapers to hotels for the dead to interstellar starships, Sequoia Nagamatsu takes readers on a wildly original and compassionate journey, spanning continents, centuries, and even celestial bodies to tell a story about the resilience of the human spirit, our infinite capacity to dream, and the connective threads that tie us all together in the universe."Wondrous, and not just in the feats of imagination, which are so numerous it makes me dizzy to recall them, but also in the humanity and tenderness with which Sequoia Nagamatsu helps us navigate this landscape. . . . This is a truly amazing book, one to keep close as we imagine the uncertain future." — Kevin Wilson, New York Times bestselling author of Nothing to See Here

In 1327, finding his sensitive mission at an Italian abbey further complicated by seven bizarre deaths, Brother William of Baskerville turns detective, penetrating the cunning labyrinth of the abbey and deciphering coded manuscripts for clues. Reprint.

A New York Times, USA Today, and Indie bestseller!Critically acclaimed and bestselling authors Becky Albertalli and Adam Silvera combine their talents in this smart, funny, heartfelt collaboration about two very different boys who can’t decide if the universe is pushing them together—or pulling them apart.ARTHUR is only in New York for the summer, but if Broadway has taught him anything, it’s that the universe can deliver a showstopping romance when you least expect it.BEN thinks the universe needs to mind its business. If the universe had his back, he wouldn’t be on his way to the post office carrying a box of his ex-boyfriend’s things.But when Arthur and Ben meet-cute at the post office, what exactly does the universe have in store for them . . . ?Maybe nothing. After all, they get separated.Maybe everything. After all, they get reunited.But what if they can’t nail a first date even after three do-overs?What if Arthur tries too hard to make it work and Ben doesn’t try hard enough?What if life really isn’t like a Broadway play?But what if it is?What if it’s us?Plus don't miss Here's to Us! Becky Albertalli and Adam Silvera reunite to continue the story of Arthur and Ben, the boys readers first fell for in What If It’s Us.

Jack Kerouac’s classic American novel of freedom and the search for originality that defined a generation“An authentic work of art.”—The New York TimesInspired by Jack Kerouac’s adventures with Neal Cassady, On the Road tells the story of two friends whose cross-country road trips are a quest for meaning and true experience. Written with a mixture of sad-eyed naïveté and wild abandon and imbued with Kerouac’s love of America, his compassion for humanity, and his sense of language as jazz, On the Road is the quintessential American vision of freedom and hope—a book that changed American literature and changed anyone who has ever picked it up.

INSTANT NEW YORK TIMES BESTSELLER • A REESE'S BOOK CLUB PICK“It’s perfection, every word, every moment. A masterpiece . . . One of the best books I’ve ever read.” —Lisa Jewell, #1 New York Times bestselling authorNew York Times bestselling author Gillian McAllister has created a thriller unlike any other in this endlessly clever, twisty story of a mother who must move backward through time to prevent tragedy from striking at the heart of her family.Can you stop a murder after it’s already happened?It is midnight on the morning of Halloween, and Jen anxiously waits up for her 18-year-old son, Todd, to return home. But worries about his broken curfew transform into something much more dangerous when Todd finally emerges from the darkness. As Jen watches through the window, she sees her funny, seemingly happy teenage son stab a total stranger.She doesn’t know who the victim is, or why Todd has committed such a devastating act of violence. All she knows is that her life, and Todd’s, have been shattered.After her son is taken into custody, Jen falls asleep in despair. But when she wakes up…it is yesterday. The murder has not happened yet—and there may be a chance to stop it. Each morning, when Jen wakes, she is further back in the past, first weeks, then years, before the murder. And Jen realizes that somewhere in the past lies the trigger for Todd’s terrible crime…and it is her mission to find it, and prevent it from taking place.Both the story of a mother’s love and the sacrifices she will make for her child, and a thriller with a brilliant twist, Wrong Place Wrong Time is a one-of-a-kind novel that begs to be read in one sitting.

Don't miss Lucy Foley's new book, The Midnight Feast, coming June 18th!THE #1 NEW YORK TIMES BESTSELLER“Told in rotating points of view, this Tilt-A-Whirl of a novel brims with jangly tension – an undeniably engrossing guessing game.” — Vogue"[A] clever, cliff-hanger-filled thriller." — PeopleFrom the New York Times bestselling author of The Guest List comes a new locked room mystery, set in a Paris apartment building in which every resident has something to hide…Jess needs a fresh start. She’s broke and alone, and she’s just left her job under less than ideal circumstances. Her half-brother Ben didn’t sound thrilled when she asked if she could crash with him for a bit, but he didn’t say no, and surely everything will look better from Paris. Only when she shows up – to find a very nice apartment, could Ben really have afforded this? – he’s not there.The longer Ben stays missing, the more Jess starts to dig into her brother’s situation, and the more questions she has. Ben’s neighbors are an eclectic bunch, and not particularly friendly. Jess may have come to Paris to escape her past, but it’s starting to look like it’s Ben’s future that’s in question.The socialite – The nice guy – The alcoholic – The girl on the verge – The conciergeEveryone's a neighbor. Everyone's a suspect. And everyone knows something they’re not telling.

From the bestselling author of Everyone in My Family Has Killed Someone, a fiendishly fun locked room (train) murder mystery that "offers a tip of the hat to the great Agatha Christie novel while at the same time being a modern reinvention of it" (Nita Prose) -- perfect for fans of Richard Osman and Anthony HorowitzWhen the Australian Mystery Writers’ Society invited me to their crime-writing festival aboard the Ghan, the famous train between Darwin and Adelaide, I was hoping for some inspiration for my second book. Fiction, this time: I needed a break from real people killing each other. Obviously, that didn’t pan out.The program is a who’s who of crime writing royalty:the debut writer (me!)the forensic science writerthe blockbuster writerthe legal thriller writerthe literary writerthe psychological suspense writerBut when one of us is murdered, the remaining authors quickly turn into five detectives. Together, we should know how to solve a crime.Of course, we should also know how to commit one.How can you find a killer when all the suspects know how to get away with murder?

“As funny as it is informative, this book will have you laughing out loud while you contemplate the revolutionary power of words.” —Camille Perri, author of The Assistants and When Katie Met CassidyA brash, enlightening, and wildly entertaining feminist look at gendered language and the way it shapes us.The word bitch conjures many images, but it is most often meant to describe an unpleasant woman. Even before its usage to mean “a female canine,” bitch didn’t refer to women at all—it originated as a gender-neutral word for “genitalia.” A perfectly innocuous word devolving into an insult directed at females is the case for tons more terms, including hussy, which simply meant “housewife”; and slut, which meant “an untidy person” and was also used to describe men. These are just a few of history’s many English slurs hurled at women.Amanda Montell, reporter and feminist linguist, deconstructs language—from insults, cursing, gossip, and catcalling to grammar and pronunciation patterns—to reveal the ways it has been used for centuries to keep women and other marginalized genders from power. Ever wonder why so many people are annoyed when women speak with vocal fry or use like as filler? Or why certain gender-neutral terms stick and others don’t? Or where stereotypes of how women and men speak come from in the first place?Montell effortlessly moves between history, science, and popular culture to explore these questions—and how we can use the answers to affect real social change. Her irresistible humor shines through, making linguistics not only approachable but downright hilarious and profound. Wordslut gets to the heart of our language, marvels at its elasticity, and sheds much-needed light on the biases that shadow women in our culture and our consciousness.

Area X has been cut off from the rest of the continent for decades. Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; all the members of the second expedition committed suicide; the third expedition died in a hail of gunfire as its members turned on one another; the members of the eleventh expedition returned as shadows of their former selves, and within months of their return, all had died of aggressive cancer. This is the twelfth expedition. Their group is made up of four women: an anthropologist, a surveyor, a psychologist--the de facto leader--and a biologist, who is our narrator. Their mission is to map the terrain and collect specimens, to record all their observations, scientific and otherwise, of their surroundings and of one another and, above all, to avoid being contaminated by Area X itself. They arrive expecting the unexpected, and Area X delivers--they discover a massive topographic anomaly and life forms that surpass understanding--but it's the surprises that came across the border with them and the secrets the expedition members are keeping from one another that change everything.

This laugh-out-loud chronicle charts a year in the life of Bridget Jones, a single girl on a permanent, doomed quest for self-improvement--in which she resolves to: visit the gym three times a week not merely to buy a sandwich, form a functional relationship with a responsible adult, and not fall for any of the following: misogynists, megalomaniacs, adulterers, workaholics, chauvinists or perverts. And learn to program the VCR. Caught between her Singleton friends, who are all convinced they will end up dying alone and be found three weeks later half-eaten by an Alsatian, and the Smug Marrieds, whose dinner parties offer ever-new opportunities for humiliation, Bridget struggles to keep her life on an even keel (or at least afloat). Through it all, she will have her readers helpless with laughter and shouting, "BRIDGET JONES IS ME!"