Recommendations based on "The Disenchanted Widow"

'An outstanding work' – Philippa Gregory 'A powerful narrative told with frankness and sensitivity' Helen Fry, historian and author of Women In Intelligence

The first novel in the Inspector Lynley mystery series. Fat, unlovely Roberta Teys is found beside her father's headless corpse. Her first words are I did it. And I am not sorry. As Lynley investigates, he uncovers a series of shocking revelations that shatter the peaceful Yorkshire village.

A Stirring Saga Of A Nurse Who Only Wants To Do Her Duty In World War Two – And Who Ends Up Having To Make An Agonising Choice. Set In Ireland And Birmingham, This Is The Latest From Emerging Star Of The Genre Anne Bennett.

Dreams of stardom had lured Martyn Tarne from faraway New Zealand to make the dreary, soul-destroying round of West End agents and managers in search of work. The Vulcan Theatre had been her last forlorn hope, and now, driven by sheer necessity, she was glad to accept the humble job of dresser to its leading lady. And then came the eagerly awaited Opening Night. To Martyn the night brought a strange turn of the wheel of fortune - but to one distinguished member of the cast it was to bring sudden and unforeseen death

Sharp-witted and sharp-tongued, Arcangela Tarabotti (1604-52) yearned to be formally educated and enjoy an independent life in Venetian literary circles. But instead, at sixteen, her father forced her into a Benedictine convent. To protest her confinement, Tarabotti composed polemical works exposing the many injustices perpetrated against women of her day.Paternal Tyranny, the first of these works, is a fiery but carefully argued manifesto against the oppression of women by the Venetian patriarchy. Denouncing key misogynist texts of the era, Tarabotti shows how despicable it was for Venice, a republic that prided itself on its political liberties, to deprive its women of rights accorded even to foreigners. She accuses parents of treating convents as dumping grounds for disabled, illegitimate, or otherwise unwanted daughters. Finally, through compelling feminist readings of the Bible and other religious works, Tarabotti demonstrates that women are clearly men's equals in God's eyes.An avenging angel who dared to speak out for the rights of women nearly four centuries ago, Arcangela Tarabotti can now finally be heard.

New York Times bestselling author Shelley Noble wows with a gripping historical novel about the real-life “Tiffany Girls,” a fascinating and largely unknown group of women artists behind Tiffany’s most legendary glassworks. It’s 1899, and Gilded Age Manhattan is abuzz. Louis Comfort Tiffany, famous for his stained-glass windows, is planning a unique installation at the Paris World’s Fair, the largest in history. At their fifth-floor studio on Fourth Avenue, the artists of the Women’s Division of the Tiffany Glass Company are already working longer shifts to finish the pieces that Tiffany hopes will prove that he is the world’s finest artist in Tiffany glass. Known as the “Tiffany Girls,” these women are responsible for much of the design and construction of Tiffany’s extraordinary glassworks, but none receive credit. Emilie Pascal, daughter of an art forger, has been shunned in Paris art circles after the unmasking of her abusive father. Wanting nothing more than a chance to start a new life, she forges a letter of recommendation in hopes of fulfilling her destiny as an artist in the one place where she will finally be free to live her own life. Grace Griffith is the best copyist in the studio, spending her days cutting glass into floral borders for Tiffany’s religious stained-glass windows. But none of her coworkers know her secret: she is living a double life as a political cartoonist under the pseudonym of G.L. Griffith—hiding her secret identity as a woman. As manager of the women’s division, Clara Driscoll is responsible for keeping everything on schedule and within budget. But in the lead-up to the most important exhibition of her career, not only are her girls becoming increasingly difficult to wrangle, she finds herself obsessed with a new design: a dragonfly lamp that she has no idea will one day become Tiffany’s signature piece. Brought together by chance, driven by their desire to be artists in one of the only ways acceptable for women in their time, these “Tiffany Girls” will break the glass ceiling of their era and for working women to come. This compelling Gilded Age historical fiction novel set in New York City is a perfect gift for any woman interested in art, history, or strong women breaking the glass ceiling of their era. In an era that denies them credit, three fiercely talented women will come together to create some of the most iconic art of the Gilded Age, each hiding a secret that could cost them everything.

Opal Plumstead might be plain, but she has always been fiercely intelligent. Yet her scholarship and dreams of university are snatched away when her father is sent to prison, and fourteen-year-old Opal must start work at the Fairy Glen sweet factory to support her family. Opal struggles to get along with the other workers, who think her snobby and stuck-up. But Opal idolises Mrs Roberts, the factory's beautiful, dignified owner, who introduces Opal to the legendary Mrs Pankhurst and her fellow Suffragettes. And when Opal meets Morgan - Mrs Roberts' handsome son, and the heir to Fairy Glen - she believes she has found her soulmate. But the First World War is about to begin, and will change Opal's life for ever. The brilliantly gripping new story from the bestselling, award-winning Jacqueline Wilson.

"A Mixture of Frailties", the third volume of Robertson Davies "Salterton" Trilogy, is his first extended engagement with one of the great neuroses of Canadian culture: Canada's artistic relationship to Europe, and particularly to Britain. Davies begins his story with the funeral of Louisa Bridgetower, the Salterton matron whose imposing presence ranges throughout the earlier volumes of the "Salterton" Trilogy. The substantial income from her estate is to be used to send an unmarried young woman to Europe to pursue an education in the arts. Mrs. Bridgetower's executors end up selecting Monica Gall, an almost entirely unschooled singer whose sole experience comes from performing with the Heart and Hope Gospel Quartet, a rough outfit sponsored by a small fundamentalist group. Monica soon finds herself in England, a pupil of some of Britain's most remarkable teachers and composers, and she gradually blossoms from a Canadian rube to a cosmopolitan soprano with a unique - and tragicomic - career.

1204 A.D. The Fools’ Guild is on the run from an increasingly intolerant Church. Arriving too late at the Guildhall to join them, the jester couple Theophilos and Claudia and their newborn daughter Portia must now flee the Papal army, having first risked their lives to steal, of all things, a tavern sign. As they journey across the Alps, Theophilos recounts to his wife a story from the Third Crusade, of the most beautiful woman in the Kingdom of Jerusalem and her dwarf jester, Scarlet.In 1191, as Richard the Lionhearted leads his forces in an attempt to recapture Jerusalem from the army of Saladin, Theophilos and Scarlet are quietly manipulating events to bring about an end to the bloodshed. Their mission leads them to Tyre, the only city in the Kingdom of Jerusalem to withstand Saladin. Governed by a rogue general, the city is aswarm with refugees, spies, and splintered factions vying for power and position, and even success may only prove fatal. The key chesspiece amidst the swirling intrigues remains Isabelle, the Queen of Jerusalem, desired by many but married against her will to a man decades her senior. But there are forces at work that will stop at nothing, and it is up to Scarlet to protect the interests of the Guild, the lives of the people, and the future of Isabelle.Drawn from actual events, The Widow of Jerusalem is a tale of intrigue and ambition, love fulfilled and love unrequited, and a trio of historical deaths that have never been fully explained. Until now.

Finally meeting the wealthy family she'd never known should have given Corrie Grant the information about her father she'd craved all her life. But the Mannings of Savannah were a secretive and hostile bunch. All except Lucas Santee, her grandfather's sophisticated right-hand man, who stood between Corrie and her relatives' unrelenting barbs and slights. The family's suspicion of her seemed frivolous at first, but when a mysterious series of accidents occurred, Corrie was forced to take it seriously. How far would the Mannings go to keep their secrets buried forever?