Recommendations based on "The Compound: A GMA Book Club Pick"

Everyone in Shaker Heights was talking about it that summer: how Isabelle, the last of the Richardson children, had finally gone around the bend and burned the house down.In Shaker Heights, a placid, progressive suburb of Cleveland, everything is meticulously planned - from the layout of the winding roads, to the colours of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.Enter Mia Warren - an enigmatic artist and single mother- who arrives in this idyllic bubble with her teenage daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than just tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past, and a disregard for the rules that threatens to upend this carefully ordered community.When old family friends attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town - and puts Mia and Elena on opposing sides. Suspicious of Mia and her motives, Elena is determined to uncover the secrets in Mia's past. But her obsession will come at an unexpected and devastating cost . . .

A New York Times Bestseller * A USA Today Bestseller * In this feminist, suspenseful thriller the daughter of a con artist is taken hostage in a bank heist—and will need to tap into all her skills in order to survive.Nora O'Malley's been a lot of girls. As the daughter of a con-artist who targets criminal men, she grew up as her mother's protégé. But when her mom fell for the mark instead of conning him, Nora pulled the ultimate con: escape.For five years Nora's been playing at normal. But she needs to dust off the skills she ditched because she has three problems:#1: Her ex walked in on her with her girlfriend. Even though they're all friends, Wes didn't know about her and Iris.#2: The morning after Wes finds them kissing, they all have to meet to deposit the fundraiser money they raised at the bank. It's a nightmare that goes from awkward to deadly, because:#3: Right after they enter the bank, two guys start robbing it.The bank robbers may be trouble, but Nora's something else entirely. They have no idea who they're really holding hostage . . .A FORBES, BUZZFEED, BOOK RIOT AND KIRKUS BEST BOOK OF THE YEAR

A senior citizens’ center and a daycare collide with hilarious results in the new ensemble comedy from New York Times-bestselling author Clare PooleyWhen Lydia takes a job running the Senior Citizens’ Social Club three afternoons a week, she assumes she’ll be spending her time drinking tea and playing gentle games of cards.The members of the Social Club, however, are not at all what Lydia was expecting. From Art, a failed actor turned kleptomaniac to Daphne, who has been hiding from her dark past for decades to Ruby, a Banksy-style knitter who gets revenge in yarn, these seniors look deceptively benign—but when age makes you invisible, secrets are so much easier to hide.When the city council threatens to sell the doomed community center building, the members of the Social Club join forces with their tiny friends in the daycare next door—as well as the teenaged father of one of the toddlers and a geriatric dog—to save the building. Together, this group’s unorthodox methods may actually work, as long as the police don’t catch up with them first.

Trophy wife Celeste Beard wasn't satisfied with a luxurious lifestyle and her rich Austin media mogul husband's devotion -- so she took his life! The wife: She wanted everything, but her husband stood in the way. The lesbian lover: A love-struck, middle-aged woman with a history of mental illness, she would do anything to set Celeste free. The beauty salon receptionist: Celeste hired her to tie up the loose ends ... in a second conspiracy to commit murder.

A REESE’S BOOK CLUB PICK ∙ AN INSTANT #1 NEW YORK TIMES BESTSELLER ∙ Two writers compete for the chance to tell the larger-than-life story of a woman with more than a couple of plot twists up her sleeve in this dazzling and sweeping novel from Emily Henry.As featured in The New York Times ∙ Rolling Stone ∙ People ∙ Good Morning America ∙ NPR ∙ Vogue ∙ The Los Angeles Times ∙ The Cut ∙ USA Today ∙ Cosmopolitan ∙ Harper's Bazaar ∙ Marie Claire ∙ Glamour ∙ ELLE ∙ E! Online ∙ The New York Post ∙ Bustle ∙ Reader's Digest ∙ BBC ∙ PopSugar ∙ SheReads ∙ Paste ∙ and more!Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: to write the biography of a woman no one has seen in years—or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the twentieth century.When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game.One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over.Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication.Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition.But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room.And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad . . . depending on who’s telling it.

Naomi King, soft spoken, loyal, and easily overlooked, has a gift. She sees what others can't see. Intuition, she calls it. Others in Stoney Ridge don't know what to make of it and dismiss her hunches and inklings altogether.When a young woman arrives at the Inn at Eagle Hill with a shocking secret about Tobe Schrock, Naomi fears the worst. She can't ignore the feeling that something sinister is at work-- something more than a threat to the tenuous love begun between her and Tobe.As signs mount, they begin to point to Jake Hertzler, the elusive mastermind behind Schrock Investments' downfall. Soon, events spiral hopelessly out of control and Naomi must decide whether to listen to her head or her heart.In this riveting conclusion to The Inn at Eagle Hill series, bestselling author Suzanne Woods Fisher pulls out all the stops with a fast-paced tale of deception, revelation, and just the right dose of romance.

Pride and Prejudice for the modern age: a fresh and stylish debut following a family of women who are thrust into the spotlight in the wake of a scandal and expertly exploit their newfound fame, perfect for readers of Blue Sisters and Good Material. When Lili Lowe gets caught having an affair with her married boss, an admired local politician, she finds herself at the epicenter of a scandal that could dismantle her life as she knows it. She turns, as many women would, to her mother. But Lydia Lowe is not the kind of mother to offer gentle words of consolation. Instead she devises a strategy that doesn't just manage the fallout, it actively exploits it, and Lili goes from making coffee and booking meetings to making headlines and booking talk shows. Soon, thanks to the commodification of Lili's scandal, the whole world knows the Lowe family. Lili's three sisters--Stevie, Iris, and Katie--have differing reactions to being in the spotlight, but once the wheels are turning, it seems impossible to stop what's in motion...and it doesn't take long for the craziness surrounding the Lowes to spiral out of control. Money and celebrity, the Lowes discover, come at a price--sometimes, the louder one's voice (especially a woman's), the more others will seek to silence it. With a potent blend of spectacular style, compulsive voice, sharp social commentary, and ferocious heart, The Lowe Job is escapism with teeth: a contemporary book club novel for the modern reader looking for fresh fiction that is at once funny, sexy, incisive, and heartfelt.

The ninth book in Jennifer Chiaverini’s bestselling series—when two of Elm Creek Quilts’ founding members decide to leave the fold, who can possibly take their place in the circle of quilters?When Elm Creek Quilts announces openings for two new teachers, quilters everywhere are vying to land the prestigious post. The impending departure of two founding members means untold changes for the Elm Creek Quilters. As they begin the interview process, a single question emerges: Who can possibly take the place of beloved colleagues and friends? "We must evaluate all of the applicants' qualities," advises Master Quilter Sylvia Compson. "Our choice will say as much about us as it says about who we decide to hire." Who merits a place among the circle of quilters? Will it be Maggie, whose love of history shines through in all her projects; Anna, whose food-themed quilts are wonderfully innovative; Russ, the male quilter with a completely original style; Karen, a novice teacher whose gifts for language complement her deep understanding of the quilters' mission; or Gretchen, the soulful veteran whose craft is inspired by quilting tradition?

In this deliciously hilarious follow-up to A Teeny Bit of Trouble, Michael Lee West proves why she's quickly becoming a must-read, favorite author "I'd just put a praline cheesecake into the oven when my long-lost mama showed up on my doorstep with a bottle of merlot, a sack of whole wheat flour, and a dead hooker named Sugar." The night before Teeny's wedding, her mother, Ruby, shows up in Charleston, South Carolina with a body in the trunk of her car—a hooker named Sugar. Teeny hasn't seen her mother in decades, and she refuses when her mother asks her to help her dispose of the body. Ruby, not taking no for an answer, decides to kidnap Teeny and force her to bury Sugar . . . only Sugar isn't quite dead. And it's no wonder Ruby wants her gone: she knows a lot of dirt. Ruby was mixed up in the death of a South Carolina Senator and is accused of stealing an antique diamond necklace. Now the Senator's son wants vengeance--and the family jewels. Sugar's the only one who knows the truth.

Slyly funny and disarmingly tender, Fallow is the story of a young woman who signs up to be the world’s first in-house corporate surrogate, then finds herself caught up in a social experiment of another kind.Natalie knows one truth: there is no such thing as a good job. As the clock ticks away at the call center where she logs complaints of workplace harassment, she tries to ignore the increasing pain in her jaw. She has no dental insurance. She has no skills or ambitions. She has student loans. And, minute by minute, she hears the many ways workers are not just not getting by, but actually getting hustled.Then, at the blood bank where she sells her plasma, a mysterious flyer leads her to The Company. Natalie turns out to be the perfect candidate for their pilot program, pitched as an opportunity to help women access greater gender equity. She will be their in-house surrogate, delivering seven babies in ten years and enabling their executives to have motherhood without maternity leave. Finally, she will be adequately―generously―compensated.For years, her every need is met: stacks of healthy meals in the refrigerator of a luxury condo, fitness coaches and nutritionists, around-the-clock health care. Between deliveries, she takes time off―a fallow period, with no obligations or expectations. For the first time in her life, she is good at her job; for the first time, she feels free.But just as she’s about to fulfill the terms of her contract, a staffing decision upends everything. Natalie is pulled into an entirely different kind of social experiment, one that raises new questions about her future, her freedom, her purpose, what she can expect from the world, and what she can offer to it.Woundingly funny and genuinely moving, Sarah Anderson’s Fallow is a tender, alarmingly real vision of a woman balancing on the knife-edge of capitalism as she comes to realize who she wants to be.