Recommendations based on "The Bonfire of the Vanities"

Another hilarious and moving novel from David Walliams, number one bestseller and fastest growing children’s author in the country. A story of prejudice and acceptance, funny lists and silly words, this new book has all the hallmarks of David’s previous bestsellers.Our hero Ben is bored beyond belief after he is made to stay at his grandma’s house. She’s the boringest grandma ever: all she wants to do is to play Scrabble, and eat cabbage soup. But there are two things Ben doesn’t know about his grandma.1) She was once an international jewel thief.2) All her life, she has been plotting to steal the Crown Jewels, and now she needs Ben’s help…

Pull on your wellies, grab your flat cap and join Jeremy Clarkson in this hilarious and fascinating behind-the-scenes look at the farm we're all obsessed with.Welcome to Clarkson's farm.An idyllic spot offering picturesque views across the Cotswolds, bustling hedgerows and natural springs, it's the perfect plot of land for someone to delegate the actual, you know, farming to someone else while he galivants around the world in cars.Until one day, Jeremy decided he would do the farming itself.After all, how hard could it be? . . .Faced with suffocating red tape, biblical weather, local objections, a global pandemic and his own frankly staggering ignorance of how to 'do farming', Jeremy soon realises that turning the farm around is going to take more than splashing out on a massive tractor.Fortunately, there's help at hand from a large and (mostly) willing team, including girlfriend Lisa, Kaleb the Tractor Driver, Cheerful Charlie, Ellen the Shepherd and Gerald, his Head of Security and Dry Stone Waller.Between them, they enthusiastically cultivate crops, rear livestock and hens, keep bees, bottle spring water and open a farm shop. But profits remain elusive.And yet while the farm may be called Diddly Squat for good reason, Jeremy soon begins to understand that it's worth a whole lot more to him than pounds, shillings and pence . . .

Better watch out ...It's that time of year again. Hogswatchnight. ‘Tis the season to be jolly, to hang mistletoe and holly, and other stuff ending in olly.‘Tis the season when the Hogfather himself dons his red suit and climbs in his sleigh pulled by -- of course! -- eight hogs and brings gifts to all the boys and girls of Discworld.But this year, there's a problem. A stranger has taken the place of the Hogfather. Well, not exactly a stranger. He's actually pretty well known. He carries a scythe along with his bag of toys, and he's going to SLEIGH everyone he sees tonight.Ho ho ho.Even the laugh is wrong. The switch has been arranged by the Auditors, mysterious superbeings who want our universe to be a collection of rocks swinging in curves through space. Life is messy. Why not get rid of it? And who better than -- you know who?Somebody has to rescue the real Hogfather before this morbid impostor tracks soot on the world's carpets. It's up to Ankh-Morpork's intellectual elite, the assembled wizards of Unseen University -- with the help of a monster-bashing nanny, the world's worst inventor, plus a bona-fide, honest-to-god god (the oh god of hangovers, to be precise) -- to come up with a plan to save the universe.And they'd better hurry. The bogus Hogfather is asking the wrong questions. Like: How come rich kids get all the nice toys? How come the poor kids are left with the cheap stuff?"That's life," he is told.Which cuts no ice with Death.

Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.Caravaggio - originally, unexpectedly - looms large: as a man who moved between spheres of exalted patronage and petty criminality; as a painter who, amid the elegant conventions of late Mannerism, forged his own style of visceral dark and light; and as an individual whose recognized genius was allowed to legitimate and excuse his violence.In this profound and moving debut, Yomi Sode asks: what does it mean to find oneself between worlds - to 'code-switch', adapting one's speech and manners to widely differing cultural contexts? Who is, and who isn't, allowed to be more than their origins? And what do we owe each other? What do we owe ourselves?

Head Over Heels in the Dales is the third volume in Gervase Phinn's bestselling Dales Series 'Could you tell me how to spell "sex" please?' Gervase Phinn thinks he's heard just about everything in his two years as a school inspector, but a surprising enquiry from an angelic six-year-old reminds him never to take children for granted. This year Gervase has lots of important things on his mind - his impending marriage to Christine Bentley (the prettiest headteacher for miles around), finding somewhere idyllic to live in the Yorkshire Dales, and the chance of a promotion. All of which generate their fair share of excitement, aided and abetted as usual by his colleagues in the office. In Head Over Hells in the Dales, join Gervase Phinn in the classroom where he faces his greatest challenge: keeping a straight face as teachers and children alike conspire to have him laughing out loud. 'Gervase Phinn's memoirs have made him a hero in school staff-rooms' Daily Telegraph Gervase Phinn is an author and educator from Rotherham who, after teaching for fourteen years in a variety of schools, moved to North Yorkshire to be a school inspector. He has written autobiographies, novels, plays, collections of poetry and stories, as well as a number of books about education. He holds five fellowships, honorary doctorates from Hull, Leicester and Sheffield Hallam universities, and is a patron of a number of children's charities and organizations. He is married with four adult children. His books include The Other Side of the Dale, Over Hill and Dale, Head Over Heels in the Dales, The Heart of the Dales, Up and Down in the Dales and Trouble at the Little Village School.

A one-volume edition of the celebrated trio of novels about the Rabbitte family, from the Booker Prize-winning author of Paddy Clarke Ha Ha HaLook for Roddy Doyle’s new novel, Smile, coming in October of 2017The Barrytown Trilogy gathers Roddy’s Doyle’s first three novels into one volume: The Commitments, one of the funniest rock’n’roll novels ever written, about a group of aspiring musicians on a mission to bring soul to Dublin; The Snapper, about the progression of twenty-year-old Sharon Rabbitte’s pregnancy on her family; and The Van, a finalist for the Booker Prize, a tender and hilarious tale of male friendship, midlife crisis, and family life, set during the heady days of Ireland’s brief, euphoric triumphs in the 1990 World Cup.

Fifteen-year-old Spud's 1991 diary reflects ongoing concerns about his manhood and his weird family, boarding school adventures of the Crazy Eight, a disastrous theater performance, and the joys and perils of having two beautiful women in his life.

With the sun finally setting on that wondrous earthy paradise that is Blandings, Vicky Underwood finds herself forcibly parted from her beloved, Jeff Bennison. Her Uncle Galahad turns his not inconsiderable talents to reuniting the love-birds. Wodehouse's final chronicle of Blandings is unfinished, but three Wodehouse admirers have supplied a treasure trove of notes and plot details, providing fascinating insights into the mind of the author.

The James Bond epic is the most popular film series in silver screen history: it is estimated that a quarter of the world's population has seen a Bond feature. The saga of Britain's best-loved martini hound (who we all know prefers his favorite drink "shaken, not stirred") has adapted to changing times for four decades without ever abandoning its tried-and-true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetry.James Chapman expertly traces the annals of celluloid Bond from its inauguration with 1962's Dr. No through its progression beyond Ian Fleming's spy novels to the action-adventure spectaculars of GoldenEye and Tomorrow Never Dies. He argues that the enormous popularity of the series represents more than just the sum total of the films' box-office receipts and involves questions of film culture in a wider sense. Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation's might in a Cold War world where Britain was no longer a primary actor. Chapman describes the protean nature of Bond villains in a volatile global political scene -- from Soviet scoundrels and Chinese rogues in the 1960s to a brief flirtation with Latin American drug kingpins in the 1980s and back to the Chinese in the 1990s. The book explores how the movies struggle with changing societal ethics -- notably, in the evolution in the portrayal of women, showing how Bond's encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himself.The Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema's history -- half the period since the introduction of talking pictures in the late 1920s. Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.

In this engagingly witty, wise, and heartfelt memoir, Martin Short tells the tale of how a showbiz- obsessed kid from Canada transformed himself into one of Hollywood's favorite funnymen, known to his famous peers as the "comedian's comedian." Short takes the reader on a rich, hilarious, and occasionally heartbreaking ride through his life and times, from his early years in Toronto as a member of the fabled improvisational troupe Second City to the all-American comic big time of Saturday Night Live, and from memorable roles in such movies as ¡Three Amigos! and Father of the Bride to Broadway stardom in Fame Becomes Me and the Tony-winning Little Me. He reveals how he created his most indelible comedic characters, among them the manic man-child Ed Grimley, the slimy corporate lawyer Nathan Thurm, and the bizarrely insensitive interviewer Jiminy Glick. Throughout, Short freely shares the spotlight with friends, colleagues, and collaborators, among them Steve Martin, Tom Hanks, Gilda Radner, Mel Brooks, Nora Ephron, Eugene Levy, Catherine O'Hara, Paul Shaffer, and David Letterman. But there is another side to Short's life that he has long kept private. He lost his eldest brother and both parents by the time he turned twenty, and, more recently, he lost his wife of thirty years to cancer. In I Must Say, Short talks for the first time about the pain that these losses inflicted and the upbeat life philosophy that has kept him resilient and carried him through. In the grand tradition of comedy legends, Martin Short offers a show-business memoir densely populated with boldface names and rife with retellable tales: a hugely entertaining yet surprisingly moving self-portrait that will keep you laughing—and crying—from the first page to the last.