Recommendations based on "The Black Dahlia"

CHICAGO, 1893.ONE MAN BUILT A HEAVEN ON EARTH.ANOTHER BUILT HELL BESIDE IT.The Chicago World's Fair of 1893 was one of the greats wonders of the world. This is the extraordinary story of its realization, and of two men whose fates it linked: one was an architect, the other a serial killer...The architect was Daniel H. Burnham. He created the 'White City', a massive, visionary landscape of white buildings set in an incandescent wonderland of canals and gardens. The killer was H. H. Holmes, a handsome doctor with intense blue eyes, who used the attraction of the great fair - and his own devilish charms - to lure scores, perhaps hundreds, of young women to their deaths. And while Burnham overcame politics, infighting, personality clashes and Chicago's infamous weather to transform the swamps of Jackson Park into the greatest show on Earth, Holmes built his own edifice. He called it the World's Fair Hotel. In reality it was a torture palace, a gas chamber, a crematorium.These two disparate yet driven men together with a remarkable supporting cast, including Buffalo Bill, George Ferris and Thomas Edison, are brought to life in this mesmerizing, murderous tale of the spectacle that transformed America and set it on course for the 20th century.

“The Life We Chose—an unforgettable story. A really great read.” —Nicholas Pileggi, author of Wiseguy and Casino and screenwriter of GoodfellasFrom Matt Birkbeck—investigative journalist and executive producer of Netflix’s #1 movie Girl in the Picture—a revelatory father/surrogate son story that takes readers deep inside the inner workings of the mob through the eyes of William “Big Billy” D’Elia, the right-hand man to legendary mafia kingpin Russell Bufalino, who ran organized crime in the US for more than fifty years.William “Big Billy” D’Elia is Mafia royalty.The “adopted” son of legendary organized crime boss Russell Bufalino, for decades D’Elia had unequaled access to the man the FBI and US Justice Department considered one of the leading organized crime figures in the United States. But the government had no real idea as to the breadth of Bufalino’s power and influence—or that it was Bufalino, from his bucolic home base in Pittston, Pennsylvania, who reigned over the five families in New York and other organized crime families throughout the country.For nearly thirty years, D’Elia was at Bufalino’s side, and “Russ’s son” was a witness and participant to major historical events that have stymied law enforcement, perplexed journalists, and produced false and wild narratives in books and movies—not the least of which being the infamous disappearance of union boss Jimmy Hoffa. In addition, their reach was illustrated by their relationships with Frank Sinatra, Marlon Brando, Michael Jackson, Suge Knight, and many other celebrities and personalities.D’Elia became the de facto leader of the Bufalino family upon Russell Bufalino’s imprisonment in 1979, and he officially took control upon Bufalino’s death in 1994 until his arrest in 2006, when he was charged with money laundering and the attempted murder of a witness. He pled guilty to money laundering and witness tampering and was released from federal prison in 2012.Candid and unapologetic, D’Elia is finally ready to reveal the real story behind the myths and in so doing paints a complicated, compelling, and stunning portrait of crime, power, money, and finally, family.

From bestselling author Jon Krakauer, a stark, powerful, meticulously reported narrative about a series of sexual assaults at the University of Montana ­— stories that illuminate the human drama behind the national plague of campus rape   Missoula, Montana, is a typical college town, with a highly regarded state university, bucolic surroundings, a lively social scene, and an excellent football team — the Grizzlies — with a rabid fan base.   The Department of Justice investigated 350 sexual assaults reported to the Missoula police between January 2008 and May 2012. Few of these assaults were properly handled by either the university or local authorities. In this, Missoula is also typical.   A DOJ report released in December of 2014 estimates 110,000 women between the ages of eighteen and twenty-four are raped each year. Krakauer’s devastating narrative of what happened in Missoula makes clear why rape is so prevalent on American campuses, and why rape victims are so reluctant to report assault.   Acquaintance rape is a crime like no other. Unlike burglary or embezzlement or any other felony, the victim often comes under more suspicion than the alleged perpetrator. This is especially true if the victim is sexually active; if she had been drinking prior to the assault — and if the man she accuses plays on a popular sports team. The vanishingly small but highly publicized incidents of false accusations are often used to dismiss her claims in the press. If the case goes to trial, the woman’s entire personal life becomes fair game for defense attorneys.   This brutal reality goes a long way towards explaining why acquaintance rape is the most underreported crime in America. In addition to physical trauma, its victims often suffer devastating psychological damage that leads to feelings of shame, emotional paralysis and stigmatization. PTSD rates for rape victims are estimated to be 50%, higher than soldiers returning from war.   In Missoula, Krakauer chronicles the searing experiences of several women in Missoula — the nights when they were raped; their fear and self-doubt in the aftermath; the way they were treated by the police, prosecutors, defense attorneys; the public vilification and private anguish; their bravery in pushing forward and what it cost them.   Some of them went to the police. Some declined to go to the police, or to press charges, but sought redress from the university, which has its own, non-criminal judicial process when a student is accused of rape. In two cases the police agreed to press charges and the district attorney agreed to prosecute. One case led to a conviction; one to an acquittal. Those women courageous enough to press charges or to speak publicly about their experiences were attacked in the media, on Grizzly football fan sites, and/or to their faces. The university expelled three of the accused rapists, but one was reinstated by state officials in a secret proceeding. One district attorney testified for an alleged rapist at his university hearing. She later left the prosecutor’s office and successfully defended the Grizzlies’ star quarterback in his rape trial. The horror of being raped, in each woman’s case, was magnified by the mechanics of the justice system and the reaction of the community.   Krakauer’s dispassionate, carefully documented account of what these women endured cuts through the abstract ideological debate about campus rape. College-age women are not raped because they are promiscuous, or drunk, or send mixed signals, or feel guilty about casual sex, or seek attention. They are the victims of a terrible crime and deserving of compassion from society and fairness from a justice system that is clearly broken. 

The New York Times Book Review Editors' Choice • The engrossing true-crime classic from one of Australia’s most acclaimed writers, that follows a man and his broken life, a community wracked by tragedy, and the long and torturous road to closure •"This House of Grief, in its restraint and control, bears comparison with In Cold Blood."—Kate Atkinson, author of Big Sky and Shrines of GaietyOn the evening of Father’s Day, 2005, separated husband Robert Farquharson was driving his three young sons back to their mom’s house when the car veered off the road and plunged into a dam. Farquharson survived the crash, but his boys drowned. Was this a tragic accident, or an act of revenge? The court case that followed became a national obsession—a macabre parade of witnesses, family members, and the defendant himself, each forced to relive the unthinkable for an audience of millions.In This House of Grief, celebrated writer Helen Garner tells the definitive and deeply absorbing story of it all, from crash to final verdict. Through a panoply of perspectives, including her own as a member of the public, Garner captures the exacting procedure and brutal spectacle of Australia’s criminal justice system. The result is a richly textured portrait—of a man and his broken life, of a community wracked by tragedy, and of the long and torturous road to closure.Considered a literary institution in Australia, Helen Garner’s incisive nonfiction evokes the keen eye of the New Journalists. Brisk, candid, and never dismissive of its flawed subjects, This House of Grief is a masterwork of literary journalism.

An authorized tie-in to the popular TV show Criminal MindsMost episodes of Criminal Minds feature a briefing where the show's team of FBI profilers defines the type of criminal they're looking for and provides some real-life examples. This book tells the story of those examples.Published to coincide with the release of season five of Criminal Minds on DVD Organized by type of criminal, including solo serial killers, sexual predators, and killers with famous victims; and tells the stories of many famous murderers, including David Berkowitz, Jeffrey Dahmer, Mark David Chapman, and the Zodiac killer Features photographs from the show Criminal Minds: Sociopaths, Serial Killers, and Other Deviants is a fascinating, terrifying book about the criminal minds who live among us.

A stunning account of life behind bars at the federal penitentiary in Leavenworth, Kansas, where the nation’s hardest criminals do hard time.   “A page-turner, as compelling and evocative as the finest novel. The best book on prison I’ve ever read.”—Jonathan Kellerman   The most dreaded facility in the prison system because of its fierce population, Leavenworth is governed by ruthless clans competing for dominance. Among the “star” players in these pages: Carl Cletus Bowles, the sexual predator with a talent for murder; Dallas Scott, a gang member who has spent almost thirty of his forty-two years behind bars; indomitable Warden Robert Matthews, who put his shoulder against his prison’s grim reality; Thomas Silverstein, a sociopath confined in “no human contact” status since 1983; “tough cop” guard Eddie Geouge, the only officer in the penitentiary with the authority to sentence an inmate to “the Hole”; and William Post, a bank robber with a criminal record going back to when he was eight years old—and known as the “Catman” for his devoted care of the cats who live inside the prison walls.   Pete Earley, celebrated reporter and author of Family of Spies, all but lived for nearly two years inside the primordial world of Leavenworth, where he conducted hundreds of interviews. Out of this unique, extraordinary access comes the riveting story of what life is actually like in the oldest maximum-security prison in the country.   Praise for The Hot House   “Reporting at its very finest.”—Los Angeles Times   “The book is a large act of courage, its subject an important one, and . . . Earley does it justice.”—The Washington Post Book World   “[A] riveting, fiercely unsentimental book . . . To [Earley’s] credit, he does not romanticize the keepers or the criminals. His cool and concise prose style serves him well. . . . This is a gutsy book.”—Chicago Tribune   “Harrowing . . . an exceptional work of journalism.”—Detroit Free Press   “If you’re going to read any book about prison, The Hot House is the one. . . . It is the most realistic, unbuffed account of prison anywhere in print.”—Kansas City Star   “A superb piece of reporting.”—Tom Clancy

The shocking true story of how a young girl from Rochdale came to be Girl A—the key witness in the trial of Britain’s most notorious child sex ringWhat do they find attractive about me? An underage girl who just lies there, sobbing, looking up at them. . . as they come to me one by one.Girl A was just 14 when she was groomed by a group of nine Asian men. After being lured into their circle with free gifts, she was plied with alcohol and systematically abused. She was just one of up to 50 girls to be "passed around" by the gang. The girls were all under 16 and forced to have sex with as many as 20 men in one night. When details emerged, a nation was outraged and asked how these sickening events came to pass. And now, the girl at the very center of the storm reveals the heartbreaking truth.

The best-known and most sensational event in Vincent van Gogh’s life is also the least understood. For more than a century, biographers and historians seeking definitive facts about what happened on a December night in Arles have unearthed more questions than answers. Why would an artist at the height of his powers commit such a brutal act? Who was the mysterious “Rachel” to whom he presented his macabre gift? Did he use a razor or a knife? Was it just a segment—or did Van Gogh really lop off his entire ear? In Van Gogh’s Ear, Bernadette Murphy reveals, for the first time, the true story of this long-misunderstood incident, sweeping away decades of myth and giving us a glimpse of a troubled but brilliant artist at his breaking point. Murphy’s detective work takes her from Europe to the United States and back, from the holdings of major museums to the moldering contents of forgotten archives. She braids together her own thrilling journey of discovery with a narrative of Van Gogh’s life in Arles, the sleepy Provençal town where he created his finest work, and vividly reconstructs the world in which he moved—the madams and prostitutes, café patrons and police inspectors, shepherds and bohemian artists. We encounter Van Gogh’s brother and benefactor Theo, his guest and fellow painter Paul Gauguin, and many local subjects of Van Gogh’s paintings, some of whom Murphy identifies for the first time. Strikingly, Murphy uncovers previously unknown information about “Rachel”—and uses it to propose a bold new hypothesis about what was occurring in Van Gogh’s heart and mind as he made a mysterious delivery to her doorstep. As it reopens one of art history’s most famous cold cases, Van Gogh’s Ear becomes a fascinating work of detection. It is also a study of a painter creating his most iconic and revolutionary work, pushing himself ever closer to greatness even as he edged toward madness—and one fateful sweep of the blade that would resonate through the ages.

WINNER OF THE 2016 PULITZER PRIZE FOR GENERAL NONFICTION“A Best Book of 2015”—The New York Times, The Washington Post, People Magazine, San Francisco Chronicle, Kansas City Star, and Kirkus ReviewsIn a thrilling dramatic narrative, awarded the 2016 Pulitzer Prize for General Nonfiction, Joby Warrick traces how the strain of militant Islam behind ISIS first arose in a remote Jordanian prison and spread with the unwitting aid of two American presidents.    When the government of Jordan granted amnesty to a group of political prisoners in 1999, it little realized that among them was Abu Musab al-Zarqawi, a terrorist mastermind and soon the architect of an Islamist movement bent on dominating the Middle East. In Black Flags, an unprecedented character-driven account of the rise of ISIS, Pulitzer Prize-winning reporter Joby Warrick shows how the zeal of this one man and the strategic mistakes of Presidents Bush and Obama led to the banner of ISIS being raised over huge swaths of Syria and Iraq.   Zarqawi began by directing terror attacks from a base in northern Iraq, but it was the American invasion in 2003 that catapulted him to the head of a vast insurgency. By falsely identifying him as the link between Saddam and bin Laden, U.S. officials inadvertently spurred like-minded radicals to rally to his cause. Their wave of brutal beheadings and suicide bombings persisted until American and Jordanian intelligence discovered clues that led to a lethal airstrike on Zarqawi’s hideout in 2006.   His movement, however, endured. First calling themselves al-Qaeda in Iraq, then Islamic State of Iraq and Syria, or ISIS, his followers sought refuge in unstable, ungoverned pockets on the Iraq-Syria border. When the Syrian civil war broke out in 2011, and as the U.S. largely stood by, ISIS seized its chance to pursue Zarqawi’s dream of an ultra-conservative Islamic caliphate.   Drawing on unique high-level access to CIA and Jordanian sources, Warrick weaves gripping, moment-by-moment operational details with the perspectives of diplomats and spies, generals and heads of state, many of whom foresaw a menace worse than al Qaeda and tried desperately to stop it. Black Flags is a brilliant and definitive history that reveals the long arc of today’s most dangerous extremist threat.

A city with eight million people has eight million ways to die For fifteen years, Shiya Ribowsky worked as a medicolegal investigator in New York City’s medical examiner’s office—the largest, most sophisticated organization of its kind in the world. Utilizing his background in medicine, he led the investigations of more than eight thousand individual deaths, becoming a key figure in some of New York’s most bizarre death cases and eventually taking charge of the largest forensic investigation ever attempted: identifying the dead in the aftermath of the September 11 tragedies. Now, in this mesmerizing book, Ribowsky pulls back the curtain on the New York City’s medical examiner’s office, giving an enthralling, never-before-seen glimpse into death and the city. Born and raised in New York City’s orthodox Jewish community, Ribowsky seems an unlikely candidate for this macabre profession. Nevertheless he has forsaken a promising career of medical work with the living, descending instead into the realm of the dead, enticed by the challenge of confronting death on a daily basis. Taking you through the vermin-infested Bowery flophouses and posh Upper East Side apartments of the city’s dead, Ribowsky explores in gruesome detail the skeletons that hang in the Big Apple’s closets. Combing through the autopsy room, he also exposes the grim secrets that only a scalpel and a dead body can tell and explains how forensic investigation does not merely solve crimes—it saves lives. But it is in the aftermath of September 11 that the ME’s office is handed its biggest challenge: to identify as many of the fallen as possible. With poignant descriptions, Ribowsky provides a dramatic account of the office’s diligent and unflappable work with the families of the victims, helping them emerge from the ashes of this tragedy while displaying the strength, grit, intelligence, and compassion that Americans expect from true New Yorkers. At once compelling and heartbreaking, Dead Center is a story of New York unlike any other, blending the haunting with the sublime, while painting a striking portrait of death (and life) in the city that never sleeps.