Recommendations based on "The Art of War & Other Classics of Eastern Philosophy (Leather-bound Classics)"

Originally banned in China but later named one of that nation’s most influential books, a searing novel that portrays one man’s transformation from the spoiled son of a landlord to a kindhearted peasant.  “A work of astounding emotional power.” —Dai Sijie, author of Balzac and the Little Chinese Seamstress From the author of Brothers and China in Ten Words: this celebrated contemporary classic of Chinese literature was also adapted for film by Zhang Yimou. After squandering his family’s fortune in gambling dens and brothels, the young, deeply penitent Fugui settles down to do the honest work of a farmer. Forced by the Nationalist Army to leave behind his family, he witnesses the horrors and privations of the Civil War, only to return years later to face a string of hardships brought on by the ravages of the Cultural Revolution. Left with an ox as the companion of his final years, Fugui stands as a model of gritty authenticity, buoyed by his appreciation for life in this narrative of humbling power.

In Eliot Pattison's Soul of the Fire, When Shan Tao Yun and his old friend Lokesh are abruptly dragged away by Public Security, he is convinced that their secret, often illegal, support of struggling Tibetans has brought their final ruin. But his fear turns to confusion as he discovers he has been chosen to fill a vacancy on a special international commission investigating Tibetan suicides. Soon he finds that his predecessor was murdered, and when a monk sets himself on fire in front of the commissioners he realizes that the Commission is being used as a tool to whitewash Tibet's self-immolation protests as acts of crime and terrorism. Shan faces an impossible dilemma when the Public Security officer who runs the Commission, Major Ren, orders the imprisoned Lokesh beaten to coerce Shan into following Beijing's script for the Commission. He has no choice but to become part of the hated machine that is devouring Tibet, but when he discovers that the most recent immolation was actually another murder, he realizes the Commission itself is riddled with crime and intrigue. Everywhere he turns, Shan finds new secrets that seem to lead to the last agonizing chapter of his life. Shan must make a final desperate effort to uncover the Commission's terrible secrets whose painful truth could change Shan's life - and possibly that of many Tibetans - forever.

In Water Touching Stone, the sequel to the internationally acclaimed The Skull Mantra, Shan Tao Yun is cloistered in a remote Tibetan sanctuary when he receives shattering news. A teacher revered by the oppressed has been found slain and, one by one, her orphaned students have followed her to her grave, victims of a killer harboring unfathomable motives. Abandoning his mountain hermitage, Shan Tao Yun, a former Beijing police inspector who has been exiled to Tibet, embarks on a search for justice. Shadowed by bizarre tales of an unleashed 'demon,' Shan braces himself for even darker imaginings as he stalks a killer and fights to restore spiritual balance to the ancient and tenuous splendor of Tibet.

“Li Kao may have a slight flaw in his character but the book has none. I recommend it unconditionally and I predict Barry Hughart has quite a future as a fantasy writer.”—Anne McCaffreyWhen the children of his village were struck with a mysterious illness, Number Ten Ox sought a wiseman to save them. He found master Li Kao, a scholar with a slight flaw in his character. Together they set out to find the Great Root of Power, the only possible cure.The quest led them to a host of truly memorable characters, multiple wonders, incredible adventures—and strange coincidences which were really not coincidences at all. And it involved them in an ancient crime that still perturbed the serenity of Heaven. Simply and charmingly told, this is a wry tale, a sly tale, and a story of wisdom delightfully askew. Once read, its marvels and beauty will not easily fade from the mind.The author claims that this is a novel of an ancient China that never was. But, oh . . . it should have been!

First published in 1952, The Journey to the West, volume I, comprises the first twenty-five chapters of Anthony C. Yu's four-volume translation of Hsi-yu Chi, one of the most beloved classics of Chinese literature. The fantastic tale recounts the sixteen-year pilgrimage of the monk Hsüan-tsang (596-664), one of China's most illustrious religious heroes, who journeyed to India with four animal disciples in quest of Buddhist scriptures. For nearly a thousand years, his exploits were celebrated and embellished in various accounts, culminating in the hundred-chapter Journey to the West, which combines religious allegory with romance, fantasy, humor, and satire.

From the acclaimed author of River Town comes a rare portrait, both intimate and epic, of twenty-first-century China as it opens its doors to the outside world. A century ago, outsiders saw Chinaas a place where nothing ever changes. Today the coun-try has become one of the most dynamic regions on earth. That sense of time—the contrast between past and present, and the rhythms that emerge in a vast, ever-evolving country—is brilliantly illuminated by Peter Hessler in Oracle Bones, a book that explores the human side of China's transformation. Hessler tells the story of modern-day China and its growing links to the Western world as seen through the lives of a handful of ordinary people. In addition to the author, an American writer living in Beijing, the narrative follows Polat, a member of a forgotten ethnic minority, who moves to the United States in searchof freedom; William Jefferson Foster, who grew up in an illiterate family and becomes a teacher; Emily,a migrant factory worker in a city without a past; and Chen Mengjia, a scholar of oracle-bone inscriptions, the earliest known writing in East Asia, and a man whosetragic story has been lost since the Cultural Revolution. All are migrants, emigrants, or wanderers who find themselves far from home, their lives dramatically changed by historical forces they are struggling to understand. Peter Hessler excavates the past and puts a remarkable human face on the history he uncovers. In a narrative that gracefully moves between the ancient and the present, the East and the West, Hessler captures the soul of a country that is undergoing a momentous change before our eyes.

From the bestselling author of Oracle Bones and River Town comes the final book in his award-winning trilogy, on the human side of the economic revolution in China. In the summer of 2001, Peter Hessler, the longtime Beijing correspondent for The New Yorker, acquired his Chinese driver's license. For the next seven years, he traveled the country, tracking how the automobile and improved roads were transforming China. Hessler writes movingly of the average people—farmers, migrant workers, entrepreneurs—who have reshaped the nation during one of the most critical periods in its modern history. Country Driving begins with Hessler's 7,000-mile trip across northern China, following the Great Wall, from the East China Sea to the Tibetan plateau. He investigates a historically important rural region being abandoned, as young people migrate to jobs in the southeast. Next Hessler spends six years in Sancha, a small farming village in the mountains north of Beijing, which changes dramatically after the local road is paved and the capital's auto boom brings new tourism. Finally, he turns his attention to urban China, researching development over a period of more than two years in Lishui, a small southeastern city where officials hope that a new government-built expressway will transform a farm region into a major industrial center. Peter Hessler, whom The Wall Street Journal calls "one of the Western world's most thoughtful writers on modern China," deftly illuminates the vast, shifting landscape of a traditionally rural nation that, having once built walls against foreigners, is now building roads and factory towns that look to the outside world.

“The best English edition of the classic Chinese fantasy novel I have ever read.” ―Minjie Chen, Los Angeles Review of BooksA Penguin ClassicBefore there was The Lord of the Rings, there was China’s Monkey King. The title character, also known as Sun Wukong, is a shape-shifting trickster on a kung-fu quest for eternal life, beloved by fans of the anime Dragon Ball and the video games League of Legends and Black Myth: Wukong. For raiding Heaven’s Orchard of Immortal Peaches, the Buddha pins Monkey King beneath a mountain and frees him only five hundred years later, to protect the pious monk Tripitaka on a fourteen-year journey to India in search of precious Buddhist sutras. Accompanied by two other fallen immortals—a rice-loving pig able to fly with its ears and a depressive man-eating river-sand monster—Monkey King undergoes eighty-one trials, doing battle with all manner of dragons, ogres, wizards, and femmes fatales in this rollicking adventure that not only stands as the most popular of China’s Four Great Classical Novels but also gave us one of world literature’s most memorable superheroes.Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In a remote corner of the Russo-Chinese border, home to a frozen city called Yelingrad, satellite cameras pick up a suspicious new Soviet missile complex. Flying a defector's MiG-28D at treetop level, Quiller goes in to investigate. But it's a one-way ticket for the superagent. . . . Previous publisher: Dell.

During the twentieth century, 80 percent of all famine victims worldwide died in China and the Soviet Union. In this rigorous and thoughtful study, Felix Wemheuer analyzes the historical and political roots of these socialist-era famines, in which overambitious industrial programs endorsed by Stalin and Mao Zedong created greater disasters than those suffered under prerevolutionary regimes. Focusing on famine as a political tool, Wemheuer systematically exposes how conflicts about food among peasants, urban populations, and the socialist state resulted in the starvation death of millions. A major contribution to Chinese and Soviet history, this provocative analysis examines the long-term effects of the great famines on the relationship between the state and its citizens and argues that the lessons governments learned from the catastrophes enabled them to overcome famine in their later decades of rule.