Recommendations based on "The Art of Cruelty"

The beloved New York Times bestselling author reflects on home, family, friendships and writing in this deeply personal collection of essays."The elegance of Patchett’s prose is seductive and inviting: with Patchett as a guide, readers will really get to grips with the power of struggles, failures, and triumphs alike." —Publisher's Weekly“Any story that starts will also end.” As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth in these wise essays that afford a fresh and intimate look into her mind and heart.At the center of These Precious Days is the title essay, a surprising and moving meditation on an unexpected friendship that explores “what it means to be seen, to find someone with whom you can be your best and most complete self.” When Patchett chose an early galley of actor and producer Tom Hanks’ short story collection to read one night before bed, she had no idea that this single choice would be life changing. It would introduce her to a remarkable woman—Tom’s brilliant assistant Sooki—with whom she would form a profound bond that held monumental consequences for them both.A literary alchemist, Patchett plumbs the depths of her experiences to create gold: engaging and moving pieces that are both self-portrait and landscape, each vibrant with emotion and rich in insight. Turning her writer’s eye on her own experiences, she transforms the private into the universal, providing us all a way to look at our own worlds anew, and reminds how fleeting and enigmatic life can be.From the enchantments of Kate DiCamillo’s children’s books (author of The Beatryce Prophecy) to youthful memories of Paris; the cherished life gifts given by her three fathers to the unexpected influence of Charles Schultz’s Snoopy; the expansive vision of Eudora Welty to the importance of knitting, Patchett connects life and art as she illuminates what matters most. Infused with the author’s grace, wit, and warmth, the pieces in These Precious Days resonate deep in the soul, leaving an indelible mark—and demonstrate why Ann Patchett is one of the most celebrated writers of our time.

Bestselling author and renowned professor Mary Karr offers a master class in the essential elements of great memoir—delivered with her signature wit, insight, and candor.Credited with sparking the current memoir explosion, Mary Karr’s The Liars’ Club spent more than a year at the top of the New York Times list. She followed with two other smash bestsellers: Cherry and Lit, which were critical hits as well.For thirty years Karr has also taught the form, winning teaching prizes at Syracuse. (The writing program there produced such acclaimed authors as Cheryl Strayed, Keith Gessen, and Koren Zailckas.) In The Art of Memoir, she synthesizes her expertise as professor and therapy patient, writer and spiritual seeker, recovered alcoholic and “black belt sinner,” providing a unique window into the mechanics and art of the form that is as irreverent, insightful, and entertaining as her own work in the genre.Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers’ experience, The Art of Memoir lays bare Karr’s own process. (Plus all those inside stories about how she dealt with family and friends get told— and the dark spaces in her own skull probed in depth.) As she breaks down the key elements of great literary memoir, she breaks open our concepts of memory and identity, and illuminates the cathartic power of reflecting on the past; anybody with an inner life or complicated history, whether writer or reader, will relate.Joining such classics as Stephen King’s On Writing and Anne Lamott’s Bird by Bird, The Art of Memoir is an elegant and accessible exploration of one of today’s most popular literary forms—a tour de force from an accomplished master pulling back the curtain on her craft.

Natascha Mcelhone, Star Of The Truman Show And Californication, Was Filming In La, Seven Months Pregnant With Her Third Child With Her Other Two Young Children Playing In The Gym Across The Road When She Got A Call From A Friend That Would Change Her Life Forever. Her Husband, Martin, The Love Of Her Life And Father To Her Delightful Children And An Apparently Healthy Man In His Early 40s Had Died Suddenly Of A Heart Attack. In The Weeks And Months That Followed The Devastating Shock Natascha Continued To Write Her Diary And Letters To Martin (something She Had Always Done As, Due To Her Work, She Was Used To Being Far From Home). They Were Letters Of Love, Letters About Their Gorgeous Boys, Letters About The Birth Of The New Baby And Diary Entries Detailing The Mundane And Heartbreaking Details Of Her New Life: House Repairs And Terrifying Family Finances; Trying To Keep The Children's Lives As Normal As Possible In The Face Of Such Abnormal New Circumstances. The Result Is A Powerful, Honest And Moving Story Of A Magical Love Affair And All-consuming Grief, Of Being A Mother Alone And Trying To Live For The Future.

What happens when your partner of twenty years suddenly believes you’re nothing but a stranger?What do you do when your history together is gone?How do you prove you’re not an imposter in your own life?When the partner of Emmy Award–winning screenwriter Abi Morgan abruptly collapsed from a mysterious illness, doctors were concerned that he would not survive. Then, six months later, Jacob woke from his coma, to the delight and relief of his family and friends—except this proved to be anything but a Hollywood ending. Because to Jacob, the woman standing at his bedside, who had cared for him all these months, was not his partner. Not his children’s mother. Not the woman he loved. Sure, she looked like his Abi, but this was an imposter, living someone else’s life.Finding herself dropped into a real-life night-mare seemingly ripped from the pages of a thriller, Abi must find a way to hang on to not only their past but also their future together, before it slips away from them both. With grace, an irresistible sense of humor and refreshingly raw honesty, This Is Not a Pity Memoir grapples with a journey through fear and redemption few should have to face.What do you do when you are losing your love?You don’t write a pity memoir.You write a love story.

What I hope is that people reading this book will bear in mind that we are human beings first, inmates second.--Bonnie ForeshawIn a stunning new work of insight and hope, New York Times bestselling author Wally Lamb once again reveals his unmatched talent for finding the humanity in the lost and lonely and celebrates the transforming power of the written word.For the past several years, Lamb has taught writing to a group of women prisoners at York Correctional Institution. At first mistrustful of Lamb, one another, and the writing process, over time these students let down their guard, picked up their pens, and discovered their voices. In this unforgettable collection, the women of York describe in their own words how they were imprisoned by abuse, rejection, and their own self-destructive impulses long before they entered the criminal justice system. Yet these are stories of hope, humor, and triumph in the face of despair. Having used writing as a tool to unlock their creativity and begin the process of healing, these amazing writers have left victimhood behind.In his powerful introduction, Lamb describes the incredible journey of expression and self-awareness the women took through their writings and shares how they challenged him as a teacher and as a fellow author. In "Hair Chronicles," Tabatha Rowley tells her life history through her past hairstyles -- outer signals to the world each time she reinvented herself and eventually came to prize her own self-worth. Brenda Medina admits in "Hell, and How I got Here" that she continued to rebel in prison until her parents' abiding love made her realize that her misbehavior was hurting them and herself deeply. In "Faith, Power, and Pants," Bonnie Foreshaw describes how faith has carried her through trials in life and in prison and has allowed her to understand her past actions, to look toward the future, and to believe that she will once again taste home cooking. Couldn't Keep It to Myself is a true testament to the process of finding oneself and working toward a better day.

When Matriarchs Begin To Disappear, There Is A Choice To Either Step Into The Places They Left Behind, Or To Craft A New Space. Helen Knott’s Debut Memoir, In My Own Moccasins, Wowed Reviewers, Award Juries, And Readers Alike With Its Profoundly Honest And Moving Account Of Addiction, Intergenerational Trauma, Resilience, And Survival. Now, In Her Highly Anticipated Second Book, Knott Returns With A Chronicle Of Grief, Love, And Legacy. Having Lost Both Her Mom And Grandmother In Just Over Six Months, Forced To Navigate The Fine Lines Between Matriarchy, Martyrdom, And Codependency, Knott Realizes She Must Let Go, Not Just Of The Women Who Raised Her, But Of The Woman She Thought She Was. Woven Into The Pages Are Themes Of Mourning, Sobriety Through Loss, And Generational Dreaming. Becoming A Matriarch Is Charted With Poetic Insights, Sass, Humour, And Heart, Taking The Reader Over The Rivers And Mountains Of Dane Zaa Territory In Northeastern British Columbia, Along The Cobbled Streets Of Antigua, Guatemala, And Straight To The Heart Of What Matriarchy Truly Means. This Is A Journey Through Pain, On The Way To Becoming.

A memoir-in-essays from disability advocate and creator of the Instagram account @sitting_pretty Rebekah Taussig, processing a lifetime of memories to paint a beautiful, nuanced portrait of a body that looks and moves differently than most.Growing up as a paralyzed girl during the 90s and early 2000s, Rebekah Taussig only saw disability depicted as something monstrous (The Hunchback of Notre Dame), inspirational (Helen Keller), or angelic (Forrest Gump). None of this felt right; and as she got older, she longed for more stories that allowed disability to be complex and ordinary, uncomfortable and fine, painful and fulfilling.Writing about the rhythms and textures of what it means to live in a body that doesn’t fit, Rebekah reflects on everything from the complications of kindness and charity, living both independently and dependently, experiencing intimacy, and how the pervasiveness of ableism in our everyday media directly translates to everyday life.Disability affects all of us, directly or indirectly, at one point or another. By exploring this truth in poignant and lyrical essays, Taussig illustrates the need for more stories and more voices to understand the diversity of humanity. Sitting Pretty challenges us as a society to be patient and vigilant, practical and imaginative, kind and relentless, as we set to work to write an entirely different story.

Vicky Beeching, called “arguably the most influential Christian of her generation” in The Guardian, began writing songs for the church in her teens. By the time she reached her early thirties, Vicky was a household name in churches on both sides of the pond. Recording multiple albums and singing in America’s largest megachurches, her music was used weekly around the globe and translated into numerous languages. But this poster girl for evangelical Christianity lived with a debilitating inner battle: she was gay. The tens of thousands of traditional Christians she sang in front of were unanimous in their view – they staunchly opposed same-sex relationships and saw homosexuality as a grievous sin. Vicky knew if she ever spoke up about her identity it would cost her everything. Faced with a major health crisis, at the age of thirty-five she decided to tell the world that she was gay. As a result, all hell broke loose. She lost her music career and livelihood, faced threats and vitriol from traditionalists, developed further health issues from the immense stress, and had to rebuild her life almost from scratch. But despite losing so much she gained far more: she was finally able to live from a place of wholeness, vulnerability, and authenticity. She finally found peace. What’s more, Vicky became a champion for others, fighting for LGBT equality in the church and in the corporate sector. Her courageous work is creating change in the US and the UK, as she urges people to celebrate diversity, live authentically, and become undivided.

PULITZER PRIZE FINALIST • The highly anticipated biography of Sylvia Plath that focuses on her remarkable literary and intellectual achievements, while restoring the woman behind the long-held myths about her life and art.“One of the most beautiful biographies I've ever read." —Glennon Doyle, author of #1 New York Times Bestseller, UntamedWith a wealth of never-before-accessed materials, Heather Clark brings to life the brilliant Sylvia Plath, who had precocious poetic ambition and was an accomplished published writer even before she became a star at Smith College. Refusing to read Plath’s work as if her every act was a harbinger of her tragic fate, Clark considers the sociopolitical context as she thoroughly explores Plath’s world: her early relationships and determination not to become a conventional woman and wife; her troubles with an unenlightened mental health industry; her Cambridge years and thunderclap meeting with Ted Hughes; and much more.Clark’s clear-eyed portraits of Hughes, his lover Assia Wevill, and other demonized players in the arena of Plath’s suicide promote a deeper understanding of her final days. Along with illuminating readings of the poems themselves, Clark’s meticulous, compassionate research brings us closer than ever to the spirited woman and visionary artist who blazed a trail that still lights the way for women poets the world over.

NEW YORK TIMES BESTSELLER • NAMED A NOTABLE BOOK OF THE YEAR BY THE NEW YORK TIMES AND THE WASHINGTON POST • How does the greatest writer of our time tell her own story? "The most spectacular, hilarious, and generous autobiography of the last quarter century–or ever."—The Boston Globe Raised by scientifically minded parents, Margaret Atwood spent most of each year in the wild forest of northern Quebec: a vast playground for her entomologist father and independent, resourceful mother. It was an unfettered and nomadic childhood, sometimes isolated but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking key moments to the books that have shaped our literary landscape, from the cruel school year that would become Cat’s Eye to the unease of 1980s Berlin, where she began The Handmaid’s Tale. In pages alive with the natural world, reading and books, major political turning points, and her lifelong love for the charismatic writer Graeme Gibson, we meet poets, bears, Hollywood stars, and larger-than-life characters straight from the pages of an Atwood novel. As she explores her past, Atwood reveals more and more about her writing, the connections between real life and art—and the workings of one of our very greatest imaginations.