Recommendations based on "The Annotated Alice: The Definitive Edition (The Annotated Books)"

The only complete collection of writings by Anne Frank, this impressive volume contains three of the extant versions of her Diary (including pages that came to light in 1998), Tales from the Secret Annex (he lesser known short stories, fables, and personal reminiscences), and Cady’s Life (her unfinished novel), along with the latest, most definitive scholarly research into Frank’s life.Anne Frank’s diary has become a modern classic. It stands alone as the moving testimony of a young girl whose world collapsed around her in the nightmare of Hitler’s Final Solution. Published in the United States in 1952, Anne Frank: A Diary of a Young Girl has been translated from the Dutch into nearly seventy languages, and millions of people the world over continue to respond to her extraordinary voice. The Diary of Anne Frank: The Revised Critical Edition presents the most fascinating, comprehensive study of that diary in existence.Prepared by the Netherlands Institute for War Documentation, this monumental work allows the reader to compare the three versions of the diary itself: Anne’s original entries; the diary as she herself edited it in the hiding place of the “Secret Annex”; and the version most popularly known, as edited by Anne’s father, Otto Frank, and a Dutch publishing house after World War II, when they removed certain family and sexual references. Every aspect of the diary—including Anne’s handwriting and the paper used—is meticulously examined, providing compelling proof and historical of its poignant testament. Absorbing biographical information on the Frank family enhances Anne’s personal perceptions, and a summary of critical events during and after the family’s arrest—including how the Nazi authorities learned about the Franks and their secret hiding places—adds a new dimension to this tragic, still resonant story.Illustrated throughout with black-and-white photographs, the Diary of Anne Frank: The Revised Critical Edition is an invaluable contribution to our awareness of the Holocaust and a stirring tribute to the author’s impressionable spirit.

Beatrix Potter's books are adored by millions, but they were just one aspect of an extraordinary life. This captivating biography brings us the passionate, unconventional woman behind the beloved stories: a gifted artist and shrewd businesswoman; a pioneering scientific researcher; a powerful landowner who conserved acres of Lakeland countryside; a daughter who defied her parents with her first tragically short engagement and who, finally was given a second chance of love and happiness.

The full scripts of award-winning Downton Abbey, season two including previously unseen commentary from Julian FellowesOpening in 1916, as the First World War rages across Europe, Season Two is the next dramatic installment of the much-loved, award-winning drama. The Crawley family and their servants play their parts on the front line and back at home as their lives are intensified by the strains of war.The shooting scripts give a fascinating view of how Julian Fellowes weaves his storylines of love, loss, and betrayal to captivate the audience. With key insights into the research and creative processes, this will appeal to fans and students alike.

The mills at Wicksbridge are imaginary, but their planning, construction, and operation are quite typical of mills developed in New England throughout the nineteenth century.

In the first volume of her autobiography, The Sun in the Morning, M.M. Kaye detailed the first eighteen years of her life in India and England and introduced readers to her love affair with India. She brought to life its people, scents, vibrant colors, and breathtaking landscapes. In the second volume, Golden Afternoon, she happily returned to her beloved India after years in a British boarding school. New to the glories of the Delhi social season, M.M. Kaye recounted her delightful exploits as a vivacious young woman in Raj society.Now, in Enchanted Evening, M.M. Kaye is a young woman forced to leave her cherished home in India when her father takes a new post in china. Though at first disoriented by the unfamiliar customs and confusing protocol of her new surroundings, it is in China that she discovers the pleasures that come from independence. Coming into her own as a painter, Kaye first meets with artistic success in China and then moves to cramped quarters in London's South Kensington neighborhood, where she begins to flourish as a writer.With vivid descriptions and the wisdom that comes with age, M.M. Kaye looks back on the years she spent as a young woman in a world as yet unmarked by World War II's devastation.

'A kind of blissography, teeming with bon mots' Sunday Times A celebrated modern classic that has revolutionised our understanding of the Bloomsbury group and remains the definitive biography of the group's gloriously eccentric patron, Lady Ottoline Morrell. Met with widespread acclaim and translated into fifteen languages, this seminal book provoked a rethinking of the traditional Bloomsbury narrative and the rewriting of some major biographies. For decades, Ottoline Morrell was grossly misunderstood. The artists and writers who benefited from her generous patronage and friendship helped to create the false and vicious image of a nymphomanical aristocrat with cultural aspirations. This landmark literary biography presents Morrell in an entirely new light, rightly setting her centre-stage as the brilliant and courageous lynchpin of the Bloomsbury group. She counted T.S. Eliot, Aldous Huxley, D.H. Lawrence, Lytton Strachey, Siegfried Sassoon, Augustus John, Katherine Mansfield and W.B. Yeats among her closest friends and houseguests. A legendary and agonisingly protracted love-affair with Bertrand Russell never undermined this unlikely couple's deep and understanding friendship. Ottoline's loyalty to her own promiscuous husband survived public humiliation and private crises. Overhauling the long-held conventional view of Morrell as a victim, a creature of her class who was born to be exploited and derided by her wittier friends, Seymour repaints the world of the Bloomsberries and rescues the grand life of Ottoline Morrell from the depths of historical obscurity.

Edward I--one of the outstanding monarchs of the English Middle Ages--pioneered legal and parliamentary change in England, conquered Wales, and came close to conquering Scotland. A major player in European diplomacy and war, he acted as peacemaker during the 1280s but became involved in a bitter war with Philip IV a decade later. This book is the definitive account of a remarkable king and his long and significant reign. Widely praised when it was first published in 1988, it is now reissued with a new introduction and updated bibliographic guide. Praise for the earlier edition: "A masterly achievement. . . . A work of enduring value and one certain to remain the standard life for many years."--Times Literary Supplement "A fine book: learned, judicious, carefully thought out and skillfully presented. It is as near comprehensive as any single volume could be."--History Today "To have died more revered than any other English monarch was an outstanding achievement; and it is worthily commemorated by this outstanding addition to the . . . corpus of royal biographies."--Times Education Supplement

This compelling new biography provides the most authoritative picture yet of King Stephen, whose reign (1135–1154), with its “nineteen long winters” of civil war, made his name synonymous with failed leadership. After years of work on the sources, Edmund King shows with rare clarity the strengths and weaknesses of the monarch. Keeping Stephen at the forefront of his account, the author also chronicles the activities of key family members and associates whose loyal support sustained Stephen’s kingship. In 1135 the popular Stephen was elected king against the claims of the empress Matilda and her sons. But by 1153, Stephen had lost control over Normandy and other important regions, England had lost prestige, and the weakened king was forced to cede his family’s right to succession. A rich narrative covering the drama of a tumultuous reign, this book focuses well-deserved attention on a king who lost control of his destiny.

Henry IV (1399-1413), the son of John of Gaunt, duke of Lancaster, seized the English throne at the age of thirty-two from his cousin Richard II and held it until his death, aged forty-five, when he was succeeded by his son, Henry V. This comprehensive and nuanced biography restores to his rightful place a king often overlooked in favor of his illustrious progeny. Henry faced the usual problems of usurpers: foreign wars, rebellions, and plots, as well as the ambitions and demands of the Lancastrian retainers who had helped him win the throne. By 1406 his rule was broadly established, and although he became ill shortly after this and never fully recovered, he retained ultimate power until his death. Using a wide variety of previously untapped archival materials, Chris Given-Wilson reveals a cultured, extravagant, and skeptical monarch who crushed opposition ruthlessly but never quite succeeded in satisfying the expectations of his own supporters.

A tragic family history told in a collection of imaginary letters to a famed collector, Moise de CamondoLetters to Camondo is a collection of imaginary letters from Edmund de Waal to Moise de Camondo, the banker and art collector who created a spectacular house in Paris, now the Musée Nissim de Camondo, and filled it with the greatest private collection of French eighteenth-century art.The Camondos were a Jewish family from Constantinople, “the Rothschilds of the East,” who made their home in Paris in the 1870s and became philanthropists, art collectors, and fixtures of Belle Époque high society, as well as being targets of antisemitism—much like de Waal's relations, the Ephrussi family, to whom they were connected. Moise de Camondo created a spectacular house and filled it with art for his son, Nissim; after Nissim was killed in the First World War, the house was bequeathed to the French state. Eventually, the Camondos were murdered by the Nazis.After de Waal, one of the world’s greatest ceramic artists, was invited to make an exhibition in the Camondo house, he began to write letters to Moise de Camondo. These fifty letters are deeply personal reflections on assimilation, melancholy, family, art, the vicissitudes of history, and the value of memory.