Recommendations based on "Tell Him He's Dead"

In New York Times bestselling author Anthony Horowitz’s ingenious fourth literary whodunit following The Word is Murder, The Sentence is Death, and A Line to Kill, Horowitz becomes the prime suspect in a murder investigation—and only one man can prove his innocence: his newly estranged partner in solving crime, Detective Hawthorne.“I’m sorry but the answer’s no.” Reluctant author, Anthony Horowitz, has had enough. He tells ex-detective Daniel Hawthorne that after three books he’s splitting and their deal is over.The truth is that Anthony has other things on his mind.His new play, a thriller called Mindgame, is about to open at the Vaudeville Theater in London’s West End. Not surprisingly, Hawthorne declines a ticket to the opening night.The play is panned by the critics. In particular, Sunday Times critic Margaret Throsby gives it a savage review, focusing particularly on the writing. The next day, Throsby is stabbed in the heart with an ornamental dagger which turns out to belong to Anthony, and has his fingerprints all over it.Anthony is arrested by an old enemy . . . Detective Inspector Cara Grunshaw. She still carries a grudge from her failure to solve the case described in the second Hawthorne adventure, The Sentence is Death, and blames Anthony. Now she’s out for revenge.Thrown into prison and fearing for both his personal future and his writing career, Anthony is the prime suspect in Throsby’s murder and when a second theatre critic is found to have died in mysterious circumstances, the net closes in. Ever more desperate, he realizes that only one man can help him.But will Hawthorne take the call?

THE CLASSIC THRILLER FROM #1 NEW YORK TIMES BESTSELLING AUTHOR FREDERICK FORSYTH“The Day of the Jackal makes such comparable books such as The Manchurian Candidate and The Spy Who Came in from the Cold seem like Hardy Boy mysteries.”—The New York TimesThe Jackal. A tall, blond Englishman with opaque, gray eyes. A killer at the top of his profession. A man unknown to any secret service in the world. An assassin with a contract to kill the world's most heavily guarded man.One man with a rifle who can change the course of history. One man whose mission is so secretive not even his employers know his name. And as the minutes count down to the final act of execution, it seems that there is no power on earth that can stop the Jackal.

John Rebus returns to investigate the disappearances of three women from the same road over ten years.For the last decade, Nina Hazlitt has been ready to hear the worst about her daughter's disappearance. But with no sightings, no body, and no suspect, the police investigation ground to a halt long ago, and Nina's pleas to the cold case department have led her nowhere.Until she meets the newest member of the team: former Detective John Rebus.Rebus has never shied away from lost causes - one of the many ways he managed to antagonize his bosses when he was on the force. Now he's back as a retired civilian, reviewing abandoned files. Necessary work, but it's not exactly scratching the itch he feels to be in the heart of the action.Two more women have gone missing from the same road where Sally Hazlitt was last seen. Unlike his skeptical colleagues, Rebus can sense a connection - but pursuing it leads him into the crosshairs of adversaries both old and new.Rebus may have missed the thrill of the hunt, but he's up against a powerful enemy who's got even less to lose.On the twentieth anniversary of Ian Rankin's first American publication comes a novel bursting with the vitality and suspense that made its author one of crime fiction's most dazzling stars. Standing in Another Man's Grave is the triumphant return of John Rebus, and a riveting story of sin, redemption, and revenge.

A CLASSIC NOVEL BY THE MASTER OF HARD-BOILED CRIME, THE HIGH WINDOW IS RAYMOND CHANDLER'S THIRD STORY FEATURING LACONIC PI PHILIP MARLOWE.'He lay crumpled on his back. Very lonely, very dead. The safe door was wide open. A metal drawer was pulled out. It was empty now. There may have been money in it once.'Los Angeles PI Philip Marlowe's on a case: his client, a dried-up husk of a woman, wants him to recover a rare gold coin called a Brasher Doubloon, missing from her late husband's collection. That's the simple part. It becomes more complicated when Marlowe finds that everyone who handles the coin suffers a run of very bad luck: they always end up dead. That's also unlucky for a private investigator, because leaving a trail of corpses around LA puts cops' noses seriously out of joint. If Marlowe doesn't wrap this one up fast, he's going to end up either in jail or in a wooden box in the ground . . .'Chandler's books should be read and judged, not as escapist literature, but as works of art' W.H. Auden'Chandler grips the mind from the first sentence' Daily Telegraph'One of the greatest crime writers, who set standards others still try to attain' Sunday Times'Chandler is an original stylist, creator of a character as immortal as Sherlock Holmes' Anthony Burgess

LAPD Lieutenant Peter Decker reluctantly agrees to do a big favour for an old friend, Teresa McLaughlin, but when she and her husband disappear, Decker's search is interrupted by the suspicious death of a young health care worker.

Detective Alex Cross is in love, but in Washington D. C. he must face a villain he will never forget.Alex Cross is happy, but his happiness is threatened by a series of chilling murders-murders with a pattern so twisted, it leaves investigators reeling. Cross's ingenious pursuit of the killer produces a suspect: a British diplomat named Geoffrey Shafer. But proving that Shafer is the murderer becomes a potentially deadly task. As the diplomat engages in a brilliant series of surprising countermoves, in and out of the courtroom, Alex and his fiancée become hopelessly entangled with the most memorable nemesis Alex Cross has ever faced.Pop Goes the Weasel reveals James Patterson at the peak of his power. Here is a chilling villain no reader will forget, a love story of great tenderness, and a plot of relentless suspense and heart-pounding pace. To read Pop Goes the Weasel is to discover why James Patterson is one of the world's greatest suspense writers.

The death of the doctor's wife horrifies the Twin Cities, especially what the killer did to her eyes. A report comes in of a troll-like man near the murder scene, his face a patchwork of scars, but that bizarre clue is all Lieutenant Lucas Davenport has to go on as he attempts to sort out the murder. Still trying to recover from a pair of particularly brutal cases, bone-weary, his nerves fraying, Davenport isn't sure he's up to it, until it happens again, the same savagery, the same mutilation of the eyes, and he realizes he has no choice. Little by little, Davenport is drawn into the web of a man of extraordinary intelligence and evil, a master manipulator fascinated with all aspects of death. As the hunt winds through darker and ever more frightening events, Davenport knows there is no turning back. This is the case that will lift him back to life, or push him irrevocably over the edge.

#1 New York Times bestselling author John Sandford's “haunting, unforgettable, ice-blooded thriller”* that introduced Lucas Davenport...   The killer was mad but brilliant.   He left notes with every woman he killed. Rules of murder: Never have a motive. Never follow a discernible pattern. Never carry a weapon after it has been used...So many rules to his sick, violent games of death.   But Lucas Davenport, the cop who’s out to get him, isn’t playing by the rules.“Terrifying...Sandford has crafted the kind of trimmed-to-the-bone thriller that is hard to put down…scary...intriguing...unpredictable.”—Chicago Tribune  “Rules of Prey is so chilling that you’re almost afraid to turn the pages. So mesmerizing you cannot stop...A crackle of surprises.”—*Carl Hiaasen“Sleek and nasty...A big scary, suspenseful read, and I loved every minute of it.”—Stephen King“A cop and a killer you will remember for a long, long time.”—Robert B. Parker

A thrilling tale of suspense, vengeance, and murder, featuring Wyoming game warden Joe Pickett. This one will break C. J. Box out to a larger audience. J. W. Keeley is a man with a score to settle. He blames one man for the death of his brother: Joe Pickett. And now J. W. is going to make him suffer. Spring has finally come to Saddlestring, Wyoming, and game warden Joe Pickett is relieved the long, harsh winter is finally over. However, a cloud of trouble threatens to spoil the milder weather-local ranch owner and matriarch Opal Scarlett has vanished under suspicious circumstances. Two of her sons, Hank and Arlen, are battling for control of their mother's multi-million-dollar empire, and their bitter fight threatens to tear the whole town apart. Everyone is so caught up in the brothers' battle that they seem to have forgotten that Opal is still missing. Joe is convinced, though, that one of the brothers killed their mother. Determined to uncover the truth, he is attacked and nearly beaten to death by Hank Scarlett's new right-hand man on the ranch-a recently arrived stranger who looks eerily familiar. A series of threatening messages and attempts to sabotage Joe's career follow. At first, he thinks the attacks are connected with his investigation of Opal's disappearance, but he soon learns that someone else is after him-someone with a very personal grudge who wants to make Joe pay . . . and pay dearly. Compelling and suspenseful, In Plain Sightis a crackling novel from one of today's best mystery writers.

Detective Superintendent Roy Grace is forever haunted by the unexplained disappearance of his wife, Sandy, nearly ten years ago. Ever since she went missing, he's been consumed with finding out what happened to her. Finally, he may be moving on. He has fallen in love and is going to marry his girlfriend, Cleo, who is pregnant with their child.  But his life is put on hold when, after a wild New Year's Eve ball, a woman is brutally raped as she returns to her hotel room. A week later, another woman is attacked. Both victims' shoes are taken by their attacker. Grace soon realizes that these new cases bear remarkable similarities to an unsolved series of crimes in the city back in 1997. The perpetrator had been dubbed "Shoe Man" and was believed to have raped four women before murdering his fifth victim and vanishing. Could this be a copycat, or has Shoe Man resurfaced? When more women are assaulted, Grace becomes increasingly certain that they are dealing with the same man. By delving back into the past—a time when Sandy was still in his life—he may find the key to unlocking the current mystery. Soon Grace and his team find themselves in a desperate race against the clock to identify and save the life of the new sixth victim, as he struggles with a chapter in his life he thought he had put behind him at last. Dead Like You is Peter James at his best—"Possibly the most engrossing thriller since The Silence of the Lambs" (Washington Post Book World).