Recommendations based on "Surviving the Angel of Death The True Story of a Mengele Twin in Auschwitz"

In Queen's Bench Courtroom Number Seven, famous author Abraham Cady stands trial. In his book The Holocaust --born of the terrible revelation that the Jadwiga Concentration camp was the site of his family's extermination--Cady shook the consciousness of the human race. He also named eminent surgeon Sir Adam Kelno as one of Jadwiga's most sadistic inmate/doctors. Kelno has denied this and brought furious charges. Now unfolds Leon Uris' riveting courtroom drama--one of the great fictional trials of the century.

“Brilliantly written, vivid, a powerful and often uncomfortable true story that deserves to be read and remembered. It beautifully captures the strength of the bond between a father and son.”--Heather Morris, author of #1 New York Times bestseller The Tattooist of AuschwitzThe #1 Sunday Times bestseller—a remarkable story of the heroic and unbreakable bond between a father and son that is as inspirational as The Tattooist of Auschwitz and as mesmerizing as The Choice.Where there is family, there is hopeIn 1939, Gustav Kleinmann, a Jewish upholster from Vienna, and his sixteen-year-old son Fritz are arrested by the Gestapo and sent to Germany. Imprisoned in the Buchenwald concentration camp, they miraculously survive the Nazis’ murderous brutality.Then Gustav learns he is being sent to Auschwitz—and certain death.For Fritz, letting his father go is unthinkable. Desperate to remain together, Fritz makes an incredible choice: he insists he must go too. To the Nazis, one death camp is the same as another, and so the boy is allowed to follow.Throughout the six years of horror they witness and immeasurable suffering they endure as victims of the camps, one constant keeps them alive: their love and hope for the future.Based on the secret diary that Gustav kept as well as meticulous archival research and interviews with members of the Kleinmann family, including Fritz’s younger brother Kurt, sent to the United States at age eleven to escape the war, The Boy Who Followed His Father into Auschwitz is Gustav and Fritz’s story—an extraordinary account of courage, loyalty, survival, and love that is unforgettable.

Why do major historical events such as the Holocaust occupy the forefront of the collective consciousness, while profound moments such as the Armenian genocide, the McCarthy era, and France's role in North Africa stand distantly behind? Is it possible that history "overly remembers" some events at the expense of others? A landmark work in philosophy, Paul Ricoeur's Memory, History, Forgetting examines this reciprocal relationship between remembering and forgetting, showing how it affects both the perception of historical experience and the production of historical narrative.Memory, History, Forgetting, like its title, is divided into three major sections. Ricoeur first takes a phenomenological approach to memory and mnemonical devices. The underlying question here is how a memory of present can be of something absent, the past. The second section addresses recent work by historians by reopening the question of the nature and truth of historical knowledge. Ricoeur explores whether historians, who can write a history of memory, can truly break with all dependence on memory, including memories that resist representation. The third and final section is a profound meditation on the necessity of forgetting as a condition for the possibility of remembering, and whether there can be something like happy forgetting in parallel to happy memory. Throughout the book there are careful and close readings of the texts of Aristotle and Plato, of Descartes and Kant, and of Halbwachs and Pierre Nora.A momentous achievement in the career of one of the most significant philosophers of our age, Memory, History, Forgetting provides the crucial link between Ricoeur's Time and Narrative and Oneself as Another and his recent reflections on ethics and the problems of responsibility and representation.“His success in revealing the internal relations between recalling and forgetting, and how this dynamic becomes problematic in light of events once present but now past, will inspire academic dialogue and response but also holds great appeal to educated general readers in search of both method for and insight from considering the ethical ramifications of modern events. . . . It is indeed a master work, not only in Ricoeur’s own vita but also in contemporary European philosophy.”—Library Journal“Ricoeur writes the best kind of philosophy—critical, economical, and clear.”— New York Times Book Review

The author-illustrator traces his father's imprisonment in a Nazi concentration camp through a series of disarming and unusual cartoons arranged to tell the story as a novel

Lea Ypi grew up in one of the most isolated countries on earth, a place where communist ideals had officially replaced religion. Albania, the last Stalinist outpost in Europe, was almost impossible to visit, almost impossible to leave. It was a place of queuing and scarcity, of political executions and secret police. To Lea, it was home. People were equal, neighbours helped each other, and children were expected to build a better world. There was community and hope.Then, in December 1990, a year after the fall of the Berlin Wall, everything changed. The statues of Stalin and Hoxha were toppled. Almost overnight, people could vote freely, wear what they liked and worship as they wished. There was no longer anything to fear from prying ears. But factories shut, jobs disappeared and thousands fled to Italy on crowded ships, only to be sent back. Predatory pyramid schemes eventually bankrupted the country, leading to violent conflict. As one generation's aspirations became another's disillusionment, and as her own family's secrets were revealed, Lea found herself questioning what freedom really meant.Free is an engrossing memoir of coming of age amid political upheaval. With acute insight and wit, Lea Ypi traces the limits of progress and the burden of the past, illuminating the spaces between ideals and reality, and the hopes and fears of people pulled up by the sweep of history.

Winner of the Nobel Prize: “For her polyphonic writings, a monument to suffering and courage in our time.” ―Swedish Academy, Nobel Prize citation From 1979 to 1989 a million Soviet troops engaged in a devastating war in Afghanistan that claimed 50,000 casualties―and the youth and humanity of many tens of thousands more. Creating controversy and outrage when it was first published in the USSR―it was called by reviewers there a “slanderous piece of fantasy” and part of a “hysterical chorus of malign attacks”―Zinky Boys presents the candid and affecting testimony of the officers and grunts, nurses and prostitutes, mothers, sons, and daughters who describe the war and its lasting effects. What emerges is a story that is shocking in its brutality and revelatory in its similarities to the American experience in Vietnam. The Soviet dead were shipped back in sealed zinc coffins (hence the term “Zinky Boys”), while the state denied the very existence of the conflict. Svetlana Alexievich brings us the truth of the Soviet-Afghan War: the beauty of the country and the savage Army bullying, the killing and the mutilation, the profusion of Western goods, the shame and shattered lives of returned veterans. Zinky Boys offers a unique, harrowing, and unforgettably powerful insight into the realities of war.

In this long-awaited sequel to his international bestseller The Holocaust Industry, Norman G. Finkelstein moves from an iconoclastic interrogation of the new anti-Semitism to a meticulously researched exposé of the corruption of scholarship on the Israel-Palestine conflict.Bringing to bear the latest findings on the conflict and recasting the scholarly debate, Finkelstein points to a consensus among historians and human rights organizations on the factual record. Why, then, does so much controversy swirl around the conflict? Finkelstein’s answer, copiously documented, is that apologists for Israel contrive controversy. Whenever Israel comes under international pressure, another media campaign alleging a global outbreak of anti-Semitism is mounted.Finkelstein also scrutinizes the proliferation of distortion masquerading as history. Recalling Joan Peters’ book From Time Immemorial, published to great fanfare in 1984 but subsequently exposed as an academic hoax, he asks deeply troubling questions here about the periodic reappearance of spurious scholarship and the uncritical acclaim it receives. The most recent addition to this genre, Finkelstein argues, is Harvard Law Professor Alan Dershowitz’s bestseller, The Case for Israel.The core analysis of Beyond Chutzpah sets Dershowitz’s assertions on Israel’s human rights record against the findings of the mainstream human rights community. Sifting through thousands of pages of reports from organizations such as Amnesty International, B’Tselem, and Human Rights Watch, Finkelstein argues that Dershowitz has misrepresented the facts.Thoroughly researched and tightly argued, Beyond Chutzpah lifts the veil of controversy shrouding the Israel-Palestine conflict.

In October 2001, nineteen-year-old Murat Kurnaz traveled to Pakistan to visit a madrassa. During a security check a few weeks after his arrival, he was arrested without explanation and for a bounty of $3,000, the Pakistani police sold him to U.S. forces. He was first taken to Kandahar, Afghanistan, where he was severely mistreated, and then two months later he was flown to Guantanamo as Prisoner #61. For more than 1,600 days, he was tortured and lived through hell. He was kept in a cage and endured daily interrogations, solitary confinement, and sleep deprivation. Finally, in August 2006, Kurnaz was released, with acknowledgment of his innocence. Told with lucidity, accuracy, and wisdom, Kurnaz's story is both sobering and poignant--an important testimony about our turbulent times when innocent people get caught in the crossfire of the war on terrorism.

My Happy Days in Hell (1962) is Gyorgy Faludy's grimly beautiful autobiography of his battle to survive tyranny and oppression. Fleeing Hungary in 1938 as the German army approaches, acclaimed poet Faludy journeys to Paris, where he finds a lover but merely a cursory asylum. When the French capitulate to the Nazis, Faludy travels to North Africa, then on to America, where he volunteers for military service. Missing his homeland and determined to do the right thing, he returns – only to be imprisoned, tortured, and slowly starved, eventually becoming one of only twenty-one survivors of his camp.

From July 1942 until August 1944, a young girl named Anne Frank kept a diary. Keeping a diary isn't unusual. Lots of girls do. But Anne's diary was unique. It chronicled the two years she and her family spent hiding from the Germans who were determined to annihilate all the Jews in Europe. In this sensitive and thoughtful introduction to the Holocaust and to the life of one of its best known victims, acclaimed author Johanna Hurwitz deftly evokes the background of World War II while capturing the unforgettable spirit and tragedy of Anne's life.From July 1942 until August 1944, a young girl named Anne Frank kept a diary. Keeping a diary isn't unusual. Lots of girls do. But Anne's diary was unique. It chronicled the two years she and her family spent hiding from the Germans who were determined to annihilate all the Jews in Europe. In this sensitive and thoughtful introduction to the Holocaust and to the life of one of its best known victims, acclaimed author Johanna Hurwitz deftly evokes the background of World War II while capturing the unforgettable spirit and tragedy of Anne's life.