Recommendations based on "Southern Boy"

Since it was first published, this famous study of the Black Problem in America has become a classic. Powerful, haunting and prophetic, it sounds a clarion warning to the world.

Harper Lee's Pulitzer Prize-winning masterwork of honor and injustice in the deep South ― and the heroism of one man in the face of blind and violent hatred.One of the best-loved stories of all time, To Kill a Mockingbird has been translated into more than forty languages, sold more than thirty million copies worldwide, served as the basis of an enormously popular motion picture, and was voted one of the best novels of the twentieth century by librarians across the country.A gripping, heart-wrenching, and wholly remarkable tale of coming-of-age in a South poisoned by virulent prejudice, it views a world of great beauty and savage inequities through the eyes of a young girl, as her father ― a crusading local lawyer ― risks everything to defend a black man unjustly accused of a terrible crime.

'The story of the negro in America is the story of America ... it is not a very pretty story'James Baldwin's breakthrough essay collection made him the voice of his generation. Ranging over Harlem in the 1940s, movies, novels, his preacher father and his experiences of Paris, they capture the complexity of black life at the dawn of the civil rights movement with effervescent wit and prophetic wisdom.'A classic ... In a divided America, James Baldwin's fiery critiques reverberate anew' Washington Post'Edgy and provocative, entertainingly satirical' Robert McCrum, Guardian'Cemented his reputation as a cultural seer ... Notes of a Native Son endures as his defining work, and his greatest' Time

The nation's capital that serves as the setting for the stories in Edward P. Jones's prizewinning collection, Lost in the City, lies far from the city of historic monuments and national politicians. Jones takes the reader beyond that world into the lives of African American men and women who work against the constant threat of loss to maintain a sense of hope. From "The Girl Who Raised Pigeons" to the well-to-do career woman awakened in the night by a phone call that will take her on a journey back to the past, the characters in these stories forge bonds of community as they struggle against the limits of their city to stave off the loss of family, friends, memories, and, ultimately, themselves.Critically acclaimed upon publication, Lost in the City heralds Jones as a new talent, a writer whose unaffected style is not only evocative and forceful but also filled with insight and poignancy.

One of The Atlantic’s Great American Novels“If one had to identify the single most influential shaping force in modern Black literary history, one would probably have to point to Wright and the publication of Native Son.” —Henry Louis Gates Jr.Right from the start, Bigger Thomas had been headed for jail. It could have been for assault or petty larceny; by chance, it was for murder and rape. Native Son tells the story of this young black man caught in a downward spiral after he kills a young white woman in a brief moment of panic.Set in Chicago in the 1930s, Richard Wright's powerful novel is an unsparing reflection on the poverty and feelings of hopelessness experienced by people in inner cities across the country and of what it means to be black in America.This beautifully designed Harper Perennial Deluxe Edition—the restored text of Native Son established by the Library of America—also includes an essay by Wright titled, How "Bigger" was Born,along with notes on the text.

Nominated for the 2017 Hillman Prize and the Robert F. Kennedy Human Rights AwardWith this Dickensian tale from America’s heartland, New York Times writer and columnist Dan Barry tells the harrowing yet uplifting story of the exploitation and abuse of a resilient group of men with intellectual disability, and the heroic efforts of those who helped them to find justice and reclaim their lives.In the tiny Iowa farm town of Atalissa, dozens of men, all with intellectual disability and all from Texas, lived in an old schoolhouse. Before dawn each morning, they were bussed to a nearby processing plant, where they eviscerated turkeys in return for food, lodging, and $65 a month. They lived in near servitude for more than thirty years, enduring increasing neglect, exploitation, and physical and emotional abuse—until state social workers, local journalists, and one tenacious labor lawyer helped these men achieve freedom.Drawing on exhaustive interviews, Dan Barry dives deeply into the lives of the men, recording their memories of suffering, loneliness and fleeting joy, as well as the undying hope they maintained despite their traumatic circumstances. Barry explores how a small Iowa town remained oblivious to the plight of these men, analyzes the many causes for such profound and chronic negligence, and lays out the impact of the men’s dramatic court case, which has spurred advocates—including President Obama—to push for just pay and improved working conditions for people living with disabilities.A luminous work of social justice, told with compassion and compelling detail, The Boys in the Bunkhouse is more than just inspired storytelling. It is a clarion call for a vigilance that ensures inclusion and dignity for all.

"Hell Put to Shame is a powerfully unsettling portrait of the single most savage episode in the long decades of savagery inflicted by white southerners on their Black neighbors in the 20th century—and the methodical process that followed to erase those crimes from America’s collective memory." —Douglas A. Blackmon, author of Slavery by Another Name, winner of the Pulitzer PrizeFrom the acclaimed New York Times bestselling author of Chesapeake Requiem comes a gripping new work of narrative nonfiction telling the forgotten story of the mass killing of eleven Black farmhands on a Georgia plantation in the spring of 1921—a crime that exposed for the nation the existence of “peonage,” a form of slavery that gained prominence across the American South after the Civil War.On a Sunday morning in the spring of 1921, a small boy made a grim discovery as he played on a riverbank in the cotton country of rural Georgia: the bodies of two drowned men, bound together with wire and chain and weighted with a hundred-pound sack of rocks. Within days a third body turned up in another nearby river, and in the weeks that followed, eight others. And with them a deeper horror: all eleven had been kept in virtual slavery before their deaths. In fact, as America was shocked to learn, the dead were among thousands of Black men enslaved throughout the South in conditions nearly as dire as those before the Civil War.Hell Put to Shame tells the forgotten story of that mass killing and of the revelations about peonage, or debt slavery, that it placed before a public self-satisfied that involuntary servitude had ended at Appomattox more than fifty years before.By turns police procedural, courtroom drama, and political exposé, Hell Put to Shame also reintroduces readers to three Americans who spearheaded the prosecution of John S. Williams, the wealthy plantation owner behind the murders, at a time when white people rarely faced punishment for violence against their Black neighbors. The remarkable polymath James Weldon Johnson, newly appointed the first Black leader of the National Association for the Advancement of Colored People, marshaled the organization into a full-on war against peonage. Johnson’s lieutenant, Walter F. White, a light-skinned, fair-haired, blue-eyed Black man, conducted undercover work at the scene of lynchings and other Jim Crow atrocities, helping to throw a light on such violence and to hasten its end. And Georgia governor Hugh M. Dorsey won the statehouse as a hero of white supremacists—then redeemed himself in spectacular fashion with the “Murder Farm” affair.The result is a story that remains fresh and relevant a century later, as the nation continues to wrestle with seemingly intractable challenges in matters of race and justice. And the 1921 case at its heart argues that the forces that so roil society today have been with us for generations..

Named one of The Washington Post's 50 Notable Works of NonfictionWhile the North prevailed in the Civil War, ending slavery and giving the country a "new birth of freedom," Heather Cox Richardson argues in this provocative work that democracy's blood-soaked victory was ephemeral. The system that had sustained the defeated South moved westward and there established a foothold. It was a natural fit. Settlers from the East had for decades been pushing into the West, where the seizure of Mexican lands at the end of the Mexican-American War and treatment of Native Americans cemented racial hierarchies. The South and West equally depended on extractive industries-cotton in the former and mining, cattle, and oil in the latter-giving rise a new birth of white male oligarchy, despite the guarantees provided by the 13th, 14th, and 15th Amendments, and the economic opportunities afforded by expansion.To reveal why this happened, How the South Won the Civil War traces the story of the American paradox, the competing claims of equality and subordination woven into the nation's fabric and identity. At the nation's founding, it was the Eastern "yeoman farmer" who galvanized and symbolized the American Revolution. After the Civil War, that mantle was assumed by the Western cowboy, singlehandedly defending his land against barbarians and savages as well as from a rapacious government. New states entered the Union in the late nineteenth century and western and southern leaders found yet more common ground. As resources and people streamed into the West during the New Deal and World War II, the region's influence grew. "Movement Conservatives," led by westerners Barry Goldwater, Richard Nixon, and Ronald Reagan, claimed to embody cowboy individualism and worked with Dixiecrats to embrace the ideology of the Confederacy.Richardson's searing book seizes upon the soul of the country and its ongoing struggle to provide equal opportunity to all. Debunking the myth that the Civil War released the nation from the grip of oligarchy, expunging the sins of the Founding, it reveals how and why the Old South not only survived in the West, but thrived.

Voted America's Best-Loved Novel in PBS's The Great American ReadHarper Lee's Pulitzer Prize-winning masterwork of honor and injustice in the deep South—and the heroism of one man in the face of blind and violent hatredOne of the most cherished stories of all time, To Kill a Mockingbird has been translated into more than forty languages, sold more than forty million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the twentieth century by librarians across the country. A gripping, heart-wrenching, and wholly remarkable tale of coming-of-age in a South poisoned by virulent prejudice, it views a world of great beauty and savage inequities through the eyes of a young girl, as her father—a crusading local lawyer—risks everything to defend a black man unjustly accused of a terrible crime.

This book is an attack on current methods of city planning and re-building. It is also an explanation of new principles and an argument for different methods from those now in use. It is the first real alternative to conventional city planning that we have had in this century. Its author, herself a city dweller and an editor of Architectural Forum, is direct and practical in her approach. What, she asks, makes cities work? Why are some neighborhoods full of things to do and see and why are others dull? Why does the crime rate soar in our public housing developments and why are some of our older neighborhoods, despite their evident pov-erty, so much more safe, stable and congenial? Why do some neighborhoods attract interested and responsible populations and why do others degenerate? Why are Boston's North End and the eastern and western extremes of Greenwich Village good neighborhoods and why do orthodox city planners consider them slums? What alternatives are there to current city planning and rebuilding?Conventional city planning holds that cities decline because they are blighted by too many people, by mixtures of commercial, industrial and residential uses, by old buildings and narrow streets and by small landholders who stand in the way of large-scale development. Such neighborhoods, they insist, breed apathy and crime, discourage investment and contaminate the areas around them. The response of con-ventional city planning is to tear them down, scatter their inhabitants, lay out super-blocks, and rebuild the area accord-ing to an integrated plan, with the result, as often as not, that the crime rate rises still higher, the new neighborhood is more lifeless than the old one, and the surrounding areas deteriorate even more, until the life of the whole city is threatened.But Mrs. Jacobs observes that in any number of cases these very conditions--mixed uses, dense population, old buildings, small blocks, decentralized ownership--create the very opposite of slums, neighborhoods that regenerate themselves spontaneously, that are full of variety and diversity, that attract large numbers of casual visitors and responsible new residents, that encourage investment and revitalize the areas around them. Boston's North End (condemned as a slum by or-thodox planners) is such a neighborhood, and so is Greenwich Village. Rittenhouse Square and Telegraph Hill are others. Nearly every large city can produce still other examples.Why then do some city neighborhoods die and why do others flourish? And what can city planners do to avoid the death and encourage the life of our great American cities? The solutions proposed by Mrs. Jacobs in this book represent a sharp break with conventional thinking on the subject and they carry with them the ring of simple truth which marks this book as an inevitable classic of social thought.This edition is set from the first American edition of 1961 and commemorates the seventy-fifth anniversary of Random House.