Recommendations based on "Something's Wrong With Us 2"

Alternate cover edition here.High-class call girls billed to Mastercard. A psychic 13-year-old dropout with a passion for Talking Heads. A hunky matinee idol doomed to play dentists and teachers. A one-armed beach-combing poet, an uptight hotel clerk and one very bemused narrator caught in the web of advanced capitalist mayhem. Combine this offbeat cast of characters with Murakami's idiosyncratic prose and out comes Dance Dance Dance.

Akutagawa was one of the towering figures of modern Japanese literature, and is considered the father of the Japanese short story. This paradigmatic selection, which includes the stories that inspired Akira Kurosawa's 1950 film Rashomon, showcases the terrible beauty, cynicism, sublime pain and absurd humour of his writing.'One never tires of reading and re-reading his best works. The elegantly spare style has a truly spine-tingling brilliance' - Haruki Murakami

“Uketsu is a disrupter, the master of quiet horror.”—Janice Hallett, internationally bestselling author of The Appeal“Delightfully macabre and fiendishly clever. Seemingly unconnected stories tie themselves into a complicated knot, which Uketsu masterfully unravels.”—G. T. Karber, author of the national bestseller MurdleThe spine-tingling "triumphant international debut" (Publishers Weekly starred review) that has taken Japan by storm—an eerie fresh take on mystery-horror in which a series of seemingly innocent pictures draws you into a disturbing web of unsolved mysteries and shattered psyches.An exploration of the macabre, where the seemingly mundane takes on a terrifying significance. . . .A pregnant woman's sketches on a seemingly innocuous blog conceal a chilling warning.A child's picture of his home contains a dark secret message.A sketch made by a murder victim in his final moments leads an amateur sleuth down a rabbithole that will reveal a horrifying reality.Structured around these nine childlike drawings, each holding a disturbing clue, Uketsu invites readers to piece together the mystery behind each and the over-arching backstory that connects them all. Strange Pictures is the internationally bestselling debut from mystery horror YouTube sensation Uketsu—an enigmatic masked figure who has become one of Japan's most talked about contemporary authors.Translated from the Japanese by Jim Rion

'Was it death he was now waiting for? Or a wild ecstasy of the senses?' For the young army officer of Yukio Mishima's seminal story, 'Patriotism, ' death and ecstasy become elementally intertwined. With his unique rigor and passion, Mishima hones in on the body as the great tragic stage for all we call social, ritual, political.

Maeda Ai was a prominent literary critic and an influential public intellectual in late-twentieth-century Japan. Text and the City is the first book of his work to appear in English. A literary and cultural critic deeply engaged with European critical thought, Maeda was a brilliant, insightful theorist of modernity for whom the city was the embodiment of modern life. He conducted a far-reaching inquiry into changing conceptions of space, temporality, and visual practices as they gave shape to the city and its inhabitants. James A. Fujii has assembled a selection of Maeda’s essays that question and explore the contours of Japanese modernity and resonate with the concerns of literary and cultural studies today. Maeda remapped the study of modern Japanese literature and culture in the 1970s and 1980s, helping to generate widespread interest in studying mass culture on the one hand and marginalized sectors of modern Japanese society on the other. These essays reveal the broad range of Maeda’s cultural criticism. Among the topics considered are Tokyo; utopias; prisons; visual media technologies including panoramas and film; the popular culture of the Edo, Meiji, and contemporary periods; maps; women’s magazines; and women writers. Integrally related to these discussions are Maeda’s readings of works of Japanese literature including Matsubara Iwagoro’s In Darkest Tokyo, Nagai Kafu’s The Fox, Higuchi Ichiyo’s Growing Up, Kawabata Yasunari’s The Crimson Gang of Asakusa, and Narushima Ryuhoku’s short story “Useless Man.” Illuminating the infinitely rich phenomena of modernity, these essays are full of innovative, unexpected connections between cultural productions and urban life, between the text and the city.

A Sugawara Akitada Mystery of Ancient Japan - Eleventh-century Japan. Government official Sugawara Akitada finds a small mute boy on a deserted road. Akitada, still grieving for his own small son, determines to find the boy's parents. Meanwhile, Akitada's faithful servant Tora has troubles of his own: he has lost his new bride to a powerful man who pursues beautiful women and will stop at nothing to possess them. The trails of these two seemingly unrelated cases lead Akitada and Tora to the entertainers and prostitutes of the amusement quarter, and murder follows in their footsteps . . .

Past and present collide when an American missionary unearths an ancient Japanese scroll and becomes entangled with the nobleman whose family’s history lies in the delicate pages in this “timeless tale of intrigue and romance” (Booklist) from the author of Cloud of Sparrows.“One of the most impressive feats of storytelling to come along in years.”—San Francisco Chronicle BooksAn embattled family. A centuries-old secret. An epic tale of courage, love, and betrayal. In the year 1311, in the highest tower of Cloud of Sparrows Castle, a beautiful woman sits by the window, watching as enemies gather below. As she calmly awaits her fate, she begins to write, carefully setting down on a scroll the secret history of the Okumichi clan . . . of the gift of prophecy they share and the extraordinary destiny that awaits them.For six centuries, these writings lay hidden—until they are uncovered by an American missionary named Emily Gibson, who arrived in Edo harbor in 1861. Soon an extraordinary man would enter her life: Lord Genji of the Okumichi clan, a nobleman who must defend his embattled family—and confront forbidden feelings for an outsider in his midst. Emily soon finds a mission of her own: translating Genji’s ancestral history. But as Emily sifts through the fragile scrolls, she begins to see threads of her own life woven into the ancient writings. And soon a hidden history comes to life, and with it a secret prophecy that has been shrouded for centuries, and may now finally be revealed.

What if you woke up one morning, and everything changed?It's one week before Christmas Eve, and Haruhi and the S.O.S. Brigade (a club for her high school's strangest and most extraordinary students) are gearing up for holiday festivities. But just before the fun kicks off, Kyon, the only "normal" member, wakes up in a weird alternate dimension, one where Haruhi attends another school entirely, Nagato the time traveling robot is just an ordinary human, and Mikuru (the cute girl of Kyon's dreams) doesn't even recognize him-in other words, S.O.S. Brigade never existed.The only clue Kyon can find is a bookmark left by the robot version of Nagato, which leads him on a quest back in time, where he interacts with the storyline from "Bamboo Leaf Rhapsody", a short story from the previous Haruhi book, The Boredom of Haruhi Suzumiya. This fun and quirky holiday tale is reminiscent of A Christmas Carol and It's a Wonderful Life.

The Tokugawa family held the shogunate from 1603 to 1867, ruling Japan and keeping the island nation isolated from the rest of the world for more than 250 years. Donald Keene looks within the "walls" of isolation and meticulously chronicles the period's vast literary output, providing both lay readers and scholars with the definitive history of premodern Japanese literature. World Within Walls spans the age in which Japanese literature began to reach a popular audience--as opposed to the elite aristocratic readers to whom it had previously been confined. Keene comprehensively treats each of the new, popular genres that arose, including haiku, Kabuki, and the witty, urbane prose of the newly ascendant merchant class.

“[A]n excellent book...” —The EconomistFinancial Times Asia editor David Pilling presents a fresh vision of Japan, drawing on his own deep experience, as well as observations from a cross section of Japanese citizenry, including novelist Haruki Murakami, former prime minister Junichiro Koizumi, industrialists and bankers, activists and artists, teenagers and octogenarians. Through their voices, Pilling's Bending Adversity captures the dynamism and diversity of contemporary Japan.Pilling’s exploration begins with the 2011 triple disaster of earthquake, tsunami, and nuclear meltdown. His deep reporting reveals both Japan’s vulnerabilities and its resilience and pushes him to understand the country’s past through cycles of crisis and reconstruction. Japan’s survivalist mentality has carried it through tremendous hardship, but is also the source of great destruction: It was the nineteenth-century struggle to ward off colonial intent that resulted in Japan’s own imperial endeavor, culminating in the devastation of World War II. Even the postwar economic miracle—the manufacturing and commerce explosion that brought unprecedented economic growth and earned Japan international clout might have been a less pure victory than it seemed. In Bending Adversity Pilling questions what was lost in the country’s blind, aborted climb to #1. With the same rigor, he revisits 1990—the year the economic bubble burst, and the beginning of Japan’s “lost decades”—to ask if the turning point might be viewed differently. While financial struggle and national debt are a reality, post-growth Japan has also successfully maintained a stable standard of living and social cohesion. And while life has become less certain, opportunities—in particular for the young and for women—have diversified. Still, Japan is in many ways a country in recovery, working to find a way forward after the events of 2011 and decades of slow growth. Bending Adversity closes with a reflection on what the 2012 reelection of Prime Minister Shinzo Abe, and his radical antideflation policy, might mean for Japan and its future. Informed throughout by the insights shared by Pilling’s many interview subjects, Bending Adversity rigorously engages with the social, spiritual, financial, and political life of Japan to create a more nuanced representation of the oft-misunderstood island nation and its people.The Financial Times“David Pilling quotes a visiting MP from northern England, dazzled by Tokyo’s lights and awed by its bustling prosperity: ‘If this is a recession, I want one.’ Not the least of the merits of Pilling’s hugely enjoyable and perceptive book on Japan is that he places the denunciations of two allegedly “lost decades” in the context of what the country is really like and its actual achievements.”The Telegraph (UK)“Pilling, the Asia editor of the Financial Times, is perfectly placed to be our guide, and his insights are a real rarity when very few Western journalists communicate the essence of the world’s third-largest economy in anything but the most superficial ways. Here, there is a terrific selection of interview subjects mixed with great reportage and fact selection... he does get people to say wonderful things. The novelist Haruki Murakami tells him: “When we were rich, I hated this country”... well-written... valuable.”Publishers Weekly (starred):"A probing and insightful portrait of contemporary Japan."