Recommendations based on "Skellig"

A literary masterpiece by a Polish traveller, aristocratic adventurer, political activist, ethnographer and publisherAlphonse, a young Walloon officer, is travelling to join his regiment in Madrid in 1739. But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In this bestselling follow-up to The Dallergut Dream Department Store, beloved characters must visit a special dream-making district to unlock new secrets about the customers they lost and hope to bring back. It's been a year since Penny first walked through the doors of the Dallergut Dream Department Store, and surviving a year at the store means one thing… She is now an official employee of the dream industry! She can finally take the express commuter train to the Company District, where all the dream-production companies are located, and discover how all raw dream materials and testing equipment are produced. But the Company District is not quite what she expected. Instead it hides a secret underbelly of the magical industry that Penny thought she was a part of. Penny discovers the Civil Complaint Center, full of people filing complaints about their dreams. She also learns about the regular customers who have stopped coming to the store. As she gets to the bottom of each complaint, she begins to expand her horizons, moving beyond the role of dreamseller to understanding what lies in the hearts of their lost regulars. The Dallergut Dream-Making District delves deeper into the dream industry and its customers. Why do some of them buy a dream and never return? And can Penny and her colleagues bring their regulars back?

THESE NEWCOMERS ARE DIFFERENT. THEY WILL CHANGE EVERYTHING.For fans of The Essex Serpent and The Mermaid and Mrs Hancock.‘By far my favourite book of of the year’ Guardian‘One of only two novels I've ever loved whose main characters are not human’ Barbara KingsolverOne cold night, two newcomers emerge onto the streets of 1899 New York, and it is never the same again.But these two are more than strangers to this land, they are strangers to this world. From the depths of folkloric history come Chava the golem, a creature made of clay, brought to life by a disgraced rabbi and Ahmad, a djinni, born in the ancient Syrian desert and trapped in an old copper flask released accidentally by a tinsmith in a Lower Manhattan shop.Two companions who were never meant to be released, and never meant to meet. And when they do, their opposing natures will be sealed by a special bond, but one that is threatened by watching eyes, roaming owners and a misunderstanding world.A glittering gem of a novel, as spell-binding as it is compelling, The Golem and The Djinni asks us what we’re made of and how we can break free.

A stranger comes to the city of Mageia and challenges its inhabitants with a new kind of magic - a magic that restores innocence and faith.

Brian Attebery's "strategy of fantasy" include not only the writer's strategies for inventing believable impossibiltes, but also the reader's strategies for enjoying, challenging, and conspiring with the text. Drawing on a number of current literary theories (but avoiding most of their jargon), Attebery makes a case for fantasy as a significant movement within postmodern literature rather than as a simple exercise of nostalgia. Attebury examines recent and classic fantasies by Ursula K. Le Guin, John Crowley, J.R.R. Tolkien, Diana Wynne Jones, and Gene Wolfe, among others. In both its popular and postmodern incarnations, fantasic fiction exhibits a remarkable capacity for reinventing narrative concentions. Attebery shows how plots, characters, settings, storytelling frameworks, gender divisions, and references to cultural texts such as history and science are all called into question the moment the marvelous is admited into a story.

Carnegie Medal Winner * New York Public Library Books for the Teen Age * VOYA Best Science Fiction, Fantasy, and Horror * ALA Best Fiction for Young Adults * Book Sense PickThe Amazing Maurice runs the perfect Pied Piper scam. This streetwise alley cat knows the value of cold, hard cash and can talk his way into and out of anything. But when Maurice and his cohorts decide to con the town of Bad Blinitz, it will take more than fast talking to survive the danger that awaits.For this is a town where food is scarce and rats are hated, where cellars are lined with deadly traps, and where a terrifying evil lurks beneath the hunger-stricken streets....Set in Terry Pratchett's beloved Discworld, this masterfully crafted, gripping read is both compelling and funny. When one of the world's most acclaimed fantasy writers turns a classic fairy tale on its head, no one will ever look at the Pied Piper—or rats—the same way again!

"Hog" Coolidge, an otherworldly actor, sends Sherwood into the past to investigate the history of his small Montana town, once visited by extraterrestrials and now suffering a strange malaise. By the author of Imajica. 100,000 first printing. $100,000 ad/promo.

Mitch Albom creates his most unforgettable fictional character—Frankie Presto, the greatest guitarist to ever walk the earth—in this magical novel about the bands we join in life and the power of talent to change our lives.In his most stunning novel yet, the voice of Music narrates the tale of its most beloved disciple, young Frankie Presto, a war orphan raised by a blind music teacher in a small Spanish town. At nine years old, Frankie is sent to America in the bottom of a boat. His only possession is an old guitar and six precious strings.But Frankie’s talent is touched by the gods, and his amazing journey weaves him through the musical landscape of the 20th century, from classical to jazz to rock and roll, with his stunning talent affecting numerous stars along the way, including Hank Williams, Elvis Presley, Carole King, Wynton Marsalis and even KISS.Frankie becomes a pop star himself. He makes records. He is adored. But his gift is also his burden, as he realizes, through his music, he can actually affect people’s futures—with one string turning blue whenever a life is altered.At the height of his popularity, Frankie Presto vanishes. His legend grows. Only decades later, does he reappear—just before his spectacular death—to change one last life.With its Forest Gump-like romp through the music world, The Magic Strings of Frankie Presto is a classic in the making. A lifelong musician himself, Mitch Albom delivers a remarkable novel, infused with the message that “everyone joins a band in this life” and those connections change us all.

Muffy is so sure that Francine cannot be nice for an entire week that she bets her Princess Peach watch on it, and now it is up to Francine to keep her temper.

Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.