Recommendations based on "Show Trial A Faerie Justice Novella"

I'll show you what a woman can do . . .Rome 1611.A jewel-bright place of change, with sumptuous new palaces and lavish wealth on display. A city where women are seen but not heard.Artemisia Gentileschi dreams of becoming a great artist. Motherless, she grows up among a family of painters -- men and boys. She knows she is more talented than her brothers, but she cannot choose her own future. She wants to experience the world, but she belongs to her father and will belong to a husband.As Artemisia patiently goes from lesson to lesson, perfecting her craft, she also paints in private, recreating the women who inspire her, away from her father's eyes.Until a mysterious tutor enters her life. Tassi is a dashing figure, handsome and worldly, and for a moment he represents everything that a life of freedom might offer. But then the unthinkable happens.In the eyes of her family, Artemisia should accept her fate. In the eyes of the law, she is the villain.But Artemisia is a survivor. And this is her story to tell.

Raised like sisters, Mariamne and Salome are indulged with riches, position, and learning-a rare thing for females in Jerusalem. But Mariamne has a further gift: an illness has left her with visions; she has the power of prophecy. It is her prophesying that drives the two girls to flee to Egypt, where they study philosophy, mathematics, and astronomy in the Great Library of Alexandria.After seven years they return to a Judaea where many now believe John the Baptizer is the messiah. Salome too begins to believe, but Mariamne, now called Magdalene, is drawn to his cousin, Yeshu’a, a man touched by the divine in the same way she was during her days of illness. Together they speak of sharing their direct experience of God; but Yeshu’a unexpectedly gains a reputation as a healer, and as the ill and the troubled flock to him, he and Magdalene are forced to make a terrible decision.This radical retelling of the greatest story ever told brings Mary Magdalene to life-not as a prostitute or demon-possessed-but as an educated woman who was truly the “apostle to the apostles.”

ANNE LISTER IS THE INSPIRATION FOR GENTLEMAN JACK, THE ACCLAIMED BBC/HBO SERIES BY SALLY WAINWRIGHT, STARRING SURANNE JONES.'The Lister diaries are the Dead Sea Scrolls of lesbian history; they changed everything. By resurrecting them and editing them with such loving attention and intelligence, Helena Whitbread has earned the gratitude of a whole generation' EMMA DONOGHUE'Engaging, revealing, at times simply astonishing: Anne Lister's diaries are an indispensable read' SARAH WATERSWhen Helena Whitbread first published excerpts from Anne Lister's diary, which was written in a complicated, esoteric code, it was hailed as a lost piece of lesbian history. Whitbread has devoted years to researching and transcribing Lister's extensive journals; the 'crypthand' had allowed Lister to record her life in intimate, and at times, explicit, detail. It was the first time her story had been told.This second volume continues the story of one of the most remarkable women of her time: landowner, industrialist, traveller and lesbian. Anne Lister arrives in post-revolutionary Paris in 1824, attempting to recover from a doomed love affair with a married woman. There she becomes emotionally entangled with a young widow. Anne's efforts, firstly to extricate herself from this new 'scrape' and then to make a choice between the two women in her life, provides an absorbing sexual and social drama.We follow Anne Lister to Buxton, Derbyshire, where a husband appears in hot pursuit of his straying wife who has, in turn, followed Anne there; in Halifax, the Yorkshire town of Anne's birth; to London; and to post-revolutionary Paris, a city alive with political intrigue. Anne's descriptive powers bring each scene vividly to life, providing a brilliant, kaleidoscopic background to her story.

___________________________________ 'Scintillating, provocative... An elegant synthesis of royal biography and political thriller.' Daily Telegraph A Times History Book of the Year- a story which inspired the Hollywood film MARY QUEEN OF SCOTS. Mary, Queen of Scots & Elizabeth I of England. Two powerful monarchs on a single island. Threatened by voices who believed no woman could govern. Surrounded by sycophants, spies and detractors. Accosted for their dominion, their favour and their bodies. Besieged by secret plots, devastating betrayals and a terrible final act. Only one queen could survive to rule all. ___________________________________ 'Brings us a fresh Mary, set in a gloriously rich context, a tragic heroine - irresistibly real and relevant... There isn't a line wasted in this taut, dramatic and utterly beguiling biography.' Charles Spencer author of Killers of the King- The Men Who Dared to Execute Charles I 'The perfect combination of scholarship and storytelling, meticulous research and emotional insight, Kate Williams brings Mary vividly to life in all her complexities and contradictions.' Kate Mosse, author of The Burning Chambers 'It takes a special kind of historian to turn an old story on its head. Eye-opening, provocative, this is the great rivalry re-imagined for the #MeToo generation.' Lucy Worsley

'Brighter and better than Thomas Hardy . . . a marvellous writer' Eloise Millar, Guardian Prudence Sarn was born with her 'precious bane', a cleft palate, for which she is persecuted as a witch by her superstitious neighbours. Hiding from daily ridicule, Prue takes refuge in the wild Shropshire countryside, developing a profound love of nature. Furtively, Prue dreams of being desired, of being kissed on the lips, and harbours a hopeless passion for Kester Woodseaves, the weaver. Prue's brother, Gideon, is engaged to her only friend, but in his ambition for wealth at any cost, he incurs the wrath of his would-be father-in-law whose act of vengeance results in Prue being accused of murder. Only Kester, who has perceived her true worth, can defend her from the wrath of her accusers. Winner of the 1926 Prix Femina Vie Heureuse Prize, Precious Bane is a novel that enchants with its beauty and its timeless truths. 'With the publication of Precious Bane, a substantial readership came to respect Mary Webb's quiet genius . . . When she died at the age of 46, literature lost a voice that promised to speak for Shropshire as poignantly as Thomas Hardy had spoken for Wessex, Emily Bronte for Yorkshire - New York Times, ,

A London actor was dying for a star billing...From the leading lady's liaison to the harassment of an aging juvenile lead-there's never a dull moment, darling, at the Vulcan Theatre. But vanity and hysterics, suspicion and superstition, brandy and jealousy, are upstaged by a death on opening night. Was it really suicide? Or a macabre encore to a long-ago murder in the same backstage room? Scotland Yard's cast of suspects for the final curtain.

Subtly brilliant comedy of social rivalry between the wars. Emmeline Lucas (known universally to her friends as Lucia) is an arch-snob of the highest order. In Miss Elizabeth Mapp of Mallards Lucia meets her match. Ostensibly the most civil and genteel of society ladies, there is no plan too devious, no plot too cunning, no depths to which they would not sink, in order to win the battle for social supremacy. Using as their deadly weapons garden parties, bridge evenings and charming teas, the two combatants strive to outcharm each other - and the whole of Tilling society - as they vie for the position of doyenne of the town.

From the internationally bestselling author of The Porcelain Moon comes a haunting Gothic novel set in 1911 China. Two young women living in a crumbling, once-grand Shanghai mansion face danger as secrets of their pasts come to light, even as the mansion’s own secret threatens the present. Shanghai, 1911. Lisan Liu is elated when she is hired as secretary to wealthy American Caroline Stanton, the new mistress of Lennox Manor on the outskirts of Shanghai’s International Settlement. However, the Manor has a dark past due to a previous owner’s suicide, and soon Lisan’s childhood nightmares resurface with more intensity and meld with haunted visions of a woman in red. Adding to her unease is the young gardener, Yao, who both entices and disturbs her. Newly married Caroline looks forward to life in China with her husband, Thomas, away from the shadows of another earlier tragedy. But an unwelcome guest, Andrew Grey, attends her party and claims to know secrets she can’t afford to have exposed. At the same party, the notorious princess Masako Kyo approaches Lisan with questions about the young woman’s family that the orphaned Lisan can’t answer. As Caroline struggles with Grey’s extortion and Thomas’s mysterious illness, Lisan’s future is upended when she learns the truth about her past, and why her identity has been hidden all these years. All the while, strange incidents accelerate, driving Lisan to doubt her sanity as Lennox Manor seems unwilling to release her until she fulfills demands from beyond the grave. 

Clodia Metelli: The Tribune's Sister is the first full-length biography of a Roman aristocrat whose colorful life, as described by her contemporaries, has inspired numerous modern works of popular fiction, art, and poetry. Clodia, widow of the consul Metellus Celer, was one of several prominent females who made a mark on history during the last decades of the Roman Republic. As the eldest sister of the populist demagogue P. Clodius Pulcher, she used her wealth and position to advance her brother's political goals. For that she was brutally reviled by Clodius' enemy, the orator M. Tullius Cicero, in a speech painting her as a scheming, debauched whore. Clodia may also have been the alluring mistress celebrated in the love poetry of Catullus, whom he calls "Lesbia" in homage to Sappho and depicts as beautiful, witty, but also false and corrupt. From Cicero's letters, finally, we receive glimpses of a very different woman, a great lady at her leisure. This study examines Clodia in the contexts of her family background, the societal expectations for a woman of her rank, and the turbulent political climate in which she operated. It weighs the value of the several kinds of testimony about her and attempts to extract a picture as faithful to historical truth as possible. The manner in which Clodia was represented in writings of the period, and the motives of their authors in portraying her as they did, together shed considerable light on the role played by female figures in Roman fiction and historiography.