Recommendations based on "Shot Glass Confessional"

An Instant #1 New York Times Bestseller"If you want your breath to catch and your heart to stop, turn to Kate Baer."--Joanna Goddard, Cup of JoA stunning and honest debut poetry collection about the beauty and hardships of being a woman in the world today, and the many roles we play - mother, partner, and friend.“When life throws you a bag of sorrow, hold out your hands/Little by little, mountains are climbed.” So ends Kate Baer’s remarkable poem “Things My Girlfriends Teach Me.” In “Nothing Tastes as Good as Skinny Feels” she challenges her reader to consider their grandmother’s cake, the taste of the sea, the cool swill of freedom. In her poem “Deliverance” about her son’s birth she writes “What is the word for when the light leaves the body?/What is the word for when it/at last, returns?”Through poems that are as unforgettably beautiful as they are accessible, Kate Bear proves herself to truly be an exemplary voice in modern poetry. Her words make women feel seen in their own bodies, in their own marriages, and in their own lives. Her poems are those you share with your mother, your daughter, your sister, and your friends.

Following Her Widely Acclaimed Autobiography Of Red (a Spellbinding Achievement --susan Sontag), A New Collection Of Poetry And Prose That Displays Anne Carson's Signature Mixture Of Opposites--the Classic And The Modern, Cinema And Print, Narrative And Verse. In Men In The Off Hours, Carson Reinvents Figures As Diverse As Oedipus, Emily Dickinson, And Audubon. She Views The Writings Of Sappho, St. Augustine, And Catullus Through A Modern Lens. She Sets Up Startling Juxtapositions (lazarus Among Video Paraphernalia; Virginia Woolf And Thucydides Discussing War). And In A Final Prose Poem, She Meditates On The Recent Death Of Her Mother. With Its Quiet, Acute Spirituality, Its Fearless Wit And Sensuality, And Its Joyful Understanding That The Fact Of The Matter For Humans Is Imperfection, Men In The Off Hours Shows Us The Most Exciting Poet Writing In English Today (michael Ondaatje) At Her Best.

It is the astonishment of Louise Glück's poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape―Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain―persistently emerge and reappear with the dark energy of the inevitable, shot through with the bright aspect of things new-made.From the outset ("Come here / Come here, little one"), Gluck's voice has addressed us with deceptive simplicity, the poems in lines so clear we "do not see the intervening fathoms."From within the earth'sbitter disgrace, coldness and barrennessmy friend the moon rises:she is beautiful tonight, but when is she not beautiful?To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it, the one fated to die and the other to endure.

In ten interlocking essays, the acclaimed author of Written on the Body and Art & Lies reveals art as an active force in the world--neither elitist nor remote, available to those who want it and affecting those who don't. Original, personal, and provocative, these essays are not so much a point of view as they are a way of life, revealing "a brilliant and deeply feeling artist at work" (San Francisco Chronicle).

Edited by Abel Debritto, the definitive collection of poems from an influential writer whose transgressive legacy and raw, funny, and acutely observant writing has left an enduring mark on modern culture.Few writers have so brilliantly and poignantly conjured the desperation and absurdity of ordinary life as Charles Bukowski. Resonant with his powerful, perceptive voice, his visceral, hilarious, and transcendent poetry speaks to us as forcefully today as when it was written. Encompassing a wide range of subjects—from love to death and sex to writing—Bukowski’s unvarnished and self-deprecating verse illuminates the deepest and most enduring concerns of the human condition while remaining sharply aware of the day to day.With his acute eye for the ridiculous and the troubled, Bukowski speaks to the deepest longings and strangest predilections of the human experience. Gloomy yet hopeful, this is tough, unrelenting poetry touched by grace.This is Essential Bukowski.

National Humanities Medalist and U.S. Poet Laureate Joy Harjo examines the power of words and how poetry summons us toward justice and healing "Her enduring message--that writing can be redemptive--resonates: 'To write is to make a mark in the world, to assert "I am."' The result is a rousing testament to the power of storytelling."--Publishers Weekly "Harjo writes as if the creative journey has been the destination all along."--Kirkus Reviews In this lyrical meditation about the why of writing poetry, Joy Harjo reflects on significant points of illumination, experience, and questioning from her fifty years as a poet. Composed of intimate vignettes that take us through the author's life journey as a youth in the late 1960s, a single mother, and a champion of Native nations, this book offers a fresh understanding of how poetry functions as an expression of purpose, spirit, community, and memory--in both the private, individual journey and as a vehicle for prophetic, public witness. Harjo insists that the most meaningful poetry is birthed through cracks in history from what is broken and unseen. At the crossroads of this brokenness, she calls us to watch and listen for the songs of justice for all those America has denied. This is an homage to the power of words to defy erasure--to inscribe the story, again and again, of who we have been, who we are, and who we can be.

The definitive introduction to the work of 'the bravest of us . . . the universal poet' (Alice Walker)For the poet and activist June Jordan, neither poetry nor activism could easily be disentangled from the other. Her storied career came to chronicle a living, breathing history of the struggles that defined the USA in the latter half of the twentieth century; and her poetry, accordingly, put its dazzling stylistic range to use in exploring issues of gender, race, immigration, representation and much else besides. Here, above all, are sinuous, lashing and passionate lines, virtuosic in their musicality and always bearing the stamp of Jordan's irrepressible personality. Here are poems of suffusing light and profound anger: poems moved as much by political animus as by a deep love for the observation of human life in all its foibles, eccentricities, strengths and weaknesses. With a foreword by Pulitzer Prize winner Jericho Brown, The Essential June Jordan allows new readers to discover - and old fans to rediscover - the vital work of this endlessly surprising poet who, in the words of Adrienne Rich, believed that 'genuine, up-from-the-bottom revolution must include art, laughter, sensual pleasure, and the widest possible human referentiality.'

"Myles speaks with one of the essential voices in American poetry." —New York Times A collection of new and selected past work from one of America’s most celebrated poets Eileen Myles's poetry and prose are known for their blend of reality and fiction, the sublime and the ephemeral, in which readers can peer into existent places, like the East Village of Myles's iconic Chelsea Girls. But they are also lifted into dreams, through writing that has the vividness and energy of fantasy. I Must Be Living Twice brings selections from the poet’s previous work together with a set of bold new poems, through which Myles continues to refine their sardonic, unapologetic, and fiercely intellectual literary voice. Steeped in the culture of New York City, Myles's stomping grounds and the home of their most well-known work, they provide a wide-open lens into radical life.

The poems embody ideas about writing and formal inventions, demonstrating how one invention leads to the next. -- Jacket flap.

Product DescriptionEach audio production is accompanied by a book containing the texts of the poems and a commentary by J.D. McClatchy.John Ashbery (1927) was born in Rochester, New York. He has published 19 books of poetry includingGirls on the Run: A Poem (1999);Wakefulness (1998);And the Stars Were Shining (1994);A Wave (1984) which won the Lenore Marshall Poetry Prize;Self-Portrait in a Convex Mirror (1975) which received the Pulitzer Prize for Poetry. Ashbery was the first English-language poet to win the Grand Prix de Biennales Internationales de Poésie (Brussels), and has also received the National Book Award, The Shelley Memorial Award, and fellowships from The Academy of American Poets and the Fulbright Foundation. He is a former Chancellor of The Academy of American Poets and is currently the Charles P. Stevenson, Jr., Professor of Languages at Bard College. He divides his time between New York City and Hudson, New York.From Library JournalPart of an eight-tape series, these audiocassettes of the poets reading their own works include some never-released recordings. Each tape includes a book with the text of the poems, information about the poets, suggested reading, and a commentary by editor J.D. McClatchy. In some poems the audio differs from the printed text; in the Ashbery and Jarrell books, each piece is dated. While the tape quality is adequate, the reviewer's copies did have an audible hiss. The Jarrell cassette, which includes additional commentary not found on the other two tapes (the definition of a ball turret gunner and the story behind "Eighth Air Force"), also had a slight echo. Five American Women was occasionally difficult to understand owing to the timbre of the readers' (Edna St. Vincent Millay, Gertrude Stein, and others) voices. Recommended for public libraries. Laurie Selwyn, San Antonio P.L.Copyright 2001 Reed Business Information, Inc.From the Inside FlapEach audio production is accompanied by a book containing the texts of the poems and a commentary by J.D. McClatchy.John Ashbery (1927) was born in Rochester, New York. He has published 19 books of poetry including Girls on the Run: A Poem (1999); Wakefulness (1998); And the Stars Were Shining (1994); A Wave (1984) which won the Lenore Marshall Poetry Prize; Self-Portrait in a Convex Mirror (1975) which received the Pulitzer Prize for Poetry. Ashbery was the first English-language poet to win the Grand Prix de Biennales Internationales de Poésie (Brussels), and has also received the National Book Award, The Shelley Memorial Award, and fellowships from The Academy of American Poets and the Fulbright Foundation. He is a former Chancellor of The Academy of American Poets and is currently the Charles P. Stevenson, Jr., Professor of Languages at Bard College. He divides his time between New York City and Hudson, New York.From AudioFile[Editor's Note: The following is a combined review with THE VOICE OF THE POET: Randall Jarrell.]--Modern American poets read their own work in this handsome series from Random House. Each 70-minute offering is edited from various rare archival recordings and packaged with an illustrated paperback containing the text of the taped poems and commentary by series editor J.D. McClatchy of THE YALE REVIEW. To versephiles, nothing tops hearing lines delivered by their author. As Nobel laureate Seamus Heaney states, it is "always a unique illumination." Producer Jane Garmey has taken great care to ferret out, assemble, and restore these illuminations. Edifying for the student, a delight for the aficionado, a must for libraries. Y.R. © AudioFile 2002, Portland, Maine--Copyright © AudioFile, Portland, Maine