Recommendations based on "Shakespeare The Man who Pays the Rent"

This comprehensive and balanced anthology offers a collection of 25 works of modern and contemporary drama from the 1870s through the early 1990s. Features twenty-five plays that often demonstrate a significant breakthrough in maturity of expression and style for each playwright — important leaders in the development of modern and contemporary drama.

This is a biography of a book: the first collected edition of Shakespeare's plays printed in 1623 and known as the First Folio. It begins with the story of its first purchaser in London in December 1623, and goes on to explore the ways people have interacted with this iconic book over the four hundred years of its history. Throughout the stress is on what we can learn from individual copies now spread around the world about their eventful lives. From ink blots to pet paws, from annotations to wineglass rings, First Folios teem with evidence of their place in different contexts with different priorities. This study offers new ways to understand Shakespeare's reception and the history of the book. Unlike previous scholarly investigations of the First Folio, it is not concerned with the discussions of how the book came into being, the provenance of its texts, or the technicalities of its production. Instead, it reanimates, in narrative style, the histories of this book, paying close attention to the details of individual copies now located around the world - their bindings, marginalia, general condition, sales history, and location - to discuss five major themes: owning, reading, decoding, performing, and perfecting. This is a history of the book that consolidated Shakespeare's posthumous reputation: a reception history and a study of interactions between owners, readers, forgers, collectors, actors, scholars, booksellers, and the book through which we understand and recognize Shakespeare.

Pygmalion, Heartbreak House, and Saint Joan are widely considered to be three of the most important in the canon of modern British theatre

The theme of the great Shakespearean tragedies is a hero's fall from grace due to a fatal character flaw. Whether it is the ruthless ambition of Macbeth or the folly of Lear, the irresolution of Hamlet or the suspicion of Othello, the cause of the tragedy - even when it is the murder of a king - is trifling compared to the calamity that it unleashes. Despite their flawed natures, however, the tragic protagonists all have a nobility that emphasizes the greatness of humanity. From this paradox the audience is brought to a greater understanding of - and sympathy with - suffering. The four tragedies in this collection are accompanied by notes and an introduction to each text.

Taking a curtain call with a live snake in her wig; being painted green and cavorting naked through the Warwickshire countryside; acting opposite a child with a pumpkin on his head... these are just a few things Dame Judi Dench has done in the name of Shakespeare.In this book, Judi tells us about every Shakespearean role she's played throughout her career. Written in dialogue with fellow artist Brendan O'Hea, Judi guides us through Shakespeare's plays with incisive clarity, reveals the secrets behind her rehearsal process and invites us to share in her triumphs, disasters and backstage shenanigans.As Judi herself says 'Shakespeare is an international language, a beacon for humanity, and a bridge across cultures. Everything you have felt or are yet to feel is all in there in his plays.'

The Complete Works of Shakespeare contains the recognized canon of the bard's plays, and his sonnets and poems. The texts were edited by the late Professor Peter Alexander, making it one of the most authoritative editions, recognized the world over for its clarity and scholarship. Described in the Guardian on its first publication in 1951 as 'a symbol in the history of our national culture', the Collins edition of the Complete Works of William Shakespeare, edited by the late Professor Peter Alexander, has long been established as one of the most authoritative editions of Shakespeare's works, and was chosen by the BBC as the basis for its televised cycle of the plays. The book starts with two specially written articles - a biography of Shakespeare by Germaine Greer and a wide-ranging introduction to Shakespeare theatre by the late Anthony Burgess. Each play is also introduced by academics from Glasgow University, where Professor Alexander undertook his editing. New to this edition is an internet resources section, providing details of the most useful Shakespeare websites. In addition, the invaluable glossary of over 2,500 entries explaining the meaning of obsolete words and phrases (complete with line references) has been expanded and redesigned to make it much easier to use.

These eight Shakespeare plays, retold in prose by British author Andrew Matthews and beautifully illustrated by Angela Barrett, make a perfect introduction to the most famous writer in the Western world. As fresh today as when they were first performed, these stories are just right for entertaining the whole family!

A tragic epic love story before Romeo and Juliet, by one of the greatest medieval Persian romance poets, in a modern-verse English translation by Dick Davis A Penguin ClassicBased on historical characters of the seventh-century Iranian court and written 850 years ago, the narrative poem about Khosrow and Shirin shares a shelf with the most intensely romantic classic stories readers love, from Tristan and Isolde to Layla and Majnun to Romeo and Juliet to Gatsby and Daisy.The love between an Iranian prince (Khosrow) and an Armenian princess (Shirin) is at the center of this tumultuous tale in which the powers of politics and warfare intertwine with no less powerful forces of erotic desire and the quest for personal and spiritual fulfilment. Theirs is a complex love story based on conflicting concepts of love, one regarding the beloved as a prize to be conquered and possessed, the other unrequited and all-consuming, relishing the very notion of the annihilation of the self through love.Davis has captured the energy and poetry of Nezami’s original in modern verse. Davis’s introduction and textual commentary further strengthens his translation by providing insightful context for the general reader and scholar alike. Khosrow and Shirin will enchant both the classicist and the general reader, to captivate a new audience for Nezami’s masterpiece. “Before Romeo and Juliet, there was Khosrow and Shirin. The medieval Persian epic ‘Khosrow and Shirin’ is a rich and gloriously excessive love story”—Michael Dirda, The Washington Post.

Richard II is one of the most enigmatic of English kings. Shakespeare depicted him as a tragic figure, an irresponsible, cruel monarch who nevertheless rose in stature as the substance of power slipped from him. By later writers he has been variously portrayed as a half-crazed autocrat or a conventional ruler whose principal errors were the mismanagement of his nobility and disregard for the political conventions of his age. This book--the first full-length biography of Richard in more than fifty years--offers a radical reinterpretation of the king. Nigel Saul paints a picture of Richard as a highly assertive and determined ruler, one whose key aim was to exalt and dignify the crown. In Richard's view, the crown was threatened by the factiousness of the nobility and the assertiveness of the common people. The king met these challenges by exacting obedience, encouraging lofty new forms of address, and constructing an elaborate system of rule by bonds and oaths. Saul traces the sources of Richard's political ideas and finds that he was influenced by a deeply felt orthodox piety and by the ideas of the civil lawyers. He shows that, although Richard's kingship resembled that of other rulers of the period, unlike theirs, his reign ended in failure because of tactical errors and contradictions in his policies. For all that he promoted the image of a distant, all-powerful monarch, Richard II's rule was in practice characterized by faction and feud. The king was obsessed by the search for personal security: in his subjects, however, he bred only insecurity and fear. A revealing portrait of a complex and fascinating figure, the book is essential reading for anyone with an interest in the politics and culture of the English middle ages.

In late December 1200 A.D. a merchant arrives at the tavern near the Guildhall of the Fools' Guild with a message for one the jesters. The message is brief: "Orsino is dead." Fifteen years before, the jester, using the name of Feste, secretly interceded on the Guild's behalf in a dynastic crisis in the Duchy of Orsino, thus spoiling the plans of Saladin's agent, Malvolio. These events, recorded centuries later somewhat differently in Shakespeare's Twelfth Night, led to Malvolio's humiliation and his oath of revenge. Now, with the unexpected death of the Duke of Orsino, Feste suspects murder and sees the hand of Malvolio behind it. With the backing of the Guild, Feste secretly returns to Orsino disguised as a merchant, to find out what really happened to the Duke and to ferret out Malvolio. But fifteen years is a long time and Malvolio could be disguised as anyone. Only one thing is certain: Feste must uncover and foil the plot before he is found out by Malvolio, who has been planning his revenge on Feste for a long time.