Recommendations based on "Rush: The Making of A Farewell to Kings The Graphic Novel"
Based on your reading history, we think you will also enjoy the following books.
By Rickson Gracie, Peter Maguire
*An instant New York Times bestseller, USA Today bestseller, and Wall Street Journal bestseller*From Brazilian Jiu Jitsu legend Rickson Gracie, a riveting memoir weaving the story of his stunning career with the larger history of his family dynasty and Jiu Jitsu.Undefeated through his final fight, Rickson Gracie belongs in the fighting pantheon with Bruce Lee, Chuck Norris, and Mike Tyson. In Breathe, Rickson shares the full story of how his father and uncles came to develop Jiu Jitsu, what it was like to grow up among several generations of world-renowned fighters, and the principles and skills that guided him to his undefeated record. Gracie’s classic memoir offers indispensable insights into martial arts, human performance, and how the connection between mind and body can be harnessed for success both inside and outside the ring.
By Sam Jones
A new magazine cover photographer and director of the documentary, I Am Trying to Break Your Heart presents a series of one hundred intimate celebrity photos featuring such stars as Robert DeNiro, Renée Zellweger, Jack Nicholson, Drew Barrymore, and Tom Hanks. 35,000 first printing.
By Chris Payne
A “vivid and breathless” (Billboard)oral history of emo’s takeover from 1999 to 2008, featuring My Chemical Romance, Fall Out Boy, Paramore, Panic! At the Disco, Taking Back Sunday, Jimmy Eat World, Dashboard Confessional.If Meet Me in the Bathroom traced New York City's early 2000’s rock scene, Where Are Your Boys Tonight? gives the inside story of the turn-of-the-millennium emo subculture that became bigger than anyone thought possible. There was Pete Wentz, the Fall Out Boy leader who launched a litany of scene-stealing bands and preposterous side-hustles, and Gerard Way, the wizard behind My Chemical Romance and The Black Parade. Panic! At the Disco and Paramore emerged soon after—a pair of intrepid outsiders who got massive playing by their own rules. As they ascended, MySpace took over the internet and the age of influencers dawned, with emo its choice aesthetic.Music journalist Chris Payne experienced emo's mainstream takeover from sweaty crowds and mosh pits growing up in New Jersey. In Where Are Your Boys Tonight? he offers an authoritative, impassioned, and occasionally absurd account told through interviews with more than 150 people, from the scene's biggest bands, producers, and managers to the teenage fans who helped redefine American music culture.
By Jason Lipshutz
From the executive director of music at Billboard, an extensive look inside the 20+ year career of mega-selling rock band Linkin Park, featuring new interviews, exclusive quotes, and insights from the band’s associates and collaborators Linkin Park is one of the 21st Century’s biggest, and most important, rock bands. All it takes is one quick glance at the numbers— 11 Top 40 hits on the Hot 100 and six No. 1 albums on the Billboard 200, over a dozen massive tours, 27 major award wins, 100+ million records sold worldwide, over 30 million monthly Spotify listeners —to realize that when it comes to the metrics of music consumption and fandom, there’s no bigger group in recent memory. And yet, despite their enduring legacy within rock, there’s never been a full, comprehensive biography of Linkin Park—until now. In IT STARTS WITH ONE: The Legend and Legacy of Linkin Park, Billboard's executive director of music, Jason Lipshutz, chronicles the innovation and influence of this legendary band, from their early childhoods to the moment their paths crossed to the genesis of their iconic first album, Hybrid Theory, and all that followed. Not only were they able to synthesize trends in pop and hip-hop amidst the post-grunge era and nu metal boom, then constantly reinvent their sound over multiple albums, Linkin Park’s radically vulnerable lyrics also helped usher in a new era of artists (and fans) more open to discussing mental health and prioritizing inclusivity. Led by their front men, Chester Bennington and Mike Shinoda, who balanced each other out artistically, Linkin Park never shied away from songs that put their issues front and center, for the world to see and feel. Tragically, Chester succumbed to his demons and passed away in 2017, but the music endures—and in order to truly appreciate the band’s singular power to bring people together, we need to take a closer look at how exactly Linkin Park changed popular music. Through in-depth reporting and interviews, as well as new reflections from their collaborators and contemporaries, IT STARTS WITH ONE explores how one band made such a big impact on modern music, effectively cementing Linkin Park’s long overdue place in music history.
By Daudi Abe
The first history of Seattle hip hop—and hip hop’s role in Seattle history From the first rap battles in Seattle’s Central District to the Grammy stage, hip hop has shaped urban life and the music scene of the Pacific Northwest for more than four decades. In the early 1980s, Seattle’s hip-hop artists developed a community-based culture of stylistic experimentation and multiethnic collaboration. Emerging at a distance from the hip-hop centers of New York City and Los Angeles, Seattle’s most famous hip-hop figures, Sir Mix-A-Lot and Macklemore, found mainstream success twenty years apart by going directly against the grain of their respective eras. In addition, Seattle has produced a two-time world-champion breaking crew, globally renowned urban clothing designers, an international hip-hop magazine, and influential record producers. In Emerald Street, Daudi Abe chronicles the development of Seattle hip hop from its earliest days, drawing on interviews with artists and journalists to trace how the elements of hip hop—rapping, DJing, breaking, and graffiti—flourished in the Seattle scene. He shows how Seattle hip-hop culture goes beyond art and music, influencing politics, the relationships between communities of color and law enforcement, the changing media scene, and youth outreach and educational programs. The result is a rich narrative of a dynamic and influential force in Seattle music history and beyond. Emerald Street was made possible in part by a grant from 4Culture’s Heritage Program.
By RIDGELEY ANDREW
For the first time, Andrew Ridgeley - one half of one of the most famous bands in the world - tells the inside story of Wham!, his life-long friendship with George Michael and the formation of a band that changed the shape of the music scene in the early eighties.AVAILABLE FOR PRE-ORDER NOW.In 1975 Andrew took a shy new boy at school under his wing. They instantly hit it off and their boyhood escapades at Bushey Meads School built a bond that was never broken. The duo found themselves riding an astonishing rollercoaster of success, taking them all over the world. They made and broke iconic records, they were treated like gods, but they stayed true to their friendship and ultimately to themselves. It was a party that seemed as if it would never end. And then it did, in front of tens of thousands of tearful fans at Wembley Stadium in 1986.Andrew's memoir covers in wonderful detail those years, up until that last iconic concert: the scrapes, the laughs, the relationships, the good and the bad. It's a unique and one-and-only time to remember that era, that band and those boys.
By Julie Kavanagh
Rudolf Nureyev had it all: beauty, genius, charm, passion, and sex appeal. No other dancer of our time has generated the same excitement, for both men and women, on or off the stage. With Nureyev: The Life, Julie Kavanagh shows how his intense drive and passion for dance propelled him from a poor, Tatar-peasant background to the most sophisticated circles of London, Paris, and New York. His dramatic defection to the West in l961 created a Cold War crisis and made him an instant celebrity, but this was just the beginning. Nureyev spent the rest of his life breaking barriers: reinventing male technique, “crashing the gates” of modern dance, iconoclastically updating the most hallowed classics, and making dance history by partnering England’ s prima ballerina assoluta, Margot Fonteyn--a woman twice his age. He danced for almost all the major choreographers--Frederick Ashton, George Balanchine, Kenneth MacMillan, Jerome Robbins, Maurice Béjart, Roland Petit--his main motive, he claimed, for having left the Kirov. But Nureyev also made it his mission to stage Russia’s full-length masterpieces in the West. His highly personal productions of Swan Lake, The Nutcracker, Raymonda, Romeo and Juliet, and La Bayadère are the mainstays of the Paris Opéra Ballet repertory to this day. An inspirational director and teacher, Nureyev was a Diaghilev-like mentor to young protégés across the globe--from Karen Kain and Monica Mason (now directors themselves), to Sylvie Guillem, Elisabeth Platel, Laurent Hilaire and Kenneth Greve. Sex, as much as dance, was a driving force for Nureyev. From his first secret liaison in Russia to his tempestuous relationship with the great Danish dancer Erik Bruhn, we see not only Nureyev’s notorious homosexual history unfold, but also learn of his profound effect on women--whether a Sixties wild child or Jackie Kennedy and Lee Radziwill or the aging Marlene Dietrich. Among the first victims of AIDS, Nureyev was diagnosed HIV positive in 1984 but defied the disease for nearly a decade, dancing, directing the Paris Opéra Ballet, choreographing, and even beginning a new career as a conductor. Still making plans for the future, Nureyev finally succumbed and died in January l993. Drawing on previously undisclosed letters, diaries, home-movie footage, interviews with Nureyev’s inner circle, and her own dance background, Julie Kavanagh gives the most intimate, revealing, and dramatic picture we have ever had of this dazzling, complex figure. NOTE: This edition does not include photos.
By Geddy Lee
The long-awaited memoir, generously illustrated with never-before-seen photos, from the iconic Rock and Roll Hall of Famer, Rush bassist, and New York Times bestselling author of Geddy Lee's Big Beautiful Book of Bass. Geddy Lee is one of rock and roll's most respected bassists. For nearly five decades, his playing and work as co-writer, vocalist and keyboardist has been an essential part of the success story of Canadian progressive rock trio Rush. Here for the first time is his account of life inside and outside the band. Long before Rush accumulated more consecutive gold and platinum records than any rock band after the Beatles and the Rolling Stones, before the seven Grammy nominations or the countless electrifying live performances across the globe, Geddy Lee was Gershon Eliezer Weinrib, after his grandfather was murdered in the Holocaust. As he recounts the transformation, Lee looks back on his family, in particular his loving parents and their horrific experiences as teenagers during World War II. He talks candidly about his childhood and the pursuit of music that led him to drop out of high school. He tracks the history of Rush which, after early struggles, exploded into one of the most beloved bands of all time. He shares intimate stories of his lifelong friendships with bandmates Alex Lifeson and Neil Peart—deeply mourning Peart’s recent passing—and reveals his obsessions in music and beyond. This rich brew of honesty, humor, and loss makes for a uniquely poignant memoir.
By Darius Rucker
"Darius has always been one of my favorite people to sing with and to call a friend in this industry and yet even knowing him well for as long as I have, there are so many incredible stories in Life's Too Short that I enjoyed learning for the first time."--Sheryl Crow *A NEW YORK TIMES Bestseller* A raw, heartfelt memoir from Darius Rucker, the Grammy Award- winning country music sensation and multiplatinum-selling lead singer of Hootie & The Blowfish In 1986 Darius Rucker cofounded Hootie & The Blowfish at the University of South Carolina. What began as a party band playing frat houses and dive bars quickly became a global pop rock phenomenon through their multiplatinum-selling debut album, cracked rear view, which featured era-defining hit songs like "Only Wanna Be with You," "Let Her Cry," and "Hold My Hand." Later, Darius would chart a pioneering path as a solo country music artist, with classic anthems like "Wagon Wheel" and "Alright." Nearly forty years after the band's formation, Darius tells his remarkable story through the lens of the songs that shaped him--from Al Green, Stevie Wonder, and KISS to Lou Reed, Billy Joel, Nanci Griffith, and so many more. Set against the soundtrack of his life, Darius recounts his childhood as the son of a single mother in Charleston, South Carolina. He traces the unlikely ascent of his band and shares wild tales of life on the road--but he also faces his missteps, defeats, and demons. As moving as it is entertaining, Life's Too Short is a timeless book about a man and his music.
By Martin Aston
The first official account of the iconic record label. An NME Book of the Year 2013 A Rough Trade Book of the Year 2013 A Times Literary Supplement Book of the Year 2013 This Mortal Coil, Birthday Party, Bauhaus, Cocteau Twins, Pixies, Throwing Muses, Breeders, Dead Can Dance, Lisa Germano, Kristin Hersh, Belly, Red House Painters. Just a handful of the bands and artists who started out recording for 4AD, a record label founded by Ivo Watts-Russell and Peter Kent in 1979, a label which went on to be one of the most influential of the modern era. Combining the unique tastes of Watts-Russell and the striking design aesthetic of Vaughan Oliver, 4AD records were recognisable by their look as much their sound. In this comprehensive account concentrating on the label's first two decades (up to the point that Watts-Russell left), music journalist Martin Aston explores the fascinating story with unique access to all the key players and pretty much every artist who released a record on 4AD during that time, and to its notoriously reclusive founder. With a cover designed by Vaughan Oliver this is an essential book for all 4AD fans and anyone who loved the music of that time.