Recommendations based on "Rose Cottage"

“Read this in about two sittings—absolutely loved it. Dazzlingly clever and beautifully twisty. Don’t miss it!!”—Emilia Hart, author of Weyward The gripping follow up to the “smart, stylish, and savage” (People) New York Times bestseller and Reese’s Book Club pick The Club—a twisty mystery involving a cursed wealthy family and a Surrealist painting which holds the key to three suspicious deaths over the course of a century. Some women won't be painted out of history . . . Everybody knows that in 1938, runaway heiress artist Juliette Willoughby perished in an accidental studio fire in Paris, alongside her masterpiece Self Portrait As Sphinx. Fifty years later, two Cambridge art history students are confounded when they stumble across proof that the fire was no accident but something more sinister. What they uncover threatens the very foundation of Juliette’s aristocratic family and revives rumors of the infamous curse that has haunted the Willoughbys for generations. But what does their discovery mean? And how is it connected to a brutal murder in present-day Dubai? A tale of love and madness, obsession and revenge, The Final Act of Juliette Willoughby unravels the riddle posed by a Sphinx who refuses to reveal her secrets . . .

The start of a thrilling new Second World War mystery series from the number-one-bestselling and multi-award-winning author of Murder Most Unladylike .'Superb' Observer'Meticulous and sharp' Guardian'Engaging . . . You will make the journey with a spring in your step' The Times'Robin Stevens is Agatha Christie for children' Katherine Rundell on the Murder Most Unladylike series1940. Britain is at war, and a secret arm of the British government called the Ministry of Unladylike Activity is training up spies.Enter May Wong : courageous, stubborn, and desperate to help end the war so that she can go home to Hong Kong (and leave her annoying school, Deepdean, behind forever). May knows that she would make the perfect spy. After all, grown-ups always underestimate children like her.When May and her friend Eric are turned away by the Ministry, they take matters into their own hands. Masquerading as evacuees, they travel to Elysium Hall, home to the wealthy Verey family - including snobby, dramatic Nuala . They suspect that one of the Vereys is passing information to Germany. If they can prove it, the Ministry will have to take them on.But there are more secrets at Elysium Hall than May or Eric could ever have imagined.And then someone is murdered...'Spirited and fun . . . A must for young murder mystery fans' Bookseller

The New York Times bestselling “Grande Dame of historical mystery” (Washington Post) returns with another thrilling tale of mystery,As the l921-22 season begins, the Emersons are enjoying a busy period of excavation in Egypt, when they hear a lurid description of a man’s mysterious death. His widow is convinced he died of a curse, and implores the Emersons to return the “deadly” little statue that killed him to the tomb from which it was stolen--before it adds her to its list of victims. Clearly, it would be a serious error for the Emersons to start chasing tomb robbers, just when they have finally received permission to return to the Valley of the Kings, from which they were barred several years earlier. But the family soon realizes that the curse may be more real than they ever imagined….and they may be the next victims.

Meet Egyptologist Amelia Peabody in the first mystery in the Victorian-era set, New York Times bestselling "sparkling series" (Marilyn Stasio, New York Times Book Review)."If Indiana Jones were female, a wife, and a mother who lived in Victorian times, he would be Amelia Peabody Emerson."--Publishers WeeklyAmelia Peabody, that indomitable product of the Victorian age, embarks on her debut Egyptian adventure armed with unshakable self-confidence, a journal to record her thoughts, and, of course, a sturdy umbrella. On her way to Cairo, Amelia rescues young Evelyn Barton-Forbes, who has been abandoned by her scoundrel lover. Together the two women sail up the Nile to an archeological site run by the Emerson brothers-the irascible but dashing Radcliffe and the amiable Walter. Soon their little party is increased by one-one mummy that is, and a singularly lively example of the species.Strange visitations, suspicious accidents, and a botched kidnapping convince Amelia that there is a plot afoot to harm Evelyn. Now Amelia finds herself up against an unknown enemy-and perilous forces that threaten to make her first Egyptian trip also her last . . .Praise for Elizabeth Peters and Crocodile on the Sandbank"A writer so popular that the public library has to keep her books under lock and key." -Washington Post Book World"Grand views of Egyptian antiquities . . . a sparkling series." -Marilyn Stasio, New York Times Book Review

Love and need make unexpected bedfellows, and both are blind. As the grip of a long hard winter tightens on Lydmouth, a dead woman calls the dying in a seance behind net curtains. Two provincial newspapers are in the throes of a bitter circulation war. A lorry-driver broods, and an office boy loses his heart. Britain is basking in the warm glow of post-war tranquillity, but in the quiet town of Lydmouth, darker forces are at play. The rats are fed on bread and milk, a gentleman's yellow kid glove is mislaid on a train, and something disgusting is happening at Mr Prout's toyshop. Returning to a town shrouded in intrigue and suspicion, Jill Francis becomes acting editor of the Gazette. Meanwhile, there's no pleasure left in the life of Detective Chief Inspector Richard Thornhill. Only a corpse, a television set and the promise of trouble to come.

Soon-to-be new parents Kiera and her husband, Sebastian Gage, have been hoping for a respite from their inquiries, but murder and mayhem have a startling way of dropping into their laps in the all-new historical mystery in this national bestselling series.Edinburgh, Scotland. March 1832. Kiera and Gage have been eagerly awaiting their bundle of joy but trouble has been brewing in the form of the roguish criminal Bonnie Brock Kincaid. A new book and subsequent play features some of Kincaid's daringly heinous exploits, although he swears he had nothing to do with it or the characters which are obvious representations of Kiera and Gage. While the scoundrel's fury seems genuine, as well as his determined quest to uncover the real identity of the author, the Gages still hold doubts about his innocence.A rash of crimes break out across the city, seemingly inspired by the play and book. When the publisher is found brutally murdered--in an imitation of a gruesome scene--the finger not only points to Bonnie Brock as the possible culprit, but also the Gages, who have been outspoken in their condemnation of the tale. Now, the Gages are on a hunt to unmask the killer. Between the infamy garnered by the play, the cholera outbreak still wreaking havoc throughout the city, and the impending birth of their child, they will need all the resources they can garner.But family quarrels and the revelation of a secret Kiera has been keeping from Sebastian threaten to undermine everything they have overcome. When they find themselves in the crosshairs of the killer, trapped in the squalid underground vaults of the city, they will soon discover that the truth does not always set you free, and death can lurk around any corner.

From the author of A Witch in Time comes a haunting tale of ambition, obsession, and the eternal mystery and magic of film. A vanished star. A haunted film. A mystery only love can unravel... 1968: Gemma Turner once dreamed of stardom. Now the actress is on the cusp of obscurity. When she's offered the lead in a radical new horror film, Gemma believes her luck has changed--but her dream is about to turn into a nightmare. One night, between the shadows of an alleyway, Gemma disappears on set and is never seen again. Yet, Gemma is alive. She's been pulled into the film. And the script--and the monsters within it--are coming to life. Gemma must play her role perfectly if she hopes to survive. 2007: Gemma Turner's disappearance is one of Hollywood's greatest mysteries--one that's captivated film student Christopher Kent ever since he saw L'Étrange Lune for the first time. The screenings only happen once a decade and each time there is new, impossible footage of Gemma that shouldn't exist. Curiosity drives Christopher to unravel the truth. But answers to the film's mystery may leave him trapped by it forever. "A sweeping tale of dark magic, artistic obsession, and a love unbound from the limits of time, The Star and the Strange Moon captivates with lush prose and moments of poignant, heartbreaking beauty." --Paulette Kennedy, author of The Witch of Tin Mountain For more from Constance Sayers, check out: A Witch in Time The Ladies of the Secret Circus

The pleasant old brown shingle house was similar to many in Berkeley's Elmwood district, a home away from home for serious university students. There seemed to be no reason for the unnerving anonymous phone calls or the vicious mutilation of plants in the front yard. Mere random vandalism, perhaps. But what about the pipe bomb thrown through the window? Private investigator Jeri Howard, who for a brief while had been stepmother to one of the residents, is alarmed by the escalating violence directed at the house. Especially when she learns that any one of the five women who live there could be innocently attracting it. Marisol works at a counseling center for battered women. Rachel does escort duty at an abortion clinic. Vicki and Emily have both been harassed by a man who won't take no for an answer. And Sasha, who owns the house, is the outspoken president of the African American law students' organization. Intuition warns Jeri that there's more involved than simple hostility. On the cool bay breezes she catches a whiff of mortal danger. And from her own not-so-distant past, she remembers the pattern of a chilling madness, the approach of an evil that knows no limit and feels no remorse.

P.I. Jeri Howard is hired to bring a wayward teenager home from Paris. When she arrives, she finds that 18-year-old Darcy is there to meet the French family who sheltered her grandmother, as a girl, from the Nazis. But back home in California, Darcy stumbles on evidence that Nazism is alive and well in the terrifying present. And Jeri has the deadly work of trying to extricate from the frightening consequences of her discovery.

A New York Times BestsellerA Literacy Guild Main SelectionThere was something about Manet Hall that called out to Declan Fitzgerald, as the Boston lawyer purchases the grand old mansion in New Orleans, trading his briefcase for a toolbelt. But as he begins renovations, he starts feeling inexplicable sensations of terror . . . and nearly unbearable grief.