Recommendations based on "Prisoner B-3087"

In 1941, three brothers witnessed their parents and two other siblingsbeing led away to their eventual murders. It was a grim scene that would,of course, be repeated endlessly throughout the war. Instead of running orgiving in to despair, these brothers -- Tuvia, Zus, and Asael Bielski -- foughtback, waging a guerrilla war of wits against the Nazis.By using their intimate knowledge of the dense forests surrounding theBelarusan towns of Novogrudek and Lida, the Bielskis evaded the Nazis andestablished a hidden base camp, then set about convincing other Jews to jointheir ranks. As more and more Jews arrived each day, a robust communitybegan to emerge, a "Jerusalem in the woods."After two and a half years in the woods, in July 1944, the Bielskis learnedthat the Germans, overrun by the Red Army, were retreating back towardBerlin. More than one thousand Bielski Jews emerged -- alive -- on that final,triumphant exit from the woods.

This is not a book about Chernobyl, but about the world it has left us. Alexievich spent three years interviewing dozens of survivors, victims and witnesses. This is their testimony, their voices, and they are unforgettable

A riveting look at the story of World War II and the Holocaust through the diaries of Dutch citizens, firsthand accounts of ordinary people living through extraordinary timesBased on select writings from a collection of more than two thousand Dutch diaries written during World War II in order to record this unparalleled time, and maintained by devoted archivists, The Diary Keepers illuminates a part of history we haven’t seen in quite this way before, from the stories of a Nazi sympathizing police officer to a Jewish journalist who documented daily activities at a transport camp.Journalist Nina Siegal, who grew up in a family that had survived the Holocaust in Europe, had always wondered about the experience of regular people during World War II. She had heard stories of the war as a child and Anne Frank’s diary, but the tales were either crafted as moral lessons — to never waste food, to be grateful for all you receive, to hide your silver — or told with a punch line. The details of the past went untold in an effort to make it easier assimilate into American life.When Siegal moved to Amsterdam as an adult, those questions came up again, as did another horrifying one: Why did seventy five percent of the Dutch Jewish community perish in the war, while in other Western European countries the proportions were significantly lower? How did this square with the narratives of Dutch resistance she had heard so much about and in what way did it relate to the famed tolerance people in the Netherlands were always talking about? Perhaps more importantly, how could she raise a Jewish child in this country without knowing these answers?Searching and singular, The Diary Keepers mines the diaries of ordinary citizens to understand the nature of resistance, the workings of memory, and the ways we reflect on, commemorate, and re-envision the past.

When the Nazis invaded Hungary in 1944, they sent virtually the entire Jewish population to Auschwitz. A Hungarian Jew and a medical doctor, Dr. Miklos Nyiszli was spared death for a grimmer fate: to perform "scientific research" on his fellow inmates under the supervision of the infamous "Angel of Death": Dr. Josef Mengele. Nyiszli was named Mengele's personal research pathologist.Miraculously, he survived to give this terrifying and sobering account of the terror of Auschwitz.

In Enemies and Neighbors, Ian Black, who has spent over three decades covering events in the Middle East and is currently a fellow at the London School of Economics, offers a major new history of the Arab-Zionist conflict from 1917 to today, published on the centenary of the Balfour Declaration.Laying the historical groundwork in the final decades of the Ottoman era, when the first Zionist settlers arrived in the Holy Land, Black draws on a wide range of sources--from declassified documents to oral histories to his own vivid on-the-ground reporting--to recreate the major milestones in the most polarizing conflict of the modern age, and from both sides. In the third year of World War I, the seed was planted for an inevitable clash: Jerusalem governor Izzat Pasha surrendered to British troops and foreign secretary Lord Balfour issued a fateful document promising the establishment of "a national home for the Jewish people." The chronicle takes us through the Arab rebellion of the 1930s; the long shadow of the Nazi Holocaust; the war of 1948--culminating in Israel's independence and the Palestinian Nakba (catastrophe); the "cursed victory" of the Six-Day War of 1967 and the Palestinian re-awakening; the first and second Intifadas; the Oslo Accords; and other failed peace negotiations and continued violence up to 2017.Combining engaging narrative with historical and political analysis and cultural insights, Enemies and Neighbors is both an accessible overview and a fascinating investigation into the deeper truths of a history that continues to dominate Middle Eastern politics and diplomacy, and which has preserved Palestinians and Israelis as unequal enemies and neighbors, their bitter conflict unresolved as prospects for a two-state solution have all but disappeared.

This moving, eye-opening memoir of an innocent man detained at Guantánamo Bay for fifteen years tells a story of humanity in the unlikeliest of places and an unprecedented look at life at Guantánamo. At the age of 18, Mansoor Adayfi left his home in Yemen for a cultural mission to Afghanistan. He never returned. Kidnapped by warlords and then sold to the US after 9/11, he was disappeared to Guantánamo Bay, where he spent the next 15 years as Detainee #441. Don't Forget Us Here tells two coming-of-age stories in parallel: a makeshift island outpost becoming the world's most notorious prison and an innocent young man emerging from its darkness. Arriving as a stubborn teenager, Mansoor survived the camp's infamous interrogation program and became a feared and hardened resistance fighter leading prison riots and hunger strikes. With time though, he grew into the man prisoners nicknamed "Smiley Troublemaker": a student, writer, and historian. With unexpected warmth and empathy, he unwinds a narrative of fighting for hope and survival in unimaginable circumstances, illuminating the limitlessness of the human spirit. And through his own story, Mansoor also tells Guantánamo's story, offering an unprecedented window into one of the most secretive places on earth and the people—detainees and guards alike—who lived there with him.   Twenty years later, Guantánamo remains open, and at a moment of due reckoning, Mansoor Adayfi helps us understand what actually happened there—both the horror and the beauty—a vital chronicle of an experience we cannot afford to forget.

Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories—multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large. In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.

"How extraordinary it is that compassion and tenderness may flourish in the cruellest conditions; how stubbornly and bravely people survive them. This is not a depressing book but an inspiriting and encouraging one." —Doris Lessing"The sixteen life stories are riveting. . . . testimony to the complexity of the human spirit[,] to miracles of survival and endurance in the most hellish of conditions. . . . Till My Tale Is Told remind[s] us of the importance of remembrance and testimony about this particularly brutal chapter of human history."—The Women's Review of BooksArrest, interrogation, imprisonment, trial and sentencing, transport, labor camps, internal exile, sometimes release, often followed by re-arrest and re-imprisonment and, for those who outlived Stalin, eventual reprieve and rehabilitation these are the outlines of the experiences recorded by 16 courageous Russian women whose moving testimonies, most of them written in secret and at great personal risk, are presented here.

Now a major motion picture starring Rachel Weisz, Timothy Spall and Tom Wilkinson. “A compelling book: memoir and courtroom drama, a work of historical and legal import. ” -- Jewish Week Deborah Lipstadt, author of the groundbreaking Denying the Holocaust, chronicles her six-year legal battle with controversial British World War II historian David Irving that culminated in a sensational 2000 trial in London In her acclaimed 1993 book Denying the Holocaust, Deborah Lipstadt called putative World War II historian David Irving “one of the most dangerous spokespersons for Holocaust denial”, a conclusion that she reached by examining his cunning manipulations of evidence, partisanship to Hitler, persistent exoneration of the Third Reich, and his confirmed celebrity among swelling ranks of anti-Semitic organizations internationally. In 1994, Irving filed a libel lawsuit, not in the U.S. courtroom—where the onus of proof lies on the plaintiff, but in the UK—where the onus of proof lies on the defendant. At stake were not only the reputations of two historians, but the record of history itself. The four-month trial took place in London in 2000 and drew international attention. With the help of a first-rate team of solicitors and historians and the support of her UK publisher, Penguin, Lipstadt won, her victory proclaimed on the front page of major newspapers around the world. Part history, part real life courtroom drama, Denial is Lipstadt’s riveting, blow-by-blow account of the trial that tested the standards of historical and judicial truths and resulted in a formal denunciation of the infamous Holocaust denier. Originally published as History on Trial.

The third volume in this powerful trilogy, The Cattle Cars Are Waiting follows the tragic fate of the inhabitants of the ghetto. Chava Rosenfarb, herself a survivor of the Lodz Ghetto, Auschwitz, and Bergen-Belsen, draws on her own history to create characters who struggle daily to retain a sense of humanity and dignity despite the physical and psychological effects of ghetto life. Although the novel depicts horrendous experiences, the light of faith in the human spirit shines through every page. Winner, Georges Bugnet Award for Best Novel, Writers Guild of Alberta