Recommendations based on "Prague Cemetery"

'Vonnegut looked the world straight in the eye and never flinched' J. G. BallardThis bitterly funny Cold War satire on the end of the world expresses our deepest fears of Armageddon, and has become a counter-culture classic.'A satirist with a heart, a moralist with a whoopee cushion' Jay McInerney'The closest thing we had to a Voltaire' Tom Wolfe'The time to read Vonnegut is just when you begin to suspect that the world is not what it appears to be. He is not only entertaining, he is electrocuting' The New York Times

In A Distant Universe, Since The Beginning Of Time, Workers Have Spent Their Lives Weaving Intricate Carpets From The Hair Of Women And Girls. But Why? Andreas Eschbach's Mysterious, Poignant Space Opera Explores The Absurdity Of Work And Of Life Itself. 'a Novel Of Ideas That Evokes Complex Emotions Through The Working Out Of An Intricate And Ultimately Satisfying Plot, With Echoes Of Gene Wolfe, Ursula K. Le Guin, And Isaac Asimov' The New York Times Book Review

This selection of non-fictional work from the author of Life, a User's Manual, demonstrates Georges Perec's characteristic lightness of touch, wry humour and accessibility.

SUM is a dazzling exploration of funny and unexpected afterlives that have never been considered–each presented as a vignette that offers us a stunning lens through which to see ourselves here and now.In one afterlife you may find that God is the size of a microbe and is unaware of your existence. In another, your creators are a species of dim-witted creatures who built us to figure out what they could not. In a different version of the afterlife you work as a background character in other people’s dreams. Or you may find that God is a married couple struggling with discontent, or that the afterlife contains only those people whom you remember, or that the hereafter includes the thousands of previous gods who no longer attract followers. In some afterlives you are split into your different ages; in some you are forced to live with annoying versions of yourself that represent what you could have been; in others you are re-created from your credit card records and Internet history. David Eagleman proposes many versions of our purpose here; we are mobile robots for cosmic mapmakers, we are reunions for a scattered confederacy of atoms, we are experimental subjects for gods trying to understand what makes couples stick together.These wonderfully imagined tale–at once funny, wistful, and unsettling–are rooted in science and romance and awe at our mysterious existence: a mixture of death, hope, computers, immortality, love, biology, and desire that exposes radiant new facets of our humanity.

From the internationally acclaimed author of The Marriage of Cadmus and Harmony comes one of the most significant books in recent years on a writer of perennial interest–a virtuoso interpretation of the work of Franz Kafka. What are Kafka’s fictions about? Are they dreams? Allegories? Symbols? Countless answers have been offered, but the essential mystery remains intact. Setting out on his own exploration, Roberto Calasso enters the flow, the tortuous movement, the physiology of Kafka’s work to discover why K. and Josef K.–the protagonists of The Castle and The Trial–are so radically different from any other character in the history of the novel, and to determine who, in the end, is K. The culmination of Calasso’s lifelong fascination with Kafka’s work, K. is also an unprecedented consideration of the mystery of Kafka himself.

Twenty-five of the finest science fiction short stories from one of the genre's greatest writers, Isaac Asimov. Isaac Asimov was the Grand Master of the Science Fiction Writers of America, the founder of robot ethics, and one of the world's most prolific authors of fiction and non-fiction. Asimov's short fiction has been enjoyed by millions for more than half a century. Many of the stories in this collection are classics of the genre, including 'Living Space', which looks at the consequences of the existence of parallel universes and what would happen if life on Earth never developed. Always entertaining and thought provoking, these stories display Asimov's mastery of the short story form. He remains supreme as the thinking person's science fiction writer.

Vineland is hardly anyone’s favorite Thomas Pynchon novel. Marking Pynchon’s return after vanishing for nearly two decades following his epic Gravity’s Rainbow, it was initially regarded as slight, a middling curiosity. However, for Peter Coviello, the oft-overlooked Vineland opens up new ways of thinking about Pynchon’s writing and about how we read and how we live in the rough currents of history. Beginning with his early besotted encounters with Vineland, Coviello reads Pynchon’s offbeat novel of sixties insurgents stranded in the Reaganite summer of 1984 as a delirious stoner comedy that is simultaneously a work of heartsick fury and political grief: a portrait of the hard afterlives of failed revolution in a period of stifling reaction. Offering a roving meditation on the uses of criticism and the practice of friendship, the fashioning of publics and counterpublics, the sentence and the police, Coviello argues that Vineland is among the most abundant and far-sighted of late-century American excursions into novelistic possibility. Departing from visions of Pynchon as the arch-postmodernist, erudite and obscure, he discloses an author far more companionable and humane. In Pynchon’s harmonizing of joyousness and outrage, comedy and sorrow, Coviello finds a model for thinking through our catastrophic present.

From the Author of The Basketball Diaries   Originally released in 1973, Living at the Movies was the first aboveground publication of the work of Jim Carroll, a singer-songwriter Newsweek called “contender for the title of rock’s new poet laureate.” In these poems, all written before the age of twenty-two, Carroll shows an uncanny virtuosity. His power and poisoned purity of vision are reminiscent of Arthur Rimbaud, and, like the strongest poets of the New York School, Carroll transforms the everyday details of city life into poetry. In language at once delicate, hallucinatory, and menacing, his major themes—love, friendship, the exquisite pains and pleasures of drugs, and above all, the ever-present city—emerge in an atmosphere where dream and reality mingle on equal terms. It is an astonishing debut by an important American writer and artist.   “Jim Carroll has the sure confidence of a true artist. . . . He is steeped in his craft. He has worked as only a man of inspiration is capable of working. . . . His beginning is a triumph.”—Gerard Malanga, Poetry

Prophetic short stories and apocalyptic novels like The Crystal World made J. G. Ballard a foundational figure in the British New Wave. Rejecting the science fiction of rockets and aliens, he explored an inner space of humanity informed by psychiatry and biology and shaped by surrealism. Later in his career, Ballard's combustible plots and violent imagery spurred controversy--even legal action--while his autobiographical 1984 war novel Empire of the Sun brought him fame. D. Harlan Wilson offers the first career-spanning analysis of an author who helped steer SF in new, if startling, directions. Here was a writer committed to moral ambiguity, one who drowned the world and erected a London high-rise doomed to descend into savagery--and coolly picked apart the characters trapped within each story. Wilson also examines Ballard's methods, his influence on cyberpunk, and the ways his fiction operates within the sphere of our larger culture and within SF itself.

List of titles included in this boxed set are- Africa's Tarnished Nameby Chinua Achebe An Advertisement for Toothpasteby Ryszard Kapuscinski Create Dangerouslyby Albert Camus Dark Daysby James Baldwin Daydream and Drunkenness of a Young Ladyby Clarice Lispector Death the Barberby William Carlos Williams Fameby Andy Warhol Foodby Gertrude Stein Four Russian Short Storiesby Various Glittering Cityby Cyprian Ekwensi I Have More Souls Than Oneby Fernando Pessoa Investigations of a Dogby Franz Kafka Lanceby Vladimir Nabokov Leaving the Yellow Houseby Saul Bellow Letter from Birmingham Jailby Martin Luther King Letter to My Motherby Georges Simenon Madame du Deffand and the Idiotsby Javier Marias New York City in 1979by Kathy Acker Notes on Campby Susan Sontag Notes on Nationalismby George Orwell Of Dogs and Wallsby Yuko Tsushima Piers of the HomelessNight by Jack Kerouac Television Was a Baby Crawling Toward That Deathchamberby Allen Ginsberg The Black Ballby Ralph Ellison TheBreakthroughby Daphne Du Maurier The Cracked Looking-Glassby Katherine Anne Porter The Custard Heartby Dorothy Parker The Dialogue of Two Snailsby Federico Garcia Lorca The Distance of theMoonby Italo Calvino The Duke in His Domainby Truman Capote TheEndby Samuel Beckett The Fingerby William S. Burroughs The Garden of Forking Pathsby Jorge Luis Borges The Gigoloby Francoise Sagan The Great Hungerby Patrick Kavanagh The Haunted Boyby Carson McCullers The Legend of the Sleepersby Danilo Kis The Master's Tools Will Never Dismantle the Master's Houseby Audre Lorde The Missing Girlby Shirley Jackson The Problem that Has No Nameby Betty Friedan The Red Tenda of Bolognaby John Berger The Skeleton's Holidayby Leonora Carrington The Survivorby Primo Levi The Three Electroknightsby Stanislaw Lem The Veiled Womanby Anais Nin The Vigilanteby John Steinbeck Three Japanese Short Storiesby Various Till September Petronellaby Jean Rhys Why Do You Wear a Cheap Watch?by Hans Fallada Why I Am Not Going to Buy a Computerby Wendell Berry