Recommendations based on "Potshot"

“[A] fantastically hopped-up thriller . . . a wrong-man plot worthy of Hitchcock.”—Entertainment Weekly (Editor’s Choice)In development as a major motion picture!It’s three thousand miles from the green fields of glory, where Henry “call me Hank” Thompson once played California baseball, to the Lower East Side of Manhattan, where the tenements are old, the rents are high, and the drunks are dirty. But now Hank is here, working as a bartender and taking care of a cat named Bud who is surely going to get him killed.It begins when Hank’s neighbor, Russ, has to leave town in a rush and hands over Bud in a carrier. But it isn’t until two Russians in tracksuits drag Hank over the bar at the joint where he works and beat him to a pulp that he starts to get the idea: Someone wants something from him. He just doesn’t know what it is, where it is, or how to make them understand he doesn’t have it.Within twenty-four hours Hank is running over rooftops, swinging his old aluminum bat for the sweet spot of a guy’s head, playing hide and seek with the NYPD, riding the subway with a dead man at his side, and counting a whole lot of cash on a concrete floor.All because of two cowboys, two Russian mafia men, and some of the weirdest goons ever assembled in one place. All because of Bud. All because once, in another life, in another world, the only thing Hank wanted was to take third base—without getting caught.

“One of the strongest in Sandford’s Prey series.”—Entertainment Weekly“Good, dark, perverse, bloody fun.”—The Washington Post Book WorldTheories abound when a Russian gets himself killed on the shore of Lake Superior—shot with fifty-year-old bullets. But when it turns out he had very high government connections, state troubleshooter Lucas Davenport gets the call. Well, Lucas and a mysterious Russian cop with secrets all her own. Together, they’ll follow a trail back to another place and another time, and battle the shadows they discover there—shadows that turn out to be both very real and very deadly.

The extraordinary new Lucas Davenport thriller from #1 New York Times-bestselling author and Pulitzer Prize winner John Sandford. The night after the fourth of July, Layton Carlson Jr., of Red Wing, Minnesota, finally got lucky. And unlucky. He'd picked the perfect spot to lose his virginity to his girlfriend, an abandoned farmyard in the middle of cornfields: nice, private, and quiet. The only problem was . . . something smelled bad?like, really bad. He mentioned it to a county deputy he knew, and when the cop took a look, he found a body stuffed down a cistern. And then another, and another. By the time Lucas Davenport was called in, the police were up to fifteen bodies and counting. And as if that wasn't bad enough, when Lucas began to investigate, he made some disturbing discoveries of his own. The victims had been killed over a great many years, one every summer, regular as clockwork. How could this have happened without anybody noticing? Because one thing was for sure: the killer had to live close by. He was probably even someone they saw every day. . . .

A man walks into a trendy Los Angeles restaurant -- a disgruntled ex-employee with an automatic weapon -- and seconds later, thirteen people are dead and thirty-two more have been wounded. It is a heinous act of mass slaughter that haunts Homicide Detective Peter Decker.But, though eyewitnesses saw only the lone gunman -- who apparently took his own life after his bloody work was done -- evidence suggests more than one weapon was fired. It is a disturbing inconsistency that sends Decker racing headlong into a sordid, labyrinthine world of Southern California money and power, on an investigation that threatens to destroy his reputation and his career.

Dru Rayne and her uncle fled to L.A. after Hurricane Katrina; but now, five years later, they face a different danger. When Joe Pike witnesses Dru's uncle beaten by a protection gang, he offers his help, but neither of them want it-and neither do the federal agents mysteriously watching them.As the level of violence escalates, and Pike himself becomes a target, he and Elvis Cole learn that Dru and her uncle are not who they seem--and that everything he thought he knew about them has been a lie. A vengeful and murderous force from their past is now catching up to them . . . and only Pike and Cole stand in the way.

The Seattle that Beau knew as a young policeman is disappearing. The city is awash in the aromas emanating from a glut of coffee bars, the neighborhood outside his condo building has sprouted gallery upon gallery, and even his long cherished diner has evolved into a trendy eatery for local hipsters. But the glam is strictly surface, for the grit under the city's fingernails is caked with blood. Beau and his new partner Sue Danielson, a struggling single parent, are assigned the murder of an elderly woman torched to death in her bed. As their investigation proceeds, Beau and Sue become embroiled in a perilous series of events that will leave them and their case shattered -- and for Beau nothing will ever be the same again.

Ex-Department of Defense research analyst Lewis Cole is a man with a dangerous past. But in the small New England town of Tyler Beach, New Hampshire, he lives a quiet, unassuming life as a columnist for a Boston-based newspaper. In his third adventure, what promises to be another beautiful and peaceful New England winter for Lewis quickly turns into a nightmare from which he cannot escape. An arsonist is at work in the resort town, methodically burning down its unoccupied hotels and motels - and the police are baffled. At the same time, another monstrous act of violence shocks the tiny town. When a close friend of Lewis's is severely beaten and then raped, barely escaping with her life, Lewis's unquenchable thirst for justice is re-ignited. Using all of his old connections, including Boston mob-connected security consultant and friend Felix Tinios, Lewis begins his own frantic search to find the identity of both the arsonist and the rapist. Lewis knows that he and the other residents of Tyler Beach face extreme danger. What he doesn't know is that in his small hometown an indescribable evil lurks and even flourishes, destined to leave its shattering mark on anyone who gets in its way.

What Bernard Sampson, protagonist of BERLIN GAME, MEXICO SET, and LONDON MATCH, is about to know may hurt him. When word gets to London Central that a cache of millions of pounds has disappeared inside the Service, Samson is determined to learn the truth. But not even that discovery will help if the Department itself wants his blood....

'I need a man good-looking enough to pick up a dame who has a sense of class, but he's got to be tough enough to swap punches with a power shovel.' In the first of the four cases in Trouble is My Business, Los Angeles PI Philip Marlowe is offered a job that leaves a bad taste in the mouth: smearing a girl who's 'got her hooks into a rich man's pup'. Before too long Marlowe's up to his neck in corpses and cops and he's taken pity on the girl. There's nothing like making trouble out of your business . . . The four novellas collected here are quintessential Raymond Chandler: slick, crystal-clear writing that pins the reader to the seat and won't let go until the last page is turned. 'Age does not wither Chandler's prose' Literary Review 'Chandler's prose flies off the pages like a burst from a Tommy gun. Chandler was perhaps the finest exponent of the fledgling genre now known as pulp fiction' Scottish Field 'One of the greatest crime writers, who set the standards others still try to attain' Sunday Times 'Nobody can write like Chandler on his home turf, not even Faulkner . . . An original . . . A great artist' Boston Review 'Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since' Paul Auster Discover the newest addition to the inimitable Philip Marlowe series - Only to Sleep by Lawrence Osborne - out 6 September 2018 in hardback and ebook from Hogarth.

Keller's a hit man. For years now he's had places to go and people to kill. But enough is enough. He's got money in the bank and just one last job standing between him and retirement. So he carries it out with his usual professionalism, and he heads home, and guess what? One more job. Paid in advance, so what's he going to do? Give the money back?In Des Moines, Keller stalks his designated target and waits for the client to give him the go-ahead. And one fine morning he's picking out stamps for his collection (Sweden 1-5, the official reprints) at a shop in Urbandale when somebody guns down the charismatic governor of Ohio. Back at his motel, Keller's watching TV when they show the killer's face. And there's something all too familiar about that face. . . . Keller calls his associate Dot in White Plains, but there is no answer. He's stranded halfway across the country, every cop in America's just seen his picture, his ID and credit cards are no longer good, and he just spent almost all of his cash on the stamps. Now what?