Recommendations based on "People of the Book"

Why do major historical events such as the Holocaust occupy the forefront of the collective consciousness, while profound moments such as the Armenian genocide, the McCarthy era, and France's role in North Africa stand distantly behind? Is it possible that history "overly remembers" some events at the expense of others? A landmark work in philosophy, Paul Ricoeur's Memory, History, Forgetting examines this reciprocal relationship between remembering and forgetting, showing how it affects both the perception of historical experience and the production of historical narrative.Memory, History, Forgetting, like its title, is divided into three major sections. Ricoeur first takes a phenomenological approach to memory and mnemonical devices. The underlying question here is how a memory of present can be of something absent, the past. The second section addresses recent work by historians by reopening the question of the nature and truth of historical knowledge. Ricoeur explores whether historians, who can write a history of memory, can truly break with all dependence on memory, including memories that resist representation. The third and final section is a profound meditation on the necessity of forgetting as a condition for the possibility of remembering, and whether there can be something like happy forgetting in parallel to happy memory. Throughout the book there are careful and close readings of the texts of Aristotle and Plato, of Descartes and Kant, and of Halbwachs and Pierre Nora.A momentous achievement in the career of one of the most significant philosophers of our age, Memory, History, Forgetting provides the crucial link between Ricoeur's Time and Narrative and Oneself as Another and his recent reflections on ethics and the problems of responsibility and representation.“His success in revealing the internal relations between recalling and forgetting, and how this dynamic becomes problematic in light of events once present but now past, will inspire academic dialogue and response but also holds great appeal to educated general readers in search of both method for and insight from considering the ethical ramifications of modern events. . . . It is indeed a master work, not only in Ricoeur’s own vita but also in contemporary European philosophy.”—Library Journal“Ricoeur writes the best kind of philosophy—critical, economical, and clear.”— New York Times Book Review

Some historical events simply beggar any attempt at description--the Holocaust is one of these. Characterising the Nazis as cats and the Jews as mice, this book recounts, through a complex and sustained allegory the experiences of the author's father in Auschwitz during WWII.

An inspiring true story of hope and survival, this is the testimony of a boy who was imprisoned in Auschwitz, Gross-Rosen and Buchenwald and recorded his experiences through words and color drawings.In June 1943, after long years of hardship and persecution, thirteen-year-old Thomas Geve and his mother were deported to Auschwitz-Birkenau. Separated upon arrival, he was left to fend for himself in the men’s camp of Auschwitz I.During 22 harsh months in three camps, Thomas experienced and witnessed the cruel and inhumane world of Nazi concentration and death camps. Nonetheless, he never gave up the will to live. Miraculously, he survived and was liberated from Buchenwald at the age of fifteen.While still in the camp and too weak to leave, Thomas felt a compelling need to document it all, and drew over eighty drawings, all portrayed in simple yet poignant detail with extraordinary accuracy. He not only shared the infamous scenes, but also the day-to-day events of life in the camps, alongside inmates' manifestations of humanity, support and friendship.To honor his lost friends and the millions of silenced victims of the Holocaust, in the years following the war, Thomas put his story into words. Despite the evil of the camps, his account provides a striking affirmation of life.The Boy Who Drew Auschwitz, accompanied with 56 of his color illustrations, is the unique testimony of young Thomas and his quest for a brighter tomorrow.

Jerusalem is the universal city, the capital of two peoples, the shrine of three faiths; it is the prize of empires, the site of Judgement Day and the battlefield of today's clash of civilizations. From King David to Barack Obama, from the birth of Judaism, Christianity and Islam to the Israel-Palestine conflict, this is the epic history of three thousand years of faith, slaughter, fanaticism and coexistence. How did this small, remote town become the Holy City, the "center of the world" and now the key to peace in the Middle East? In a gripping narrative, Simon Sebag Montefiore reveals this ever-changing city in its many incarnations, bringing every epoch and character blazingly to life. Jerusalem's biography is told through the wars, love affairs and revelations of the men and women--kings, empresses, prophets, poets, saints, conquerors and whores--who created, destroyed, chronicled and believed in Jerusalem. As well as the many ordinary Jerusalemites who have left their mark on the city, its cast varies from Solomon, Saladin and Suleiman the Magnificent to Cleopatra, Caligula and Churchill; from Abraham to Jesus and Muhammad; from the ancient world of Jezebel, Nebuchadnezzar, Herod and Nero to the modern times of the Kaiser, Disraeli, Mark Twain, Lincoln, Rasputin, Lawrence of Arabia and Moshe Dayan. Drawing on new archives, current scholarship, his own family papers and a lifetime's study, Montefiore illuminates the essence of sanctity and mysticism, identity and empire in a unique chronicle of the city that many believe will be the setting for the Apocalypse. This is how Jerusalem became Jerusalem, and the only city that exists twice--in heaven and on earth.

The Nobel Prize-winning author discusses his homeland, childhood, education, experiences during the war, philosophical beliefs, work, and approach to writing

This moving, eye-opening memoir of an innocent man detained at Guantánamo Bay for fifteen years tells a story of humanity in the unlikeliest of places and an unprecedented look at life at Guantánamo. At the age of 18, Mansoor Adayfi left his home in Yemen for a cultural mission to Afghanistan. He never returned. Kidnapped by warlords and then sold to the US after 9/11, he was disappeared to Guantánamo Bay, where he spent the next 15 years as Detainee #441. Don't Forget Us Here tells two coming-of-age stories in parallel: a makeshift island outpost becoming the world's most notorious prison and an innocent young man emerging from its darkness. Arriving as a stubborn teenager, Mansoor survived the camp's infamous interrogation program and became a feared and hardened resistance fighter leading prison riots and hunger strikes. With time though, he grew into the man prisoners nicknamed "Smiley Troublemaker": a student, writer, and historian. With unexpected warmth and empathy, he unwinds a narrative of fighting for hope and survival in unimaginable circumstances, illuminating the limitlessness of the human spirit. And through his own story, Mansoor also tells Guantánamo's story, offering an unprecedented window into one of the most secretive places on earth and the people—detainees and guards alike—who lived there with him.   Twenty years later, Guantánamo remains open, and at a moment of due reckoning, Mansoor Adayfi helps us understand what actually happened there—both the horror and the beauty—a vital chronicle of an experience we cannot afford to forget.

In the spring and summer of 1952, fifteen Soviet Jews, including five prominent Yiddish writers and poets, were secretly tried and convicted; multiple executions soon followed in the basement of Moscow's Lubyanka prison. The defendants were falsely charged with treason and espionage because of their involvement in the Jewish Anti-Fascist Committee, and because of their heartfelt response as Jews to Nazi atrocities on occupied Soviet territory. Stalin had created the committe to rally support for the Soviet Union during World War II, but he then disbanded it after the war as his paranoia mounted about Soviet Jews. For many years, a host of myths surrounded the case against the committee. Now this book, which presents an abridged version of the long-suppressed transcript of the trial, reveals the Kremilin's machinery of destruction. Joshua Rubenstein provides annotations about the players and events surrounding the case. In a long introduction, drawing on newly released documents in Moscow archives and on interviews with relatives of the defendants in Israel, Russia, and the United States, Rubenstein also sets the trial in historical and political context and offers a vivid account o

Roughly ten million children were victims of political repression in the Soviet Union during the Stalinist era, the sons and daughters of peasants, workers, scientists, physicians, and political leaders considered by the regime to be dangerous to the political order. Ten grown victims, who as children suffered banishment, starvation, disease, anti-Semitism, and trauma resulting from their parents’ condemnation and arrest, now freely share their stories.  The result is a powerful and moving oral history that will profoundly deepen the reader’s understanding of life in the U.S.S.R. under the despotic reign of Joseph Stalin.

"How extraordinary it is that compassion and tenderness may flourish in the cruellest conditions; how stubbornly and bravely people survive them. This is not a depressing book but an inspiriting and encouraging one." —Doris Lessing"The sixteen life stories are riveting. . . . testimony to the complexity of the human spirit[,] to miracles of survival and endurance in the most hellish of conditions. . . . Till My Tale Is Told remind[s] us of the importance of remembrance and testimony about this particularly brutal chapter of human history."—The Women's Review of BooksArrest, interrogation, imprisonment, trial and sentencing, transport, labor camps, internal exile, sometimes release, often followed by re-arrest and re-imprisonment and, for those who outlived Stalin, eventual reprieve and rehabilitation these are the outlines of the experiences recorded by 16 courageous Russian women whose moving testimonies, most of them written in secret and at great personal risk, are presented here.

In this important work of historical restoration, Amos Elon shows how a persecuted clan of cattle dealers and wandering peddlers was transformed into a stunningly successful community of writers, philosophers, scientists, tycoons, and activists. In engaging, brilliantly etched portraits of Moses Mendelssohn, Heinrich Heine, Karl Marx, Hannah Arendt, and many others, Elon traces how a small minority came to be perceived as a deadly threat to German national integrity.