Recommendations based on "Outside Looking In"

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A second volume of collected short fiction—from the bestselling author and winner of the 2015 Rea Award for the Short StoryFew authors write with such sheer love of story and language as T.C. Boyle, and that is nowhere more evident than in his inventive, wickedly funny, and always entertaining short stories. In 1998, T.C. Boyle Stories brought together the author’s first four collections to critical acclaim. Now, T.C. Boyle Stories II gathers the work from his three most recent collections along with fourteen new tales previously unpublished in book form as well as a preface in which Boyle looks back on his career as a writer of stories and the art of making them.By turns mythic and realistic, farcical and tragic, ironic and moving, Boyle’s stories have mapped a wide range of human emotions. The fifty-eight stories in this new volume, written over the last eighteen years, reflect his maturing themes. Along with the satires and tall tales that established his reputation, readers will find stories speaking to contemporary social issues, from air rage to abortion doctors, and character-driven tales of quiet power and passion. Others capture timeless themes, from first love and its consequences to confrontations with mortality, or explore the conflict between civilization and wildness. The new stories find Boyle engagingly testing his characters’ emotional and physical endurance, whether it’s a group of giants being bred as weapons of war in a fictional Latin American country, a Russian woman who ignores dire warnings in returning to her radiation-contaminated home, a hermetic writer who gets more than a break in his routine when he travels to receive a minor award, or a man in a California mountain town who goes a little too far in his concern for a widow.Mordant wit, emotional power, exquisite prose: it is all here in abundance. T.C. Boyle Stories II is a grand career statement from a writer whose imagination knows no bounds.

The whole town got involved with the hunger-artist; from day to day of his starving, people's participation grew; everyone wanted to see the hunger-artist at least once a day; on the later days there were season-ticket holders who sat for days on end in front of his little cage Reading these stories by the master of the absurd is like entering a dreamworld in which nothing, and yet somehow everything, makes sense.

Sum is a stunning exploration of funny and unexpected afterlives that have never been considered—each presented as a vignette that offers a lens through which to see ourselves here and now. In one afterlife, you find that God is the size of a microbe and is unaware of your existence. In another, you work as a background character in other people's dreams. Or you may find that the afterlife contains only those people whom you remember. The stories in Sum are rooted in romance, science, and awe: a mixture of death, hope, computers, immortality, love, biology, and desire that cuts through human nature at new and exciting angles.

It took Vonnegut more than 20 years to put his Dresden experiences into words. He explained, "there is nothing intelligent to say about a massacre. Everybody is supposed to be dead, to never say anything or want anything ever again." Slaughterhouse Five is a powerful novel incorporating a number of genres. Only those who have fought in wars can say whether it represents the experience well. However, what the novel does do is invite the reader to look at the absurdity of war. Human versus human, hedonist politicians pressing buttons and ordering millions to their deaths all for ideologies many cannot even comprehend. Flicking between the US, 1940's Germany and Tralfamadore, Vonnegut's semi- autobiographical protagonist Billy Pilgrim finds himself very lost. One minute he is being viewed as a specimen in a Tralfamadorian Zoo, the next he is wandering a post-apocalyptic city looking for corpses. Slaughterhouse Five-Or The Children's Crusade A Duty-Dance with Death is a remarkable blend of black humour, irony, the truth and the absurd. The author regards his work a "failure", millions of readers do not. Released the same time bombs were falling on South East Asia, this title caused controversy and awakening. Essential reading for all. So it goes. --Jon Smith

Walker Percy's mordantly funny and wholly original contribution to the self-help book craze deals with the Western mind's tendency toward heavy abstraction. This favorite of Percy fans continues to charm and beguile readers of all tastes and backgrounds. Lost in the Cosmos invites us to think about how we communicate with our world.

'Not to be born is undoubtedly the best plan of all. Unfortunately it is within no one's reach.' In The Trouble With Being Born, E. M. Cioran grapples with the major questions of human existence- birth, death, God, the passing of time, how to relate to others and how to make ourselves get out of bed in the morning. In a series of interlinking aphorisms which are at once pessimistic, poetic and extremely funny, Cioran finds a kind of joy in his own despair, revelling in the absurdity and futility of our existence, and our inability to live in the world. Translated by Pulitzer Prize-winning poet and critic Richard Howard, The Trouble With Being Born is a provocative, illuminating testament to a singular mind.

A collection of science fiction stories which examine various reactions to altered environmental conditions or bizarre psychological situations

Vineland is hardly anyone’s favorite Thomas Pynchon novel. Marking Pynchon’s return after vanishing for nearly two decades following his epic Gravity’s Rainbow, it was initially regarded as slight, a middling curiosity. However, for Peter Coviello, the oft-overlooked Vineland opens up new ways of thinking about Pynchon’s writing and about how we read and how we live in the rough currents of history. Beginning with his early besotted encounters with Vineland, Coviello reads Pynchon’s offbeat novel of sixties insurgents stranded in the Reaganite summer of 1984 as a delirious stoner comedy that is simultaneously a work of heartsick fury and political grief: a portrait of the hard afterlives of failed revolution in a period of stifling reaction. Offering a roving meditation on the uses of criticism and the practice of friendship, the fashioning of publics and counterpublics, the sentence and the police, Coviello argues that Vineland is among the most abundant and far-sighted of late-century American excursions into novelistic possibility. Departing from visions of Pynchon as the arch-postmodernist, erudite and obscure, he discloses an author far more companionable and humane. In Pynchon’s harmonizing of joyousness and outrage, comedy and sorrow, Coviello finds a model for thinking through our catastrophic present.

The author's first collection of short stories set in the Sprawl, the landscape of Neuromancer. Cybernetics, biotech and the communication web are constant themes throughout.