Recommendations based on "Our Encounters with Evil & Other Stories Library Edition"

“Wistful, witty, and wise—and creepy. . . . Closer in tone to American Gods than to Coraline, but permeated with Bod’s innocence, this needs to be read by anyone who is or has ever been a child.” —Kirkus Reviews (starred review)By turns macabre, uplifting, sinister, and heartwarming, Neil Gaiman’s #1 national bestseller is an ingenious reimagining of Rudyard Kipling’s classic adventure The Jungle Book. Called a “novel of wonder . . . a tale of unforgettable enchantment” by the New York Times Book Review, The Graveyard Book will captivate readers of all ages with its timeless meditation on love, loss, survival, and sacrifice . . . and what it means to truly be alive.

Brimming with tales of terror, suspense, and the uncanny, this work offers the first collection devoted to the Gothic genre. Each story contains the common elements of the gothic tale--a warped sense of time, a claustrophobic setting, a link to archaic modes of thought, and the impression of a descent into disintegration. Yet taken together, they reveal the progression of the genre from stories of feudal villains amid crumbling ruins to a greater level of sophistication in which writers brought the gothic tale out of its medieval setting, and placed it in the contemporary world. Bringing together the work of such writers as Eudora Welty, Thomas Hardy, Edgar Allan Poe, William Faulkner, Arthur Conan Doyle, Joyce Carol Oates, and Jorge Luis Borges, The Oxford Book of Gothic Tales presents a wide array of the sinister and unsettling for all lovers of ghost stories, fantasy, and horror.

L. M. Boston's thrilling and chilling tales of Green Knowe, a haunted manor deep in an overgrown garden in the English countryside, have been entertaining readers for half a century. Now the children of Green Knowe--both alive and ghostly--are back in appealing new editions.The spooky original illustrations have been retained, but dramatic new cover art by Brett Helquist (illustrator of A Series of Unfortunate Events) gives the books a fresh, timeless appeal for today's readers.

A fantastical collection of tales, from such authors as Charles de Lint, Delia Sherman, Tanith Lee, Neil Gaiman, and Hiromi Goto, visits the enchanting, frightening, and infuriating world of the faery. Reprint. Science Fiction Alt.

Grimm's Fairy Tales meets Ransom Riggs in this deeply creepy, gorgeously illustrated collection of twelve original pitch-dark fairytales, from international bestselling author of The Hazel Wood, Melissa Albert.Journey into the Hinterland, where every page tells a wondrously terrible adventure . . .In this brutal and beautiful world a young woman spends a night with Death, brides are wed to a mysterious house in the trees, and an enchantress is killed twice - and still lives.But it's not safe inside these pages, and once you enter, you may never want to leave . . .The highly anticipated collection of stories set in the creepy, haunting fairytale world first introduced in Melissa Albert's internationally bestselling and critically acclaimed Hazel Wood series.Praise for Melissa Albert:'Magical, mesmerising and inventive.' Karen McManus, bestselling author of One of Us is Lying'You'll not sleep a wink' Heat'The Hazel Wood kept me up all night . . . Terrifying, magical, and surprisingly funny, it's one of the very best books I've read in years' Jennifer Niven, author of All The Bright Places'Insidiously beautiful' Guardian

George MacDonald occupied a major position in the intellectual life of his Victorian contemporaries. This volume brings together all eleven of his shorter fairy stories as well as his essay "The Fantastic Imagination". The subjects are those of traditional fantasy: good and wicked fairies, children embarking on elaborate quests, and journeys into unsettling dreamworlds. Within this familiar imaginative landscape, his children's stories were profoundly experimental, questioning the association of childhood with purity and innocence, and the need to separate fairy tale wonder from adult scepticism and disbelief.

"Within a few minutes of this book arriving, I had put bookmarks in five places and was roaring through the index. A lovely compilation. It's the real macabre." --Terry Pratchett Scotland's rich past and varied landscape have inspired an extraordinary array of legends and beliefs, and many of the most intriguing are collected here: stories of heroes and bloody feuds; giants, fairies, and witches; and accounts of local customs and traditions. Their range extends across the country, from the Borders with their haunting ballads, via Glasgow, site of St. Mungo's miracles, to the fateful battlefield of Culloden, and finally to the Shetlands, home of the seal-people. More than simply retelling these stories, this collection explores their origins, showing how and when they arose and investigating what basis they have in historical fact. It uncovers the events that inspired Macbeth, probes the claim that Mary King's Close is the most haunted street in Edinburgh, and examines the surprising truth behind the fame of the MacCrimmons, Skye's unsurpassed bagpipers. Moreover, it reveals how generations of Picts, Vikings, Celtic saints, and Presbyterian reformers shaped the myriad tales that still circulate. The result is a thrilling journey through Scotland's legendary past and an endlessly fascinating account of the traditions and beliefs that play such an important role in its heritage.

This collection displays in glorious abundance the offbeat characters and droll humor of Edward Gorey. Figbash is acrobatic, topiaries are tragic, hippopotami are admonitory, and galoshes are remorseful in this celebration of a unique talent that never fails to delight, amuse, and confound. Amphigorey Again contains previously uncollected work and two unpublished stories--"The Izzard Book," a quirky riff on the letter Z, and "La Malle Saignante," a bilingual homage to early French silent serial movies. Rough sketches and unfinished panels show an ironic and singular mind at work.

One of our most imaginative and accomplished writers, Angela Carter left behind a dazzling array of work: essays, citicism, and fiction. But it is in her short stories that her extraordinary talents—as a fabulist, feminist, social critic, and weaver of tales—are most penetratingly evident. This volume presents Carter's considerable legacy of short fiction gathered from published books, and includes early and previously unpublished stories. From reflections on jazz and Japan, through vigorous refashionings of classic folklore and fairy tales, to stunning snapshots of modern life in all its tawdry glory, we are able to chart the evolution of Carter's marvelous, magical vision.

"Some stories keep returning, each time reimagined to fit the occasion. In some cases, we know them without having read the originals, and in a few brief sentences we can sketch the essential plot points and key characters. Robinson Crusoe, Frankenstein, Dracula, Dr. Jekyll and Mr. Hyde, Sherlock Holmes, Batman: their stories, Philip Ball contends, are among our modern myths. Written since Crusoe was published in 1719, these modern myths truly serve the same function as the stories of Thor and Loki, Hercules and Jason, and other ancient universal myths of creation, flood, redemption, and heroism. What is that function? Why are we still making myths? Why do we need new myths? And which are they? By posing these questions and seeking answers, The Modern Myths makes bold claims about the nature of storytelling, the condition of modernity, and the categories of literature. The themes and meanings of modern myths are decided collectively and dynamically and shift with the times. They escape the intentions of their authors because they inadvertently touch on issues that trouble and obsess us and become vehicles for exploring them. The Modern Myths takes a wide-ranging journey--discovering unexpected truths behind familiar tales, excavating strange and colorful histories, and finding hidden connections between them. The result is an exploration of how stories are created and how they evolve. And from this, Ball crafts provocative conclusions about the purposes and values of literature today and about the roles that new media and technology will play in creating the myths of tomorrow"--