Recommendations based on "Other Ways to Leave the Room"

Based on your reading history, we think you will also enjoy the following books.

By Sappho

In this "gorgeous translation" (The New York Times), one of our most fearless and original poets provides a tantalizing window onto the genius of a woman whose lyric power spans millennia.Of the nine books of lyrics the ancient Greek poet Sappho is said to have composed, only one poem has survived complete. The rest are fragments. In this miraculous new translation, acclaimed poet and classicist Anne Carson presents all of Sappho’s fragments, in Greek and in English, as if on the ragged scraps of papyrus that preserve them, inviting a thrill of discovery and conjecture that can be described only as electric—or, to use Sappho’s words, as “thin fire ... racing under skin.”"Carson is in many ways [Sappho's] ideal translator.... Her command of language is hones to a perfect edge and her approach to the text, respectful yet imaginative, results in verse that lets Sappho shine forth." —Los Angeles Times

By Charles Bukowski

“if you read this after I am deadIt means I made it”-“The Creation Coffin”The People Look like Flowers at Last is the last of five collections of never-before published poetry from the late great Dirty Old Man, Charles Bukowski.In it, he speaks on topics ranging from horse racing to military elephants, lost love to the fear of death. He writes extensively about writing, and about talking to people about writers such as Camus, Hemingway, and Stein. He writes about war and fatherhood and cats and women. Free from the pressure to present a consistent persona, these poems present less of an aggressively disruptive character, and more a world-weary and empathetic person.

By William Butler Yeats

W.B. Yeats's Selected Poems is edited with an introduction and notes by Timothy Webb in Penguin Modern Classics. Few have lived their ideas so passionately and nobly as W.B. Yeats in his love affairs, politics and poetry. From his youth in the 1880s, a fertile dreamer rediscovering and remaking the Irish tradition, he grew into a great and innovative poet of the twentieth century. This selection of Yeats's work includes the final book from the unjustly neglected narrative poem The Wanderings of Oisin and a number of lyrics from Yeats's work as poetic dramatist. This edition breaks new ground by allowing the reader to engage with a dozen poems in alternative versions; in many other cases it provides significant variants, so that Yeats's struggle to revise his poetry can be experienced with unusual immediacy. It also includes explanatory and textual notes for each poem. W B Yeats (1865-1939) was one of the great and innovative poets of the twentieth century. Much of his most vigorous verse on love, sex, Irish and international politics, the complexities of the occult and the 'sedentary toil' of poetry was produced in the years between his fiftieth birthday in 1915 and his death in 1939. If you enjoyed Selected Poems, you might like The Penguin Book of First World War Poetry, also available in Penguin Classics. 'A compelling poetic presence ... together with Joyce, Yeats made modern Irish poetry possible' Timothy Webb

By Gerard Manley Hopkins, W. H. Gardner (editor)

Closer to Dylan Thomas than Matthew Arnold in his ‘creative violence’ and insistence on the sound of poetry, Gerard Manley Hopkins was no staid, conventional Victorian. On entering the Society of Jesus and the age of twenty-four, he burnt all his poetry and ‘resolved to write no more, as not belonging to my profession, unless by the wish of my superiors.' The poems, letters, and journal entries selected for this edition were written in the following twenty years of his life and published posthumously in 1918.His verse is wrought from the creative tensions and paradoxes of a poet-priest who wanted to evoke the spiritual essence of nature sensuously, and to communicate this revelation in natural language and speech-rhythms while using condensed, innovative diction and all the skills of poetic artifice. Intense, vital, and individual, his writing is the ‘terrible crystal’ through which the soul—the inscape, the nature of things—may be illuminated.

By Robert Frost

A proven bestseller time and time again, Robert Frost's Poems contains all of Robert Frost's best-known poems-and dozens more-in a portable anthology. Here are "Birches," "Mending Wall," "Stopping by Woods on a Snowy Evening," "Two Tramps at Mudtime," "Choose Something Like a Star," and "The Gift Outright," which Frost read at the inauguration of John F. Kennedy." An essential addition to every home library, Robert Frost's Poems is a celebration of the New England countryside, Frost's appreciation of common folk, and his wonderful understanding of the human condition. These classic verses touch our hearts and leave behind a lasting impression.* Over 100 poems* All Frost's best known verses from throughout his life

By Patti Smith

In linked pieces Patti Smith tells the story of a man on a journey to see the Southern Cross, who is reflecting on his life and fighting the illness that is consuming him. Metaphoric and dreamy, this tale of transformation arises from Smith's knowledge of Mapplethorpe as a young man and as a mature artist, his close relationship with his patron and friend, Sam Wagstaff, and his years surviving AIDS and his ascent into death. Rich in detail, it is filled with references to Mapplethorpe's work and shows the man beneath the persona. Set against photographs by Mapplethorpe, the work emerges as a hymn, a prayer, a fable wishing him Godspeed on his latest journey."She was once our savage Rimbaud, but suffering has turned her into our St. John of the Cross, a mystic full of compassion."--Edmund White

By Jay Hopler, Louise Glück

Announcing the 2005 recipient of the prestigious Yale Younger Poets prizeJay Hopler’s Green Squall is the winner of the 2005 Yale Series of Younger Poets competition. As Louise Glück observes in her foreword, “Green Squall begins and ends in the garden”; however, Hopler’s gardens are not of the seasonal variety evoked by poets of the English lyric—his gardens flourish at lower, fiercer latitudes and in altogether different mindscapes. There is a darkness in Hopler’s work as deep and brutal as any in American poetry. Though his verbal extravagance and formal invention bring to mind Wallace Stevens’s tropical extrapolations, there lies beneath Green Squall’s lush tropical surfaces a terrifying world in which nightmare and celebration are indistinguishable, and hope is synonymous with despair.

By Yanyi

Winner of the 2018 Yale Series of Younger Poets prizeHow can a search for self‑knowledge reveal art as a site of community? Yanyi’s arresting and straightforward poems weave experiences of immigration as a Chinese American, of racism, of mental wellness, and of gender from a queer and trans perspective. Between the contrast of high lyric and direct prose poems, Yanyi invites the reader to consider how to speak with multiple identities through trauma, transition, and ordinary life. These poems constitute an artifact of a groundbreaking and original author whose work reflects a long journey self‑guided through tarot, therapy, and the arts. Foregrounding the power of friendship, Yanyi’s poems converse with friends as much as with artists both living and dead, from Agnes Martin to Maggie Nelson to Robin Coste Lewis. This instructive collection gives voice to the multifaceted humanity within all of us and inspires attention, clarity, and hope through art-making and community.

By George Herbert

A collectible new Penguin Classics series: stunning, clothbound editions of ten favourite poets, which present each poet's most famous book of verse as it was originally published. Designed by the acclaimed Coralie Bickford-Smith and beautifully set, these slim, A format volumes are the ultimate gift editions for poetry lovers. On his deathbed George Herbert entrusted the manuscript of The Temple to his friend Nicholas Ferrar, asking him to publish it if he thought it was worthy. Herbert died in 1633 and the collection was published the same year to great acclaim, subsequently becoming one of the best-loved collections in the English language. The Temple is an astounding collection of verse poems: an extended meditation on man's relationship to God that is characterised by Herbert's clarity and directness of style. It includes such favourites as 'The Collar', 'The Pearl' and 'Love', with its beautiful opening lines: 'Love bade me welcome; yet my soul drew back, / Guilty of dust and sin'.

By Charles Wright

The selected works of one of our finest American poetsThe thread that dangles us between a dark and a darker dark, Is luminous, sure, but smooth sided. Don’t touch it here, and don’t touch it there. Don’t touch it, in fact, anywhere—Let it dangle and hold us hard, let it flash and swing.—from “Scar Tissue”Over the course of his work—more than twenty books in total—Charles Wright has built “one of the truly distinctive bodies of poetry created in the second half of the twentieth century” (David Young, Contemporary Poets). Oblivion Banjo, a capacious new selection spanning his decades-long career, showcases the central themes of Wright’s poetry: “language, landscape, and the idea of God.” No matter the precise subject of each poem, on display here is a vast and rich interior life, a mind wrestling with the tenuous relationship between the ways we describe the world and its reality.The recipient of almost every honor in poetry—the Pulitzer Prize, the National Book Award, and the Bollingen Prize, to name a few—and a former poet laureate of the United States, Wright is an essential voice in American letters. Oblivion Banjo is the perfect distillation of his inimitable career—for devout fans and newcomers alike.