Recommendations based on "On Women"

Published in 1962, this is an emotionally intense novel of love, hatred, race and liberal America in the 1960s. Set in Greenwhich Village, Harlem and France, ANOTHER COUNTRY tells the story of the suicide of jazz-musician Rufus Scott and the friends who search for an understanding of his life and death, discovering uncomfortable truths about themselves along the way.

'I wanted to write about paintings, but I wasn't seen as someone who could say something interesting about art. Before meeting my husband, I had mopped the floors of those galleries, over and over. I had scrubbed the walls until my palms were rough and dry.'In a ghostly, undefined era and place, a cleaning woman at a museum of art aspires to do more than simply dust the paintings around her. She escapes her lot by marrying a rich man, but having gained a husband, a house, and a maid, she finds that her new life of privilege is no less constrained. Not only has she taken up different forms of time-consuming labour but she is now, however passively, forcing other women to clean up after her. Perhaps another and more drastic solution is necessary?Indelicacy is an exquisite gem of a novel about seeing, class, desire, anxiety, pleasure, friendship, and the battle to find one s true calling.

How do we see the world around us? "The Penguin on Design" series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. Susan Sontag's groundbreaking critique of photography asks forceful questions about the moral and aesthetic issues surrounding this art form. Photographs are everywhere. They have the power to shock, idealize or seduce, they create a sense of nostalgia and act as a memorial, and they can be used as evidence against us or to identify us. In six incisive essays, Sontag examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives.

Paris in the twenties: Pernod, parties and expatriate Americans, loose-living on money from home. Jake is wildly in love with Brett Ashley, aristocratic and irresistibly beautiful, but with an abandoned, sensuous nature that she cannot change. When the couple drifts to Spain to the dazzle of the fiesta and the heady atmosphere of the bullfight, their affair is strained by new passions, new jealousies, and Jake must finally learn that he will never possess the woman he loves.

Holly Golightly, glittering socialite traveller, generally upwards, sometimes sideways and once in a while down. She's up all night drinking cocktails and breaking hearts. She's a shoplifter, a delight, a drifter, and a tease. She hasn't got a past. She doesn't want to belong to anything or anyone. Not to 'Rusty' Trawler, the blue-chinned, cuff-shooting millionaire man about women about town. Not to Salvatore 'Sally' Tomato, the Mafia sugar-daddy doing life in Sing Sing. Not to a starving writer. Not even to her one-eyed rag-bag pirate of a cat. One day Holly might find somewhere she belongs. Until then she's travelling.

“One of those life-changing reads that makes you see— or, in this case, hear—the whole world differently.” —Megan Angelo, author of FollowersThe author of the widely praised Wordslut analyzes the social science of cult influence: how cultish groups from Jonestown and Scientology to SoulCycle and social media gurus use language as the ultimate form of power.What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join—and more importantly, stay in—extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has . . .Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of “brainwashing.” But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear—and are influenced by—every single day.Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities “cultish,” revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of “cultish” everywhere.

The prizewinning, complete and unabridged translation—“the best English-language version we are likely to see for a long time, if ever” (The Guardian)—of a work of unclassifiable genius: the crowning achievement of Portugal’s modern masterEdited, Translated, and with an Introduction by Richard Zenith, the author of the Pulitzer Prize finalist Pessoa: A BiographyWinner of the Calouste Gulbenkian Translation Prize for Portuguese TranslationA Penguin ClassicFernando Pessoa was many writers in one. He attributed his prolific writings to a wide range of alternate selves, each of which had a distinct biography, ideology, and horoscope. When he died in 1935, Pessoa left behind a trunk filled with unfinished and unpublished writings, among which were the remarkable pages that make up his posthumous masterpiece, The Book of Disquiet, an astonishing work that, in George Steiner's words, "gives to Lisbon the haunting spell of Joyce's Dublin or Kafka's Prague."Published for the first time some fifty years after his death, this unique collection of short, aphoristic paragraphs comprises the "autobiography" of Bernardo Soares, one of Pessoa's alternate selves. Part intimate diary, part prose poetry, part descriptive narrative, captivatingly translated by Richard Zenith, The Book of Disquiet is one of the greatest works of the twentieth century.“Pessoa is a genius.” —André Aciman

What We Talk about When We Talk about Love (Vintage Classices)

Text: English, French (translation)

Evocative and superbly erotic, Little Birds is a powerful journey into the mysterious world of sex and sensuality. From the beach towns of Normandy to the streets of New Orleans, these thirteen vignettes introduce us to a covetous French painter, a sleepless wanderer of the night, a guitar-playing gypsy, and a host of others who yearn for and dive into the turbulent depths of romantic experience.