Recommendations based on "Northrop Frye's Fearful Symmetry A Study of William Blake"

This book focuses on works of art, their creators, and the circumstances affecting their creation. This revision is designed to provide readers with a more streamlined approach to understanding Italian Renaissance art without losing the enthusiasm and appreciation that Hartt demonstrated for this area and which earlier editions of this book conveyed so successfully. Italy and Italian Art; Duecento Art in Tuscany and Rome; Florentine Art of the Early Trecento; Sienese Art of the Early Trecento; Later Gothic Art in Tuscany and Northern Italy; The Beginnings of Renaissance Architecture; Gothic and Renaissance in Tuscan Sculpture; Gothic and Renaissance in Florentine Painting; The Heritage of Masaccio and the Second Renaissance Style; The Second Renaissance Style in Architecture and Sculpture; Absolute and Perfect Painting: The Second Renaissance Style; Crisis and Crosscurrents; Science, Poetry, and Prose; The Renaissance in Central Italy; Gothic and Renaissance in Venice and Northern Italy; The High Renaissance in Florence; The High Renaissance in Rome; High Renaissance and Mannerism; High and Late Renaissance in Venice and on the Mainland; Michelangelo and the Maniera.

In Black Sun, Julia Kristeva addresses the subject of melancholia, examining this phenomenon in the context of art, literature, philosophy, the history of religion and culture, as well as psychoanalysis. She describes the depressive as one who perceives the sense of self as a crucial pursuit and a nearly unattainable goal and explains how the love of a lost identity of attachment lies at the very core of depression's dark heart.In her discussion she analyzes Holbein's controversial 1522 painting "The Body of the Dead Christ in the Tomb," and has revealing comments on the works of Marguerite Duras, Dostoyevsky and Nerval. Black Sun takes the view that depression is a discourse with a language to be learned, rather than strictly a pathology to be treated.

The most popular occult work of the twentieth century--now in a hardbound edition that evokes the original volume, with a new introduction by scholar of mysticism Richard Smoley.For generations, readers have debated the origins and studied the knowledge of this mysterious exploration of Hermetic wisdom, attributed to "Three Initiates."Now in its second century, The Kybalion is restored to hardcover in a commemorative volume that evokes the appearance of the occult landmark's first edition.The new introduction by Richard Smoley, a celebrated scholar of mystical traditions, makes this a historical keepsake.

An inspired gathering of religious writings that reveals the "divine reality" common to all faiths, collected by Aldous Huxley"The Perennial Philosophy, " Aldous Huxley writes, "may be found among the traditional lore of peoples in every region of the world, and in its fully developed forms it has a place in every one of the higher religions."With great wit and stunning intellect—drawing on a diverse array of faiths, including Zen Buddhism, Hinduism, Taoism, Christian mysticism, and Islam—Huxley examines the spiritual beliefs of various religious traditions and explains how they are united by a common human yearning to experience the divine. The Perennial Philosophy includes selections from Meister Eckhart, Rumi, and Lao Tzu, as well as the Bhagavad Gita, Tibetan Book of the Dead, Diamond Sutra, and Upanishads, among many others.

First published in 1978, Image and Pilgrimage in Christian Culture is a classic work examining the theological doctrines, popular notions, and corresponding symbols and images promoting and sustaining Christian pilgrimage. The book examines two major aspects of pilgrimage practice: the significance of context, or the theological conditions giving rise to pilgrimage and the folk traditions enabling worshippers to absorb the meaning of the event; and the images and symbols embodying the experience of pilgrimage and transmitting its visions in varying ways.Retelling its own tales of "mere mortals" confronted by potent visions, such as the man Juan Diego who found redemption with the Lady of Guadalupe and the poor French shepherdess Bernadette whose encounter with the Lady at Lourdes inspired Christians across the globe, this text treats religious visions as both paradox and empowering phenomena, tying them explicitly to the times in which they occurred. Offering vivid vignettes of social history, it extends their importance beyond the realm of the religious to our own conceptions of reality.Extensively revised throughout, this edition includes a new introduction by the theologian Deborah Ross situating the book within the work of Victor and Edith Turner and among the movements of contemporary culture. She addresses the study's legacy within the discipline, especially its hermeneutical framework, which introduced a novel method of describing and interpreting pilgrimage. She also credits the Turners with cementing the link between mysticism, popular devotion, and Christian culture, as well as their recognition of the relationship between pilgrimage and the deep spiritual needs of human beings. She concludes with various critiques of the Turners' work and suggests future directions for research.

This groundbreaking classic explores the necessity of connections between our life and soul and developing the main lines of the soul-making process.

Who was the man behind The Scream, the iconic painting that so acutely expresses the anguish of the twentieth century?Edvard Munch (1863 – 1944) was twenty-eight when he embarked on a lifelong effort to paint his ‘soul’s diary’ – and began a perverse love affair with self-destruction. This intimate and moving life of the Norwegian artist explores his turbulent early years, his time as a recluse, and his intense efforts to paint not what he saw, but what he experienced.

Desire in Language traces the path of an investigation, extending over a period of ten years, into the semiotics of literature and the arts. But the essays of Julia Kristeva in this volume, though they often deal with literature and art, do not amount to either "literary criticism" or "art criticism." Their concern, writes Kristeva, "remains intratheoretical: they are based on art and literature in order to subvert the very theoretical, philosophical, or semiological apparatus."Probing beyond the discoveries of Sigmund Freud, Jacques Lacan, Roman Jakobson and others, Julia Kristeva proposes and tests theories centered on the nature and development of the novel, and on what she has defined as a signifying practice in poetic language and pictural works. Desire in Language fully shows what Roman Jakobson has called Kristeva's "genuine gift of questioning generally adopted 'axioms,' and her contrary gift of releasing various 'damned questions' from their traditional question marks."

Traces the evolution of the Romantic approach to literary criticism and compares it to the other methods which prevailed in the early nineteenth century.

Learning from Las Vegas created a healthy controversy on its appearance in 1972, calling for architects to be more receptive to the tastes and values of "common" people and less immodest in their erections of "heroic," self-aggrandizing monuments.This revision includes the full texts of Part I of the original, on the Las Vegas strip, and Part II, "Ugly and Ordinary Architecture, or the Decorated Shed," a generalization from the findings of the first part on symbolism in architecture and the iconography of urban sprawl. (The final part of the first edition, on the architectural work of the firm Venturi and Rauch, is not included in the revision.) The new paperback edition has a smaller format, fewer pictures, and a considerably lower price than the original. There are an added preface by Scott Brown and a bibliography of writings by the members of Venturi and Rauch and about the firm's work.