Recommendations based on "No. 91/92 A Diary of a Year on the Bus"

What sixteen-year-old Elizabeth has lost so far: forty pounds, four jean sizes, a boyfriend, and her peace of mind. As a result, she’s finally a size zero. She’s also the newest resident at Wallingfield, a treatment center for girls like her―girls with eating disorders. Elizabeth is determined to endure the program so she can go back home, where she plans to start restricting her food intake again.She’s pretty sure her mom, who has her own size-zero obsession, needs treatment as much as she does. Maybe even more. Then Elizabeth begins receiving mysterious packages. Are they from her ex-boyfriend, a secret admirer, or someone playing a cruel trick?This eloquent debut novel rings with authenticity as it follows Elizabeth’s journey to taking an active role in her recovery, hoping to get back all that she lost.

“Crystal clear, bracing as ice water, Escaping Into the Open should be read by all scribblers regardless of material success.” —Rita Mae BrownBestselling, award-winning novelist Elizabeth Berg knows a thing or two about writing, having graced the world with wonderful works of fiction including Talk Before Sleep, The Year of Pleasures, and the acclaimed Oprah Book Club Selection, Open House. With Escaping Into the Open, she offers an inspiring, eminently entertaining, and delightfully practical handbook on the joys, challenges, and creative possibilities inherent in the writing life. Now revised with new material—a classic in the vein of Writing Down the Bones by Natalie Goldberg and Anne Lamott’s Bird by Bird—Elizabeth Berg’s Escaping Into the Open is an indispensable guide for any aspiring storyteller.

Natascha Mcelhone, Star Of The Truman Show And Californication, Was Filming In La, Seven Months Pregnant With Her Third Child With Her Other Two Young Children Playing In The Gym Across The Road When She Got A Call From A Friend That Would Change Her Life Forever. Her Husband, Martin, The Love Of Her Life And Father To Her Delightful Children And An Apparently Healthy Man In His Early 40s Had Died Suddenly Of A Heart Attack. In The Weeks And Months That Followed The Devastating Shock Natascha Continued To Write Her Diary And Letters To Martin (something She Had Always Done As, Due To Her Work, She Was Used To Being Far From Home). They Were Letters Of Love, Letters About Their Gorgeous Boys, Letters About The Birth Of The New Baby And Diary Entries Detailing The Mundane And Heartbreaking Details Of Her New Life: House Repairs And Terrifying Family Finances; Trying To Keep The Children's Lives As Normal As Possible In The Face Of Such Abnormal New Circumstances. The Result Is A Powerful, Honest And Moving Story Of A Magical Love Affair And All-consuming Grief, Of Being A Mother Alone And Trying To Live For The Future.

What I hope is that people reading this book will bear in mind that we are human beings first, inmates second.--Bonnie ForeshawIn a stunning new work of insight and hope, New York Times bestselling author Wally Lamb once again reveals his unmatched talent for finding the humanity in the lost and lonely and celebrates the transforming power of the written word.For the past several years, Lamb has taught writing to a group of women prisoners at York Correctional Institution. At first mistrustful of Lamb, one another, and the writing process, over time these students let down their guard, picked up their pens, and discovered their voices. In this unforgettable collection, the women of York describe in their own words how they were imprisoned by abuse, rejection, and their own self-destructive impulses long before they entered the criminal justice system. Yet these are stories of hope, humor, and triumph in the face of despair. Having used writing as a tool to unlock their creativity and begin the process of healing, these amazing writers have left victimhood behind.In his powerful introduction, Lamb describes the incredible journey of expression and self-awareness the women took through their writings and shares how they challenged him as a teacher and as a fellow author. In "Hair Chronicles," Tabatha Rowley tells her life history through her past hairstyles -- outer signals to the world each time she reinvented herself and eventually came to prize her own self-worth. Brenda Medina admits in "Hell, and How I got Here" that she continued to rebel in prison until her parents' abiding love made her realize that her misbehavior was hurting them and herself deeply. In "Faith, Power, and Pants," Bonnie Foreshaw describes how faith has carried her through trials in life and in prison and has allowed her to understand her past actions, to look toward the future, and to believe that she will once again taste home cooking. Couldn't Keep It to Myself is a true testament to the process of finding oneself and working toward a better day.

Why would a talented young woman enter into a torrid affair with hunger, drugs, sex, and death? Through five lengthy hospital stays, endless therapy, and the loss of family, friends, jobs, and all sense of what it means to be "normal," Marya Hornbacher lovingly embraced her anorexia and bulimia - until a particularly horrifying bout with the disease in college put the romance of wasting away to rest forever. A vivid, honest, and emotionally wrenching memoir, Wasted is the story of one woman's travels to reality's darker side - and her decision to find her way back on her own terms.

Winner of the California Bookseller Association's Golden Poppy Award for NonfictionFinalist for the National Book Critics Circle Award for AutobiographyA San Francisco Chronicle Bestseller“A portrait of a heroics, innovation, grit, and pot-baking . . . strikingly relevant . . . beautifully written.”—Entertainment Weekly"A raunchy and rollicking account of a vanished era told by someone who paid very close attention to her larger-than-life parents. I gobbled it up like an edible."—Armistead MaupinIn the 1970s, when cannabis was as illicit as heroin, Alia Volz’s mother ran Sticky Fingers Brownies, a pioneering underground bakery that delivered ten thousand marijuana edibles per month to a city in the throes of change—from the joyous upheavals of gay liberation to the tragedy of the Peoples Temple. Dressed in elaborate costumes, Alia’s parents hid in plain sight, parading through the city’s circus-like atmosphere with the goods tucked into her stroller. When HIV/AIDS swept San Francisco in the 1980s, Alia’s mom turned from dealer into healer, providing soothing edibles to those fighting for their lives at the dawn of medical marijuana.By turns heartbreaking, exhilarating, and laugh-out-loud funny, Home Baked celebrates an eccentric and remarkable extended family, taking us through love, loss, and finding home.Now with extra material, including a reading group guide, author Q&A, and additional photos!

A memoir-in-essays from disability advocate and creator of the Instagram account @sitting_pretty Rebekah Taussig, processing a lifetime of memories to paint a beautiful, nuanced portrait of a body that looks and moves differently than most. Growing up as a paralyzed girl during the 90s and early 2000s, Rebekah Taussig only saw disability depicted as something monstrous (The Hunchback of Notre Dame), inspirational (Helen Keller), or angelic (Forrest Gump). None of this felt right; and as she got older, she longed for more stories that allowed disability to be complex and ordinary, uncomfortable and fine, painful and fulfilling. Writing about the rhythms and textures of what it means to live in a body that doesn’t fit, Rebekah reflects on everything from the complications of kindness and charity, living both independently and dependently, experiencing intimacy, and how the pervasiveness of ableism in our everyday media directly translates to everyday life. Disability affects all of us, directly or indirectly, at one point or another. By exploring this truth in poignant and lyrical essays, Taussig illustrates the need for more stories and more voices to understand the diversity of humanity. Sitting Pretty challenges us as a society to be patient and vigilant, practical and imaginative, kind and relentless, as we set to work to write an entirely different story.

NATIONAL BESTSELLER“Thank you for the perfect blend of nostalgia-drenched humor, wit, and heartbreak, Nora.” — Mandy Moorecomedy = tragedy + time/roséTwenty-seven-year-old Nora McInerny Purmort bounced from boyfriend to dopey “boyfriend” until she met Aaron—a charismatic art director and comic-book nerd who once made Nora laugh so hard she pulled a muscle. When Aaron was diagnosed with a rare form of brain cancer, they refused to let it limit their love. They got engaged on Aaron’s hospital bed and had a baby boy while he was on chemo. In the period that followed, Nora and Aaron packed fifty years of marriage into the three they got, spending their time on what really matters: Buffy the Vampire Slayer, each other, and Beyoncé. A few months later, Aaron died in Nora’s arms. The obituary they wrote during Aaron’s hospice care revealing his true identity as Spider-Man touched the nation. With It’s Okay to Laugh, Nora puts a young, fresh twist on the subjects of mortality and resilience. What does it actually mean to live your “one wild and precious life” to the fullest? How can a joyful marriage contain more sickness than health? How do you keep going when life kicks you in the junk? In this deeply felt and deeply funny memoir, Nora gives her readers a true gift—permission to struggle, permission to laugh, permission to tell the truth and know that everything will be okay. It’s Okay to Laugh is a love letter to life, in all its messy glory; it reads like a conversation with a close friend, and leaves a trail of glitter in its wake.This book is for people who have been through some shit.This is for people who aren’t sure if they’re saying or doing the right thing (you’re not, but nobody is). This is for people who had their life turned upside down and just learned to live that way. For people who have laughed at a funeral or cried in a grocery store. This is for everyone who wondered what exactly they’re supposed to be doing with their one wild and precious life. I don’t actually have the answer, but if you find out, will you text me?

Why, as an eager and talented writer, has Anne Morrow Lindbergh published so relatively little in forty years of marriage?” asked reviewer John Barkham in 1970. “After a promising start with those first books on flying, she tapered off into long silences broken by an infrequent volume of verse or prose.”  Many years later, Lindbergh replied with a quote from Harriet Beecher Stowe, who claimed that writing, for a wife and mother, is “rowing against wind and tide.”   In this sixth and final collection of Lindbergh’s diaries and letters, taking us from 1947 to 1986, we mark her progress as she navigated a remarkable life and a remarkable century with enthusiasm and delight, humor and wit, sorrow and bewilderment, but above all devoted to finding the essential truth in life’s experiences through a hard-won spirituality and a passion for literature.   Between the inevitable squalls of life with her beloved but elusive husband, the aviator Charles A. Lindbergh, she shepherded their five children through whooping cough, horned toads, fiancés, the Vietnam War, and their own personal tragedies.  She researched and wrote many books and articles on issues ranging from the condition of Europe after World War II to the meaning of marriage to the launch of Apollo 8.  She published one of the most beloved books of inspiration of all time, Gift from the Sea. She left penetrating accounts of meetings with such luminaries as John and Jacqueline Kennedy, Thornton Wilder, Enrico Fermi, Leland and Slim Hayward, and the Frank Lloyd Wrights. And she found time to compose extraordinarily insightful and moving letters of consolation to friends and to others whose losses touched her deeply.   More than any previous books by or about Anne Morrow Lindbergh, Against Wind and Tide makes us privy to the demons that plagued this fairy-tale bride, and introduces us to some of the people—men as well as women—who provided solace as she braved the tides of time and aging, war and politics, birth and death. Here is an eloquent and often startling collection of writings from one of the most admired women of our time.

When Katie O'Roark receives an invitation from the One Last Wish Foundation to spend the summer at Jenny House, she eagerly says yes. Katie is ever grateful to the anonymous "JWC," the person who gave her the gift that allowed her to receive a heart transplant. Now Katie is asked to help others who, like herself, are facing medical odds against them. Being a "Big Sister" to Amanda, an eleven-year-old victim of leukemia; Chelsea, a thirteen-year-old candidate for a heart transplant; and Lacey, a fifeen-year-old diabetic who refuses to face her problems, is a challenge. As the summer progresses, the girls form a bond of friendship as they behave "just like healthy kids." When a crisis occurs and one of the girls does not get to fulfill her dreams, the friends are devastated. The girls vow to gather each summer, so long as one of them is alive, in honor of their dreams and of a friendship strong enough to endure beyond this life.