Recommendations based on "New York: Through a Fashion Eye Special Edition"

"Chanel fans rejoice: [this] book showcases every collection Karl Lagerfeld has designed for the fashion house.... and it’s as glamorous and chic as you’d expect."—The ObserverA comprehensive and captivating overview of Karl Lagerfeld’s Chanel creations, featuring more than 150 collections presented through original catwalk photographyThe collections of Karl Lagerfeld have made headlines and dictated trends in the world of fashion ever since his first show for Chanel in 1983. This superbly illustrated and lavishly produced publication---with real cloth binding, irridescent foil stamping, and ribbons for bookmarking your favorite pages---depicts every Chanel collection created by Lagerfeld (more than 150 in all), providing a unique opportunity to chart the development of one of the world’s most influential fashion brands and discover some rarely seen collections.Chanel opens with a brief history and analysis of the House of Chanel from its creation to the present, followed by a biographical profile of Karl Lagerfeld. The collections are explored chronologically with short texts that highlight each collection’s influences and iconic looks, revealing Lagerfeld’s inspired reinvention of classic Chanel style elements from season to season. Each collection is illustrated with a carefully curated selection of catwalk images, showcasing hundreds of spectacular clothes, from luxurious haute couture to trendsetting ready-to-wear, accessories, beauty looks, and set designs. Moreover, top fashion models are featured, including Cara Delevingne, Linda Evangelista, Kate Moss, and Claudia Schiffer. The runway photographs offer a rare glimpse of the original styling from head to toe, and make this book a valuable resource for Chanel connoisseurs. A rich reference section concludes this essential publication for all fashionistas, designers, and admirers of Chanel.

Longlisted for the National Book Award · A New York Times Notable Book of the Year · Winner of the New York City Book Award · Shortlisted for the Apollo Book of the Year Award · Shortlisted for the Plutarch Award for Best Biography · Finalist for the Gotham Book Prize · Finalist for the Pattis Family Foundation Creative Arts Book Award at Interlochen The never-before-told story of an obscure little street at the lower tip of Manhattan and the remarkable artists who got their start there. For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip’s eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip’s obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city’s maritime industry; and, in the artists’s own time, a development battleground for Jane Jacobs and Robert Moses. The Slip’s history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city’s many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. 

"Here, in my own words and as I remember them, are my cherished stories about a lifetime of fun and love and laughter...I've never thought of my jewelry as trophies. I'm here to take care of it and to love it, for we are only temporary custodians of beauty." --Elizabeth Taylor She has mesmerized movie audiences since her debut in National Velvet at the age of twelve, dazzled both men and women with her luminous beauty and iconic presence, displayed shrewd business acumen by creating a line of fragrances with unparalleled success, and her AIDS activism has been a call to arms for people around the world. She is Hollywood's greatest living star and a living legendElizabeth Taylor. One of her greatest passions is jewelry, and over the years she has amassed one of the world's foremost collections. By the time she was in her thirties, Elizabeth Taylor already owned an outstanding set of Burmese rubies and diamonds from Cartier, a fantastic emerald and diamond suite from Bulgari, and the 33.19-carat Krupp diamond, a gift from Richard Burton. That ring was later eclipsed by a subsequent gift from Burton, when he bought a staggering 69.42-carat pear-shaped diamond. Newly named the Taylor-Burton Diamond, it catapulted Elizabeth Taylor into that rarefied pantheon of great jewelry collectors. In this revealing book, Elizabeth Taylor offers a personal guided tour of her collection. She takes us into her confidence, sharing personal anecdotes, witty asides, and intimate reminiscences about her life, her loves, and her collection. Whether talking about the famous La Peregrina pearl, which was briefly abducted by a household pet, or chatting about a childhood gift to her mother, Elizabeth Taylor shows herself to be the most seductive of storytellers: direct, irreverent, and charming. Complementing the stories are 125 stunning new photographs of her most remarkable pieces, specially commissioned for this book, and more than 150 rarely seen images (many from Elizabeth Taylor's personal collection) of the star wearing her jewelry over the course of almost sixty years. We see her as a young ingenue of fifteen wearing what would be the first of many charm bracelets, and again, equally dazzling, as a mature woman, wearing the famous Duchess of Windsor diamond brooch, which she purchased to benefit AIDS research. Elizabeth Taylor: My Love Affair with Jewelry marks the first time this beautiful jewelry will be seen together as a collection. Lavishly produced and illustrated, the book has an introduction by the world-renowned authority on jewelry, François Curiel, of Christie's. It is for those who are enchanted by this most incandescent and enduring star, for those who cherish and dream of jewelry, and most importantly, for those who believe in the true meaning of love. This book is a fabulous display of unbelievable glamour, assembled over a lifetime, by one of the most extraordinary women in the world.

In July 1881, bill-posting became legal in Paris. The result was an explosion of creativity over three glorious decades recognised as the golden age of poster advertising, stirring together elements of new printing technology, William Morrisâ?? attempts to reconcile medieval artistry with modern industry, the influence of newly-open Japan on European engraving and aesthetics, and the talents of artists as diverse as Jules Cheret, Henri de Toulouse-Lautrec, Alphonse Mucha and Aubrey Beardsley.The Art Nouveau Poster is the most comprehensive survey to date of this vivid and much loved subject, featuring over 400 illustrations from all of the major European centres, Britain and the United States, with an informative and accessible text. A final chapter looks at the revival of interest in the 1960s following major retrospective exhibitions of Alphonse Mucha and Aubrey Beardsley, and features work from the psychedelic era.Â

With opulent fashions the ultimate in style, women of the late Victorian era wore a great deal of silks and satins. Daring combinations of bright colors were in. So were large hats, profusely trimmed. But by the end of the nineteenth century, ladies' tastes in fashion were changing, along with female lifestyles. Larger numbers of women were not only working outside the home, they were also playing tennis and golf, and riding bicycles and horses. All these activities called for a definite change in female fashions. Women came to rely on tailored suits with full skirts and fitted jackets over simple blouses. Riding habits called for a long, draped skirt worn over a pair of trousers.With the dawn of the twentieth century, professional tailors turned to the comprehensive 1895 "Keystone" guide to create office outfits, riding pants, shirtwaists, and other garments. Filled with more than eighty patterns, the handy resource provided tailors with suggestions for fabric choices as well as instructions for the proper measurement, fitting, cutting, and sewing of such items as a bolero jacket, a shirtwaist with yoke, a single-breasted vest, and riding breeches.Supplemented with a selection of newly captioned illustrations from The Delineator magazine, this volume will be a valuable reference for costume designers and fashion historians, and a fascinating window on the past for nostalgia enthusiasts.

'The perfect printed tool for Prada fans everywhere' Wallpaper* Founded as a luxury leather goods house in 1913 in Milan, Prada entered the field of fashion when Miuccia Prada took the helm of the family company in 1979. After initially focusing exclusively on accessories, she presented the house's first fashion collection in 1988. She would soon transform Prada into one of the world's most influential luxury brands with a deeply personal, sophisticated and subtly subversive approach. This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Miuccia Prada, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images that showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Kaia Gerber. A rich reference section, including an extensive index, concludes the book.

'A photographic encyclopaedia of one of the 20th century's greatest creators' The Business of Fashion Founded by Yves Saint Laurent and Pierre Bergé in 1961, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection. This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images. These showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book.

With the same wit and perception that distinguished his stylish books on Paris, London, and Rome, M. Sasek pictures fabulous, big-hearted New York City in This Is New York, first published in 1960 and now updated for the 21st century.  The Dutchman who bought the island of Manhattan from the Native Americnas in 1626 for twenty-four dollars' worth of handy housewares little knew that his was the biggest bargain in American history.  For everything about New York is big -- the buildings, the traffic jams, the cars, the stories, the Sunday papers.  Here is the Staten Island Ferry, the Statute of Liberty, MacDougal Alley in Greenwich Village, Times Square, Rockefeller Center, Harlem, Chinatown, Central Park. The brass,  the beauty, the magic, This Is New York!

The hippest, hottest, and most fashionable girls in town are "all" about "self-Xpression." This book starring Sasha includes glitter body tattoo stickers, fill-ins, quizzes, and a story. Illustrations. Consumable.

Dominic Bradbury is a writer and freelance journalist specializing in architecture and design. He has written over 20 books, including Mid-Century Modern Complete, The Iconic House, and The Iconic Interior. He contributes to magazines and newspapers in the UK, US, Australia, and internationally, including The Financial Times, The Times, Telegraph, House & Garden, World of Interiors, Wallpaper, and Vogue Living.