Recommendations based on "Mothers, Fathers, and Others: Essays"

Unable to stay on to high school, Tove starts her first job (which lasts only one day) and soon embarks on a varied and chequered career: as au pair, cleaner, stock-room assistant and office worker. But Tove is hungry, for poetry, for love, for real life to begin. As she navigates exploitative bosses, uninspiring boyfriends and a Nazi landlady, she struggles to keep her poetic vocation in sight - until she finally realizes the 'miracle' that she has always dreamed of.The second volume in Ditlvesen's autobiographical trilogy, Youth is a sensitive, often funny and almost painfully truthful portrayal of adolescence.

A formally innovative work of modernist fiction, Virginia Woolf's The Waves is edited with an introduction by Kate Flint in Penguin Modern Classics.More than any of Virginia Woolf's other novels, The Waves conveys the full complexity and richness of human experience. Tracing the lives of a group of friends, The Waves follows their development from childhood to youth and middle age. While social events, individual achievements and disappointments form its narrative, the novel is most remarkable for the rich poetic language that expresses the inner life of its characters: their aspirations, their triumphs and regrets, their awareness of unity and isolation. Separately and together, they query the relationship of past to present, and the meaning of life itself.Virginia Woolf (1882-1941) is regarded as a major 20th century author and essayist, a key figure in literary history as a feminist and modernist, and the centre of 'The Bloomsbury Group'. This informal collective of artists and writers, which included Lytton Strachey and Roger Fry, exerted a powerful influence over early twentieth-century British culture. Between 1925 and 1931 Virginia Woolf produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to the poetic and highly experimental novel The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography, including the playfully subversive Orlando (1928) and A Room of One's Own (1929) a passionate feminist essay.If you enjoyed The Waves, you might like Woolf's Mrs Dalloway, also available in Penguin Classics.'A book of great beauty and a prose poem of genius'Stephen Spender'Full of sensuous touches ... the sounds of her words can be velvet on the page'Maggie Gee, Daily Telegraph

Paperback. Pages: 192 Language: English Publisher: Flamingo An essential and definitive collection of the Nobel Prize for Literature winners finest essays. reviews. reminiscences and interviews from the 1950s. 1960s and 1970s.The novelist talks as an individual to individuals. in a . small personal voice In an age of committee art. public art. people may begin to feel again a need for the small personal voice; and this will feed confidence into writers and. with confidence because of the knowledge of being needed. the warmth and humanity. and love of people which is essential for a great age of literature.In this collection of her non-fiction. Lessings own life and work are the subject of a number of pieces. as are fellow writers such as Isak Dinesen and Kurt Vonnegut . There are essays on Malcolm X and Sufism. discussions of the responsibility of the artist. thoughts on her...

Each title in this series tells the life story of an eminent individual in simple language and with an array of photographs. Enid Blyton is undoubtedly a huge figure in children's literature and one whom inspires much loyalty and love. She is a favourite not just in the classroom but is one of the few authors that children will spend their own pocket money on. The mixture of text and photographs in this book tells the story of Enid's own childhood and what inspired her to become a writer of children's books.

People glorify all sorts of bravery except the bravery they might show on behalf of their nearest neighbours.An epic study of provincial life at a time when England was facing rapid industrialization and increasingly fluid social mobility, Eliot's depiction of the small community of Middlemarch weaves an intricate web of different characters disparate lives as they strive to adapt to the changing world around them. Eliot was one of the first of her female contemporaries to write a novel that dealt with real-life issues and complex yet ordinary human life.

Inspiration for the Netflix Limited Series, Tales of the CityThe fifth novel in the beloved Tales of the City series, Armistead Maupin’s best-selling San Francisco saga.Tranquillity reigns in the ancient redwood forest until a women-only music festival sets up camp downriver from an all-male retreat for the ruling class. Among those entangled in the ensuing mayhem are a lovesick nurseryman, a panic-stricken philanderer, and the world’s most beautiful fat woman. Significant Others is Armistead Maupin’s cunningly observed meditation on marriage, friendship, and sexual nostalgia.

Winner of the National Book AwardThe publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction. There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime--Everything That Rises Must Converge and A Good Man Is Hard to Find.O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day"--sent to her publisher shortly before her death—is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.

A bridge between the early life of Nin and the first volume of her Diary. In pages more candid than in the preceding diaries, Nin tells how she exorcised the obsession that threatened her marriage and nearly drove her to suicide. Editor's Note by Rupert Pole; Preface by Joaquin Nin-Culmell; Index; photographs.

A hilarious and touching new installment of Armistead Maupin's beloved Tales of the City series Twenty years have passed since Mary Ann Singleton left her husband and child in San Francisco to pursue her dream of a television career in New York. Now a pair of personal calamities has driven her back to the city of her youth and into the arms of her oldest friend, Michael "Mouse" Tolliver, a gardener happily ensconced with his much-younger husband. Mary Ann finds temporary refuge in the couple's backyard cottage, where, at the unnerving age of fifty-seven, she licks her wounds and takes stock of her mistakes. Soon, with the help of Facebook and a few old friends, she begins to reengage with life, only to confront fresh terrors when her checkered past comes back to haunt her in a way she could never have imagined. After the intimate first-person narrative of Maupin's last novel, Michael Tolliver Lives, Mary Ann in Autumn marks the author's return to the multicharacter plotlines and darkly comic themes of his earlier work. Among those caught in Mary Ann's orbit are her estranged daughter, Shawna, a popular sex blogger; Jake Greenleaf, Michael's transgendered gardening assistant; socialite DeDe Halcyon-Wilson; and the indefatigable Anna Madrigal, Mary Ann's former landlady at 28 Barbary Lane. More than three decades in the making, Armistead Maupin's legendary Tales of the City series rolls into a new age, still sassy, irreverent, and curious, and still exploring the boundaries of the human experience with insight, compassion, and mordant wit.

A Room of One's Own grew out of a lecture that Virginia Woolf had been invited to give at Girton College, Cambridge in 1928. Ranging over Jane Austen and Charlotte Bronte and why neither of them could have written War and Peace, over the silent fate of Shakespeare's gifted (and imaginary) sister, over the effects of poverty and chastity on female creativity, she gives us one of the greatest feminist polemics of the century.