Recommendations based on "Mother Goose (Wordsworth Children's Classics)"

DIFFERENT COVER than MAIN IMAGE: Black background instead of cream, same image. 1984 Penguin Classics MASS MARKET PAPERBACK, British import, Aesop. Aesop was probably a prisoner of war, sold into slavery in the early sixth century BCE, who represented his masters in court and negotiations and relied on animal stories to put across his key points. Such fables vividly reveal the strange superstitions of ordinary ancient Greeks, how they treated their pets, how they spoilt their sons and even what they kept in their larders. As these stories became well-known, 'Aesopic' one-liners were widely quoted at drinking-parties, and the collection eventually came to include more satirical tales of alien creatures - apes, camels, lions and elephants - which presumably originate in Libya and Egypt. - Amazon

“Wistful, witty, and wise—and creepy. . . . Closer in tone to American Gods than to Coraline, but permeated with Bod’s innocence, this needs to be read by anyone who is or has ever been a child.” —Kirkus Reviews (starred review)By turns macabre, uplifting, sinister, and heartwarming, Neil Gaiman’s #1 national bestseller is an ingenious reimagining of Rudyard Kipling’s classic adventure The Jungle Book. Called a “novel of wonder . . . a tale of unforgettable enchantment” by the New York Times Book Review, The Graveyard Book will captivate readers of all ages with its timeless meditation on love, loss, survival, and sacrifice . . . and what it means to truly be alive.

A brilliantly imaginative and poignant fairy tale from the modern master of wonder and terror, The Ocean at the End of the Lane is Neil Gaiman’s first new novel for adults since his #1 New York Times bestseller Anansi Boys.This bewitching and harrowing tale of mystery and survival, and memory and magic, makes the impossible all too real...

Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del ToroFilmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro’s favorites, from Mary Shelley’s Frankenstein and Ray Russell’s short story “Sardonicus,” considered by Stephen King to be “perhaps the finest example of the modern Gothic ever written,” to Shirley Jackson’s The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. Featuring original cover art by Penguin Art Director Paul Buckley, these stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionados everywhere.Haunted CastlesHaunted Castles is the definitive, complete collection of Ray Russell's masterful Gothic horror stories, including the famously terrifying novella trio of "Sardonicus," "Sanguinarius," and "Sagittarius." The characters that sprawl through Haunted Castles are frightful to the core: the heartless monster holding two lovers in limbo; the beautiful dame journeying down a damned road toward depravity (with the help of an evil gypsy); the man who must wear his fatal crimes on his face in the form of an awful smile. Engrossing, grotesque, perverted, and completely entrancing, Russell's Gothic tales are the best kind of dreadful.

A definitive collection of stories from the unrivaled master of twentieth-century horror"I think it is beyond doubt that H. P. Lovecraft has yet to be surpassed as the twentieth century's greatest practitioner of the classic horror tale." -Stephen KingFrequently imitated and widely influential, Howard Philips Lovecraft reinvented the horror genre in the 1920s, discarding ghosts and witches and instead envisioning mankind as a tiny outpost of dwindling sanity in a chaotic and malevolent universe. S. T. Joshi, Lovecraft's preeminent interpreter, presents a selection of the master's fiction, from the early tales of nightmares and madness such as "The Outsider" to the overpowering cosmic terror of "The Call of Cthulhu." More than just a collection of terrifying tales, this volume reveals the development of Lovecraft's mesmerizing narrative style and establishes him as a canonical- and visionary-American writer.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Better watch out ...It's that time of year again. Hogswatchnight. ‘Tis the season to be jolly, to hang mistletoe and holly, and other stuff ending in olly.‘Tis the season when the Hogfather himself dons his red suit and climbs in his sleigh pulled by -- of course! -- eight hogs and brings gifts to all the boys and girls of Discworld.But this year, there's a problem. A stranger has taken the place of the Hogfather. Well, not exactly a stranger. He's actually pretty well known. He carries a scythe along with his bag of toys, and he's going to SLEIGH everyone he sees tonight.Ho ho ho.Even the laugh is wrong. The switch has been arranged by the Auditors, mysterious superbeings who want our universe to be a collection of rocks swinging in curves through space. Life is messy. Why not get rid of it? And who better than -- you know who?Somebody has to rescue the real Hogfather before this morbid impostor tracks soot on the world's carpets. It's up to Ankh-Morpork's intellectual elite, the assembled wizards of Unseen University -- with the help of a monster-bashing nanny, the world's worst inventor, plus a bona-fide, honest-to-god god (the oh god of hangovers, to be precise) -- to come up with a plan to save the universe.And they'd better hurry. The bogus Hogfather is asking the wrong questions. Like: How come rich kids get all the nice toys? How come the poor kids are left with the cheap stuff?"That's life," he is told.Which cuts no ice with Death.

'It was a monstrous constellation of unnatural light, like a glutted swarm of corpse-fed fireflies dancing hellish sarabands over an accursed marsh...'H.P. Lovecraft was perhaps the greatest twentieth century practitioner of the horror story, introducing to the genre a new evil, monstrous, pervasive and unconquerable. At the heart of these three stories are terrors unthinkable and strange: a crash-landing meteorite, the wretched inhabitant of an ancient castle and a grave-robber's curse. This book includes "The Colour Out Of Space", "The Outsider" and "The Hound".

The horror story your students have been asking you for! The only children’s story by the master of horror.

'No one would have believed, in the last years of the nineteenth century, that this world was being watched keenly and closely by intelligences greater than man's' Exploring the primordial nightmares that lurk within humanity's dreams of progress and technology, H. G. Wells was a science fiction pioneer. This new omnibus edition brings together four of his hugely original and influential science-fiction novels - The Time Machine, The Island of Doctor Moreau, The Invisible Man and The War of the Worlds - with his most unsettling and strange short stories. Containing monstrous experiments, terrifying journeys, alien occupiers and grotesque creatures, these visionary tales discomfit and disturb, and retain the power to trouble our sense of who we are. With an introduction by Matthew Beaumont

From its ancient roots in the oral tradition to the postmodernist reworkings of the present day, the fairy tale has retained its powerful hold over the cultural imagination of Europe and North America. Now The Oxford Companion to Fairy Tales provides the first authoritative reference source for this complex, captivating genre.With more than 800 entries written by a team of 67 specialists from around the world, the Companion offers an illuminating look at the classic tales themselves, both ancient and modern, from Jack and Jill and Cinderella to Alice in Wonderland and the Wizard of Oz. The contributors also profile the writers who wrote or reworked these luminous tales, as well as the illustrators, film-makers, choreographers, and composers who have been involved with creating or interpreting them. The Companion also covers such related topics as film, art, opera, ballet, music, even advertising. An introductory overview by Jack Zipes sets the subject in its historical and literary context, and special survey articles explore the development of the fairy-tale tradition in individual countries, focusing particularly on the European and North American traditions. The volume includes a detailed bibliography, to aid in further research into this fascinating topic.Strikingly illustrated with 70 beautiful pictures, from early engravings to 20th-century film stills, this is an essential companion for everyone who loves fairy tales and storytelling.