Recommendations based on "Moonglow"

The AlchemistThe Devil and Miss PrymEleven MinutesVeronica Decides To DieThe Fifth Mountain

A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan, unicorn skulls and voracious librarians, John Coltrane and Lord Jim. Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-boiled Wonderland and the End of the World is the tour de force th

'Vonnegut looked the world straight in the eye and never flinched' J. G. BallardThis bitterly funny Cold War satire on the end of the world expresses our deepest fears of Armageddon, and has become a counter-culture classic.'A satirist with a heart, a moralist with a whoopee cushion' Jay McInerney'The closest thing we had to a Voltaire' Tom Wolfe'The time to read Vonnegut is just when you begin to suspect that the world is not what it appears to be. He is not only entertaining, he is electrocuting' The New York Times

"A thoughtful, intricate, ambivalent novel with the reach of greatness in it." —John Updike"It is impossible to do justice here to the subtleties, comedy, and wisdom of this very beautiful novel. Milan Kundera is an artist, clearly one of the best to be found anywhere, who says that the good (and evil) that issues from men's souls matters much more than the deeds of a State. And he says it with passion, with good humor, and with love." —Salman RushdieAll too often, this brilliant novel of thwarted love and revenge miscarried has been read for its political implications. Now, more than a quarter century after The Joke was first published and several years after the collapse of the Soviet-imposed Czechoslovak regime, it becomes easier to put such implications into perspective in favor of valuing the book (and all Milan Kundera 's work) as what it truly is: great, stirring literature that sheds new light on the eternal themes of human existence.This edition provides English-language readers an important further means toward revaluation of The Joke. For reasons he describes in his Author's Note, Milan Kundera devoted much time to creating a completely revised translation that reflects his original as closely as any translation possibly can: reflects it in its fidelity not only to the words and syntax but also to the characteristic dictions and tonalities of the novel's narrators. The result is nothing less than the restoration of a classic.

Full of philosophical puzzles and supernatural surprises, these stories contain some of Borges’s most fully realized human characters. With uncanny insight he takes us inside the minds of an unrepentant Nazi, an imprisoned Mayan priest, fanatical Christian theologians, a woman plotting vengeance on her father’s “killer,” and a man awaiting his assassin in a Buenos Aires guest house. This volume also contains the hauntingly brief vignettes about literary imagination and personal identity collected in The Maker, which Borges wrote as failing eyesight and public fame began to undermine his sense of self.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Pramoedya Ananta Toer’s transcendent novels have become part of the world literary canon, but it is his short fiction that originally made him famous. The first full-size collection of his short stories to appear in English, All That Is Gone draws from the author’s own experiences in Indonesia to depict characters trying to make sense of a war-torn culture haunted by colonialism, among them an eight-year-old girl soon to be married off by her parents for money and an idealistic young soldier who witnesses the savage beating of a man accused of being a spy. Though violence and brutality pervade these tales, there is present throughout a profound sense of compassion—an extraordinary combination of despair and hope that gives All That Is Gone rare power and beauty.

SUM is a dazzling exploration of funny and unexpected afterlives that have never been considered–each presented as a vignette that offers us a stunning lens through which to see ourselves here and now.In one afterlife you may find that God is the size of a microbe and is unaware of your existence. In another, your creators are a species of dim-witted creatures who built us to figure out what they could not. In a different version of the afterlife you work as a background character in other people’s dreams. Or you may find that God is a married couple struggling with discontent, or that the afterlife contains only those people whom you remember, or that the hereafter includes the thousands of previous gods who no longer attract followers. In some afterlives you are split into your different ages; in some you are forced to live with annoying versions of yourself that represent what you could have been; in others you are re-created from your credit card records and Internet history. David Eagleman proposes many versions of our purpose here; we are mobile robots for cosmic mapmakers, we are reunions for a scattered confederacy of atoms, we are experimental subjects for gods trying to understand what makes couples stick together.These wonderfully imagined tale–at once funny, wistful, and unsettling–are rooted in science and romance and awe at our mysterious existence: a mixture of death, hope, computers, immortality, love, biology, and desire that exposes radiant new facets of our humanity.

The whole town got involved with the hunger-artist; from day to day of his starving, people's participation grew; everyone wanted to see the hunger-artist at least once a day; on the later days there were season-ticket holders who sat for days on end in front of his little cage Reading these stories by the master of the absurd is like entering a dreamworld in which nothing, and yet somehow everything, makes sense.

The Glass Bead Game is an ultra-aesthetic game which is played by the scholars, creamed off in childhood and nurtured in elite schools, in the province of Castalia. The Master of the Glass Bead Game, Joseph Knecht, holds the most exalted office in Castalia. He personifies the detachment, serenity and aesthetic vision which reward a life dedicated to perfection of the intellect. But can, indeed should, man live isolated from hunger, family, children, women, in a perfect world where passions are tamed by meditation, where academic discipline and order are paramount? This is Herman Hesse’s great novel. It is a major contribution to contemporary philosophic literature and has a powerful vision of universality, the inner unity of man’s cultural ideals and his search for personal perfection and social responsibility.

While Borges remained fascinated by books, doubles, strange heresies, magic and the occult, his last two collections broke new ground in their astonishing range of themes.By the 1970s, Borges was frail, blind and bereft, and The Book of Sand is deeply concerned with loss, approaching death, identities rooted in past events and recollected sexual passion. Yet these painful issues are treated with bemused acceptance as well as characteristic inventiveness and wit. Equally haunting are the tale of the scholar who mysteriously acquires Shakespeare's memory and the other evocative parables which make up his final work. To the last, Borges retained a unique ability to shock and surprise.