Recommendations based on "Moab Is My Washpot: A Memoir"

The author writes: The two long pieces in this book originally came out in The New Yorker ? RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR ? An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

Suddenly, condemned arch-swindler Moist von Lipwig found himself with a noose around his neck and dropping through a trapdoor into ... a government job?By all rights, Moist should be meeting his maker rather than being offered a position as Postmaster by Lord Vetinari, supreme ruler of Ankh-Morpork. Getting the moribund Postal Service up and running again, however, may prove an impossible task, what with literally mountains of decades-old undelivered mail clogging every nook and cranny of the broken-down post office. Worse still, Moist could swear the mail is talking to him. Worst of all, it means taking on the gargantuan, greedy Grand Trunk clacks communication monopoly and its bloodthirsty piratical headman. But if the bold and undoable are what's called for, Moist's the man for the job -- to move the mail, continue breathing, get the girl, and specially deliver that invaluable commodity that every being, human or otherwise, requires: hope.

"Outlandish fun. . . . Making Money balances satire, knockabout farce and close observation of human — and non-human — foibles with impressive dexterity and deceptive ease. The result is another ingenious entertainment from the preeminent comic fantasist of our time.” — Washington PostThe hero of Going Postal returns in the 36th installment of Sir Terry Pratchett's beloved Discworld series! Moist von Lipwig, condemned prisoner turned postal worker extraordinaire, is now in charge of a different branch of the government: overseeing the printing of Ankh-Morpork’s first paper currency.Amazingly, former arch-swindler-turned-Postmaster General Moist von Lipwig has somehow managed to get the woefully inefficient Ankh-Morpork Post Office running like . . . well, not like a government office at all. Now the supreme despot Lord Vetinari is asking Moist if he'd like to make some real money. Vetinari wants Moist to resuscitate the venerable Royal Mint—so that perhaps it will no longer cost considerably more than a penny to make a penny.Moist doesn't want the job. However, a request from Ankh-Morpork's current ruling tyrant isn't a "request" per se, more like a "once-in-a-lifetime-offer-you-can-certainly-refuse-if-you-feel-you've-lived-quite-long-enough." So Moist will just have to learn to deal with elderly Royal Bank chairman Topsy (née Turvy) Lavish and her two loaded crossbows, a face-lapping Mint manager, and a chief clerk who's probably a vampire. But he'll soon be making lethal enemies as well as money, especially if he can't figure out where all the gold has gone.The Discworld novels can be read in any order, but Making Money is the second book in the Moist von Lipwig series.

Lemony Snicket's work is filled with bitter truths, like: 'It is always cruel to laugh at people, of course, although sometimes if they are wearing an ugly hat it is hard to control yourself.' Or: 'It is very easy to say that the important thing is to try your best, but if you are in real trouble the most important thing is not trying your best, but getting to safety.'For all of life's ups and downs, its celebrations and its sorrows, here is a book to commemorate it all – especially for those not fully soothed by chicken soup. Witty and irreverent, Horseradish is a book with universal appeal, a delightful vehicle to introduce Snicket's uproariously unhappy observations to a crowd not yet familiar with the Baudelaires' misadventures.

"Maupin's San Francisco saga careens beautifully on." —New York Times Book Review The fourth novel in the beloved Tales of the City series, Armistead Maupin’s best-selling San Francisco saga. When an ordinary househusband and his ambitious wife decide to start a family, they discover there’s more to making a baby than meets the eye. Help arrives in the form of a grieving gay neighbor, a visiting monarch, and the dashing young lieutenant who defects from her yacht. Bittersweet and profoundly affecting, Babycakes was the first piece of fiction to acknowledge the arrival of AIDS.

“These final days of his San Francisco friends and lovers, gay and straight, are seriously moving. . . . Maupin deftly illustrates how far America and the pioneering Anna have come, and nearly forty years into the series, his writing remains wildly addictive but is deeper and richer.”—People By turns hilarious and heartbreaking, Armistead Maupin's bestselling Tales of the City novels—books 7, 8 and 9 collected in this third omnibus volume—stand as an incomparable blend of great storytelling and incisive social commentary on American culture from the seventies through the first two decades of the new millennium. Maupin’s bestselling epic series spans the decade before the AIDS crisis through the era of marriage equality, and follows an unforgettable cast of characters whose diverse sexual identities helped set the social stage for the ongoing sexual revolution. Goodbye Barbary Lane—comprised of Michael Tolliver Lives, Mary Ann in Autumn, and The Days of Anna Madrigal—joins two companion omnibus volumes, 28 Barbary Lane and Back to Barbary Lane, and is a must-have for fans of Maupin and the beloved series.

With the sun finally setting on that wondrous earthy paradise that is Blandings, Vicky Underwood finds herself forcibly parted from her beloved, Jeff Bennison. Her Uncle Galahad turns his not inconsiderable talents to reuniting the love-birds. Wodehouse's final chronicle of Blandings is unfinished, but three Wodehouse admirers have supplied a treasure trove of notes and plot details, providing fascinating insights into the mind of the author.

Comic novel explores the reactions of a small town to a false engagement notice in the local paper. Winner of the 1954 Stephen Leacock memorial medal. 1980, c1954.

At the center of this hugely comic tale of "free enterprise" America stands JR--an eleven-year-old capitalist, eagerly following the example of the grasping world around him. Operating through pay phones and post-office money orders, JR inadvertently parlays a shipment of Navy surplus picnic forks, a defaulted bond issue, and a single share of common stock into a vast paper empire embracing timber, mineral and natural gas rights, publishing, and a brewery. At once a novel of epic comedy and a biting satire of the American dream, JR displays the style and extraordinary inventiveness that has made Gaddis one of the most acclaimed writers of our time.

�There!� Pop said. �There�s the house. There�s Gore Court for you. What about that, eh? How�s that strike you? Better than St Paul�s, ain�t it, better than St Paul�s?� And so Pop Larkin � junk-dealer, family man and Dragon�s Blood connoisseur � manages to sell the nearby crumbling, tumbling country home to city dwellers Mr and Mrs Jerebohm for a pretty bundle of notes. Now he can build his daughter Mariette the pool she�s long been nagging him for. But the Larkin�s new neighbours aren�t quite so accepting of country ways � especially Pop�s little eccentricities. In fact, it�s not long before a wobbly boat, a misplaced pair of hands and Mrs Jerebohm�s behind have Pop up before a magistrate �