Recommendations based on "Mirror of the Intellect Essays on Traditional Science and Sacred Art"

The landmark text about the inner workings of the unconscious mind—from the symbolism that unlocks the meaning of our dreams to their effect on our waking lives and artistic impulses—featuring more than a hundred updated images that break down Carl G. Jung’s revolutionary ideas“What emerges with great clarity from the book is that Jung has done immense service both to psychology as a science and to our general understanding of man in society.”—The Guardian“Our psyche is part of nature, and its enigma is limitless.”Since our inception, humanity has looked to dreams for guidance. But what are they? How can we understand them? And how can we use them to shape our lives?There is perhaps no one more equipped to answer these questions than the legendary psychologist Carl G. Jung. It is in his life’s work that the unconscious mind comes to be understood as an expansive, rich world that is just as vital and true as the conscious mind, and it is in our dreams—those integral expressions of our deepest selves—that the unconscious communicates itself to us.Man and His Symbols offers us invaluable insight into the symbols we dream that demand understanding, into how they affect our lives, and into why we seek meaning in them at all. It is a seminal text, written explicitly for the general reader, full of fascinating case studies and examples pulled from a variety of surprising sources, that proves to be—decades after its conception—a relevatory, absorbing, and relevant experience.

In this sequel to The History of Sexuality, Volume I: An Introduction, the brilliantly original French thinker who died in 1984 gives an analysis of how the ancient Greeks perceived sexuality.Throughout The Use of Pleasure Foucault analyzes an irresistible array of ancient Greek texts on eroticism as he tries to answer basic questions: How in the West did sexual experience become a moral issue? And why were other appetites of the body, such as hunger, and collective concerns, such as civic duty, not subjected to the numberless rules and regulations and judgments that have defined, if not confined, sexual behavior?

A major new work by the philosopher and feminist thinker Adriana Cavarero, this is a fascinating and challenging account of the relationship between the structure of the self and the structure of narrative.

Madness, sexuality, power, knowledge—are these facts of life or simply parts of speech? In a series of works of astonishing brilliance, historian Michel Foucault excavated the hidden assumptions that govern the way we live and the way we think. The Archaeology of Knowledge begins at the level of "things aid" and moves quickly to illuminate the connections between knowledge, language, and action in a style at once profound and personal. A summing up of Foucault's own methadological assumptions, this book is also a first step toward a genealogy of the way we live now. Challenging, at times infuriating, it is an absolutey indispensable guide to one of the most innovative thinkers of our time.

The most famous compendium of information on the occult and the first comprehensive work of its kind, this volume originally appeared in 1920. Subtitled "A Compendium of Information on the Occult Sciences, Occult Personalities, Psychic Science, Magic, Demonology, Spiritism, Mysticism and Metaphysics," it was compiled by Lewis Spence, the author of numerous books on folklore, mythology and occult-related subjects. Its 2,500 dictionary-style entries (many of which run to several pages) range from well-known terms ("abracadabra," "poltergeist," "spells," "vampire") to more arcane topics, and include listings for historical figures with ties to the occult such as Nostradamus, John Dee, Mary Baker Eddy, and Catherine de Medici. An oft-cited resource and a classic of its genre, this edition promises to enjoy an instant and lasting popularity.

Medicine and Society in Early Modern Europe, in the highly successful series of New Approaches, offers undergraduate students a concise introduction to a subject rich in historical excitement and interest. Bringing together the best and most innovative recent research, Mary Lindemann examines medicine from a social and cultural perspective, rather than a narrowly scientific one. Drawing on medical anthropology, sociology and ethics as well as cultural and social history, she focuses on the experience of illness and on patients and folk healers as much as on the rise of medical science, doctors and hospitals. Mary Lindemann is a distinguished scholar in the history of medicine and writes with exceptional clarity on this fascinating subject; her book will be essential reading for all students of the history of medicine, and provide invaluable context for historians of early modern Europe in general.

A new volume in the acclaimed World of Art series: featuring work across a range of media that represents the human body. This international survey presents art made over the last two decades in which the human form is central. From painting and sculpture to installation, video art, and performance, it examines the roles played by the body in art, from being the subject of portraiture to becoming an active presence in participatory events.Organized thematically, the book focuses on subjects such as nature and technology, the grotesque, identity politics, and the place of the individual in society. Featuring work by artists such as Matthew Barney, Marlene Dumas, Olafur Eliasson, Oleg Kulik, and Ernesto Neto, it shows how the body continues to be pivotal to the understanding and expression of our place in the universe. 251 illustrations, 202 in colour

Celebrated scholar Joseph Campbell shares his intimate and inspiring reflections on the art of living in this beautifully packaged book, part of a new series to be based on his unpublished writings.

The quality of Greek painting and the intrinsic interest of the figure subjects chosen for depiction were never greater than in Athens in the fifty years following the invention of the 'red figure' technique in about 530 BC. The period is covered in this sequel to Athenian Black Figure Vases, also written by John Boardman, Lincoln Professor Emeritus of Classical Archaeology and Art in Oxford. Professor Boardman illuminates the ancient art form by placing the painters and their vases within the history of Athens and the greater tradition of Greek mythology. 528 illus.

Aside from Hagia Sophia, the monuments of the Byzantine East are poorly understood today. This is in sharp contrast to the well-known architectural marvels of Western Europe�s Middle Ages. In this landmark survey, distinguished art historian Robert Ousterhout introduces readers to the rich and diverse architectural traditions of the medieval Eastern Mediterranean. The focus of the book is the Byzantine (or East Roman) Empire (324-1453 CE), with its capital in Constantinople, although the framework expands chronologically to include the foundations of Christian architecture in Late Antiquity and the legacy of Byzantine culture after the fall of Constantinople in 1453. Geographically broad as well, this study includes architectural developments in areas of Italy, the Caucasus, the Near East, the Balkans, and Russia, as well as related developments in early Islamic architecture. Alternating chapters that address chronological or regionally-based developments with thematic studies that focus on the larger cultural concerns, the book presents the architectural developments in a way that makes them accessible, interesting, and intellectually stimulating. In doing so, it also explains why medieval architecture in the East followed such a different trajectory from that of the West. Lavishly illustrated with hundreds of color photographs, maps, and line drawings, Eastern Medieval Architecture will establish Byzantine traditions to be as significant and admirable as those more familiar examples in Western Europe, and serve as an invaluable resource for anyone interested in architectural history, Byzantium, and the Middle Ages.