Recommendations based on "Michael Palin Diaries Volume (1-3) Books Collection Set (The Python Years: Diaries 1969-1979, Halfway To Hollywood: Diaries 1980-1988 & Travelling to Work: Diaries 1988–1998)"

Thirty years of celebrating the comic genius of Douglas Adams…On 12 October 1979 the most remarkable book ever to come out of the great publishing corporations of Ursa Minor (and Earth) was made available to humanity – The Hitchhiker’s Guide to the Galaxy.It’s an ordinary Thursday lunchtime for Arthur Dent until his house gets demolished. The Earth follows shortly afterwards to make way for a new hyperspace bypass and his best friend has just announced that he’s an alien. At this moment, they’re hurtling through space with nothing but their towels and an innocuous-looking book inscribed with the big, friendly words: DON’T PANIC.The weekend has only just begun…Volume one in the trilogy of five

How could you refuse the polite invitation of begoggled Danny Wallace in Join Me ? You don't know what you could be missing out on. It's all about living for the moment in this quirky, seemingly pointless yet addictive narrative. Finding himself with too much time on his hands after quitting his BBC job, Danny revels in "sitting around in his pants" and generally taking a break from the responsibilities of working life. Danny attends the funeral of his great uncle Gallus and finds out that he had set up a commune of like-minded people to escape Swiss small town small-mindedness in the 1940s. Intrigued by this idea, on his return to London Danny places a cryptic advert in the classified ads paper Loot and gets some surprising results. His Norwegian radio-producer girlfriend Hanne is bemused and infuriated that this has become more than a transient interest; it takes over his life--and hers. The number of "joinees"--people replying to his ad--escalates as word gets out about this new "happy cult", but without a clue about what he wants to achieve, or do with all his newfound friends, Danny has to think fast as dissent rises in the ranks. Now the reluctant leader of a troop of random hopefuls, he maintains their interest with obscure e-mails and watches as his joinees meet and bond. Whatever he had created, it was bigger than he had anticipated. From an initially puerile idea, it had grown into something of a social experiment--why were people willing to take the risk? What was lacking in their lives that they thought they might get out of contacting a stranger? Taking risks, no matter how big or small, is the essential crux of the matter here and of course, nothing ventured, nothing gained. -- Angela Boodoo

Terry Pratchett's profoundly irreverent novels are consistent number one bestseller in England, where they have catapulted him into the highest echelons of parody next to Mark Twain, Kurt Vonnegut, Douglas Adams, and Carl Hiaasen.In this Discworld installment, Death comes to Mort with an offer he can't refuse -- especially since being, well, dead isn't compulsory.As Death's apprentice, he'll have free board and lodging, use of the company horse, and he won't need time off for family funerals. The position is everything Mort thought he'd ever wanted, until he discovers that this perfect job can be a killer on his love life.

Etonians aren't exactly noted for their grey matter, but I've always found them perfectly adjusted to society. Jack, a possible paranoid schizophrenic with a Messiah complex, inherits the title of the 14th Earl of Gurney after his father passes away in a bizarre accident. Singularly unsuited to a life in the upper echelons of elite society, Jack finds himself at the centre of a ruthless power struggle as his scheming family strives to uphold their reputation.Bubbling with acerbic wit and feverish energy, Olivier Award-winning and Oscar-nominated-writer Peter Barnes's razor-sharp satire combines a ferocious mix of hilarity and horror whilst mercilessly exposing the foibles of the English nobility.This edition of the play is published to coincide with the first-ever revival of this classic cult comedy at the Trafalgar Studios, London, on 16 January 2015.

'This is a miracle of a book' George Lamming'Compelling. Stuart Hall's story is the story of an age' Owen Jones'Sometimes I feel I was the last colonial'This is the story, in his own words, of the extraordinary life of Stuart Hall: writer, thinker and one of the leading intellectual lights of his age. Growing up in a middle-class family in 1930s Jamaica, then still a British colony, Hall found himself caught between two worlds: the stiflingly respectable middle class in Kingston, who, in their habits and ambitions, measured themselves against the white planter elite; and working-class and peasant Jamaica, neglected and grindingly poor, though rich in culture, music and history. But as colonial rule was challenged, things began to change in Jamaica and across the world.When, in 1951, a scholarship took him across the Atlantic to Oxford University, Hall encountered other Caribbean writers and thinkers, from Sam Selvon and George Lamming to V. S. Naipaul. He also forged friendships with the likes of Raymond Williams and E. P. Thompson, with whom he worked in the formidable political movement, the New Left, and developed his groundbreaking ideas on cultural theory. Familiar Stranger takes us to the heart of Hall's struggle in post-war England: that of building a home and a life in a country where, rapidly, radically, the social landscape was transforming, and urgent new questions of race, class and identity were coming to light.Told with passion and wisdom, this is a story of how the forces of history shape who we are.

This is the life and times of T. S. Garp, the bastard son of Jenny Fields—a feminist leader ahead of her times. This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes—even of sexual assassinations. It is a novel rich with "lunacy and sorrow"; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries—with more than ten million copies in print—this novel provides almost cheerful, even hilarious evidence of its famous last line: "In the world according to Garp, we are all terminal cases."

A no-holds-barred biography of the great poet and sexual rebel, who could “give the dead a voice, make them sing” (Hilton Als, The New Yorker).Thom Gunn was not a confessional poet, and he withheld much, but inseparable from his rigorous, formal poetry was a ravenous, acute experience of life and death.Raised in Kent, England, and educated at Cambridge, Gunn found a home in San Francisco, where he documented the city’s queerness, the hippie mentality (and drug use) of the sixties, and the tragedy and catastrophic impact of the AIDS crisis in the eighties and beyond. As Jeremy Lybarger wrote in The New Republic, the author of Moly and The Man with Night Sweats was “an agile poet who renovated tradition to accommodate the rude litter of modernity.” Thom Gunn: A Cool Queer Life chronicles, for the first time, the largely undocumented life of this revolutionary poet. Michael Nott, a coeditor of The Letters of Thom Gunn, draws on letters, diaries, notebooks, interviews, and Gunn’s poetry to create a portrait as vital as the man himself.Nott writes with insight and intimacy about the great sweep of Gunn’s life: his traditional childhood in England; his mother’s suicide; the mind-opening education he received at Cambridge, reading Shakespeare and John Donne; his decades in San Francisco and with his life partner, Mike Kitay; and his visceral experience of sex, drugs, and loss. Thom Gunn: A Cool Queer Life is a long-awaited, landmark study of one of England and America’s most innovative poets.

A New York Times Book Review Editors’ Choice: There’s no right way to keep a diary, but if there’s an entertaining way, David Sedaris seems to have mastered it.If it’s navel-gazing you’re after, you’ve come to the wrong place; ditto treacly self-examination. Rather, his observations turn outward: a fight between two men on a bus, a fight between two men on the street, pedestrians being whacked over the head or gathering to watch as a man considers leaping to his death. There’s a dirty joke shared at a book signing, then a dirtier one told at a dinner party—lots of jokes here. Plenty of laughs.These diaries remind you that you once really hated George W. Bush, and that not too long ago, Donald Trump was just a harmless laughingstock, at least on French TV. Time marches on, and Sedaris, at his desk or on planes, in hotel dining rooms and odd Japanese inns, records it. The entries here reflect an ever-changing background—new administrations, new restrictions on speech and conduct. What you can say at the start of the book, you can’t by the end. At its best, A Carnival of Snackery is a sort of sampler: the bitter and the sweet. Some entries are just what you wanted. Others you might want to spit discreetly into a napkin.

The classic book that inspired Kes, the famous film, now published as a Penguin Essential for the first time. Barry Hines's A Kestrel for a Knave was published in 1968, and was made into one of the key British films of the sixties. Billy Casper is beaten by his drunken brother, ignored by his mother and failing at school. He seems destined for a hard, miserable life down the pits, but for a brief time, he finds one pleasure in life: a wild kestrel that he has raised and tamed himself.

Michael Palin has kept a diary since newly married in the late 1960s, when he was beginning to make a name for himself as a TV scriptwriter (for The Two Ronnies, David Frost, etc). Monty Python was just around the corner.This volume of his diaries reveals how Python emerged and triumphed, how he, John Cleese, Graham Chapman, the two Terrys---Jones and Gilliam---and Eric Idle came together and changed the face of British comedy. But this is but only part of Palin's story. Here is his growing family, his home in a north London Victorian terrace, which grows as he buys the house next door and then a second at the bottom of the garden; here, too, is his solo effort---as an actor, in Three Men in a Boat, his writing endeavours (often in partnership with Terry Jones) that produces Ripping Yarns and even a pantomime.Meanwhile Monty Python refuses to go away: the hugely successful movies that follow the TV (his account of the making of both The Holy Grail and the Life of Brian movies are page-turners), the at times extraordinary goings-on of the many powerful personalities who coalesced to form the Python team, the fight to prevent an American TV network from bleeping out the best jokes on U.S. transmission, and much more---all this makes for funny and riveting reading. The birth and childhood of his three children, his father's growing disability, learning to cope as a young man with celebrity, his friendship with George Harrison, and all the trials of a peripatetic life are also essential ingredients of these diaries. A perceptive and funny chronicle, the diaries are a rich portrait of a fascinating period."Michael Palin is not just one of Britain's foremost comedy character actors, he also talks a lot. Yap, yap, yap he goes, all day long and through the night . . . then, some nights, when everyone else has gone to bed, he goes home and writes up a diary."---John Cleese "This combination of niceness, with his natural volubility, creates Palin's expansiveness."---David Baddiel, The Times"A real delight to read."---Saga Magazine (UK)"His showbiz observations are so absorbing. . . . Palin is an elegant and engaging writer."---William Cook, The Guardian (UK)"A wealth of fascinating stuff about Monty Python."---The Independent (UK)"Our favourite TV explorer shows us the workings of an unstoppable machine."---Daily Express (UK)"A riveting commentary to a remarkably creative decade."---Academy (UK)