Recommendations based on "Madame Bouvary"

'A story for our, and all, times' GuardianThe Plague is Albert Camus's world-renowned fable of fear and courageThe townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they are forced into quarantine. Each person responds in their own way to the lethal some resign themselves to fate, some seek blame, and a few, like Dr Rieux, resist the terror.An immediate triumph when it was published in 1947, The Plague is in part an allegory of France's suffering under the Nazi occupation, and a story of bravery and determination against the precariousness of human existence.'A matchless fable of fear, courage and cowardice' Independent'Magnificent' The Times

The summation of the existentialist philosophy threaded throughout all his writing, Albert Camus' The Myth of Sisyphus is translated by Justin O'Brien with an introduction by James Wood in Penguin Classics. In this profound and moving philosophical statement, Camus poses the fundamental question: is life worth living? If human existence holds no significance, what can keep us from suicide? As Camus argues, if there is no God to give meaning to our lives, humans must take on that purpose themselves. This is our 'absurd' task, like Sisyphus forever rolling his rock up a hill, as the inevitability of death constantly overshadows us. Written during the bleakest days of the Second World War, The Myth of Sisyphus (Le Mythe de Sisyphe) argues for an acceptance of reality that encompasses revolt, passion and, above all, liberty. This volume contains several other essays, including lyrical evocations of the sunlit cities of Algiers and Oran, the settings of his great novels The Outsider and The Plague. Albert Camus (1913-60) is the author of a number of best-selling and highly influential works, all of which are published by Penguin. They include The Fall, The Outsider and The First Man. Awarded the Nobel Prize for Literature in 1957, Camus is remembered as one of the few writers to have shaped the intellectual climate of post-war France, but beyond that, his fame has been international. If you enjoyed The Myth of Sisyphus, you might like Camus' The Outsider, also available in Penguin Modern Classics. 'Camus could never cease to be one of the principal forces in our domain, nor to represent, in his own way, the history of France and of this century' Jean-Paul Sartre

The story behind the surprise success of a young crew’s film of alienation and rebellionReleased in 1995, La Haine is a raw, edgy drama about three mixed-race young men from a run-down Parisian suburb who decide to take on the police after a friend is brutally beaten. The work of a then unknown young team (director and actors were all under 30), it became hugely and unexpectedly successful both commercially and critically, launching director Mathieu Kassovitz and lead player Vincent Cassel to stardom. The film’s combination of hard-hitting social exposé, stylish black and white cinematography and hip-hop culture also turned it into an enduring cult movie with younger viewers.With style and insight, Ginette Vincendeau provides a thorough understanding of the context of the film’s making, both in terms of the film industry and of French society, of the film’s narrative tension, stylistic sophistication and ideological ambiguity, and of its extraordinary success nationally and internationally. She explains why, out of so many films about disaffected youth, La Haine is the one that caught the audience’s imagination, becoming an instant classic.

« Année après année, Mathilde revint à la charge. Chaque été, quand soufflait le chergui et que la chaleur, écrasante, lui portait sur les nerfs, elle lançait cette idée de piscine qui révulsait son époux. Ils ne faisaient aucun mal, ils avaient bien le droit de profiter de la vie, eux qui avaient sacrifié leurs plus belles années à la guerre puis à l’exploitation de cette ferme. Elle voulait cette piscine, elle la voulait en compensation de ses sacrifices, de sa solitude, de sa jeunesse perdue. »1968 : à force de ténacité, Amine a fait de son domaine aride une entreprise florissante. Il appartient désormais à une nouvelle bourgeoisie qui prospère, fait la fête et croit en des lendemains heureux. Mais le Maroc indépendant peine à fonder son identité nouvelle, déchiré entre les archaïsmes et les tentations illusoires de la modernité occidentale, entre l’obsession de l’image et les plaies de la honte. C’est dans cette période trouble, entre hédonisme et répression, qu’une nouvelle génération va devoir faire des choix. Regardez-nous danser poursuit et enrichit une fresque familiale vibrante d’émotions, incarnée dans des figures inoubliables.

Meursault is different. He will not lie. He will not pretend.He is true to himself.So when his mother dies and he is unmoved, he refuses to do the proper thing and grieve. Returning to Algiers after the funeral, he carries on life as usual until he becomes involved in a violent murder.In court, it is clear that Meursault's guilt or innocence will not be determined by what he did or did not do.He is on trial for being different - an outsider.

Published when she was only nineteen, Fran�oise Sagan's astonishing first novel Bonjour Tristessebecame an instant bestseller. It tells the story of C�cile, who leads a carefree life with her widowed father and his young mistresses until, one hot summer on the Riviera, he decides to remarry - with devastating consequences. In A Certain SmileDominique, a young woman bored with her lover, begins an encounter with an older man that unfolds in unexpected and troubling ways. These two acerbically witty and delightfully amoral tales about the nature of love are shimmering masterpieces of cool-headed, brilliant observation.

Written when execution by guillotine was still legal in France, Albert Camus' devastating attack on the 'obscene exhibition' of capital punishment remains one of the most powerful, persuasive arguments ever made against the death penalty.

No exit, unabridged. Edition of Sartre's well known existentialist novel.

Henri Charriere, called "Papillon," for the butterfly tattoo on his chest, was convicted in Paris in 1931 of a murder he did not commit. Sentenced to life imprisonment in the penal colony of French Guiana, he became obsessed with one goal: escape. After planning and executing a series of treacherous yet failed attempts over many years, he was eventually sent to the notorious prison, Devil's Island, a place from which no one had ever escaped . . . until Papillon. His flight to freedom remains one of the most incredible feats of human cunning, will, and endurance ever undertaken. Charriere's astonishing autobiography, Papillon, was published in France to instant acclaim in 1968, more than twenty years after his final escape. Since then, it has become a treasured classic -- the gripping, shocking, ultimately uplifting odyssey of an innocent man who would not be defeated.

Born in 1921 into a working-class family, Maurice Richard came of age as a French Canadian and athlete during an era when the majority population of Quebec slumbered. A proud, reticent man, Richard aspired only to score goals and win championships for the Montreal Canadiens. But he represented far more than a high-scoring forward who filled seats in NHL arenas. Beginning with his 50-goal, 50-game season in 1944-45 and through his battles with the league over bigotry toward French-Canadian players, Richard's on-ice ferocity and off-ice dignity echoed the change in Quebec. The March 1955 "Richard Riot," in which fans went on a rampage to protest his suspension, contained the seeds of transformation. By the time Richard retired in 1960, Quebec had begun to reinvent itself as a modern, secular society. Author Charles Foran argues that the province's passionate identification with Richard's success and struggles emboldened its people and changed Canada irrevocably.