Recommendations based on "Lobster Johnson: The Satan Factory (Novel)"

The Exorcist changed popular culture forever. Now, William Peter Blatty's groundbreaking story of faith and supernatural suspense--the runaway #1 bestseller that started it all--is reincarnated in this spectacular newly polished and rewritten 40th Anniversary Edition of the novel that burst through society's seven seals and paved the way for the entire genre that followed it: the unforgettable The Exorcist.

Previously titled Father of Frankenstein, this acclaimed novel was the basis for the 1998 film starring Sir Ian McKellen, Lynn Redgrave, and Brendan Fraser. It journeys back to 1957 Los Angeles, where James Whale, the once-famous director of such classics as Frankenstein and Bride of Frankenstein, is living in retirement, haunted by his past. Rescuing him from his too-vivid imagination is his gardener, a handsome ex-marine. The friendship between these two very different men is sometimes tentative, sometimes touching, often dangerous—and always captivating. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

“Barker’s the best thing to happen to horror fiction for many moons. . . [he] never fails to deliver the compelling prose and relentless horror his readers expect.” —Chicago Tribune The classic tale of supernatural obsession from the critically acclaimed master of darkness—and the inspiration for the cult classic film Hellraiser From his scores of short stories, bestselling novels, and major motion pictures, no one comes close to the vivid imagination and unique terrors provided by Clive Barker. The Hellbound Heart is one of Barker’s best—a nerve-shattering novella about the human heart and all the great terrors and ecstasies within its endless domain. It is about greed and love, desire and death, life and captivity, bells and blood. It is one of the most frightening stories you are likely to ever read. Frank Cotton's insatiable appetite for the dark pleasures of pain led him to the puzzle of Lemarchand's box, and from there, to a death only a sick-minded soul could invent. But his brother's love-crazed wife, Julia, has discovered a way to bring Frank back—though the price will be bloody and terrible . . . and there will certainly be hell to pay.

Zothique est le nom d’un continent. Un monde mythique de sortilèges, de prodiges, d’incongruités, de maléfices et de terreurs innombrables. Dans cet univers, l’amour et la mort ont les couleurs de l’illusion, et les hallucinations sont toujours moins effrayantes que la réalité. Dans les villes et villages, dans les forêts et les campagnes, les morts, les momies, les squelettes ne laissent aux vivants aucun répit et, sans cesse, les assaillent et les poursuivent. Si les contes de ce recueil dépaysent totalement, ils n’en restent pas moins l’exacte expression de nos terreurs les plus profondes.Zothique dépeint les destins des habitants du dernier continent de la Terre, lorsque celle-ci est à son agonie… et met en scène l’une des fantasy les plus envoûtantes et splendides que la littérature ait produite.

The astonishing, beautiful new story for all readers of 10 and over from the bestselling and Costa-shortlisted author of TIME TRAVELLING WITH A HAMSTER.'A wonderful story' Kiran Millwood HargraveThere are stories about people who want to live forever.This is not one of those stories.This is a story about someone who wants to stopAlfie Monk is like any other nearly teenage boy except hes 1,000 years old and can remember the last Viking invasion of England.Obviously no one believes him.So when everything Alfie knows and loves is destroyed in a fire, and the modern world comes crashing in, Alfie embarks on a mission to find friendship, acceptance, and a different way to live which means finding a way to make sure he will eventually die.

In this humorous and perceptive exchange between two devils, C. S. Lewis delves into moral questions about good vs. evil, temptation, repentance, and grace. Through this wonderful tale, the reader emerges with a better understanding of what it means to live a faithful life.

“Terrific. A wild ride….I loved it. It hooked me and I couldn’t put it down.” —Mike Mignola, creator of Hellboy "Brom is that rare breed: a person who is skilled in more than one area of artistic expression. Here's hoping that he will continue to share his dark and often beautiful dreams with us for many years to come." --Christopher Paolini, New York Times bestselling author of Eragon Acclaimed author and artist Brom raised eyebrows and pulse rates with The Child Thief, his grim, brilliantly audacious, gorgeously illustrated reimagining of the Peter Pan legend. So what does this innovative fantasist do for an encore? He tinkers darkly with the beloved mythology of Santa Claus. Set in Appalachia, Krampus the Yule Lord is a twisted fairytale about a failed West Virginia songwriter who gets ensnared on Christmas Eve in an eternal war between a not-so-saintly Saint Nick and his dark enemy Krampus, aka Black Peter, an ancient trickster demon. Krampus the Yule Lord is Gregory Maguire (Wicked) meets Susanna Clarke (Jonathan Strange & Mr. Norrell) in the realm of Guillermo Del Toro’s Pan’s Labyrinth, as Clive Barker (Mr. B. Gone) works his dark sorcery from the shadows. Once again featuring Brom’s chillingly beautiful artwork throughout, Krampus the Yule Lord is a feast of wonder straight from the kitchen of Sweeney Todd.

YA. Fantasy fiction. 'The moment of danger is close. Very soon our enemies will be here.' As danger increases, the Spook sends his apprentice, Tom, to be trained by another spook whose methods are harsh and tough. But faced with a powerful water witch, Tom's new master makes a fatal mistake, leaving Tom to face his enemies alone. Can the Spook get there in time to save Tom? Together can they beat such terrible dark power? And will the Spook's own mistakes give final victory to the dark? The fifth chilling tale in the Wardstone Chronicles, the series that inspired the forthcoming movie The Seventh Son, starring Jeff Bridges, Ben Barnes and Julianne Moore.

A modern witch-hunt splits a remote community - in a further challenge for exorcist Rev. Merrily Watkins. A disused church near a Welsh border hamlet has already been sold off by the Church when it's discovered that the new owners are 'pagans' who intend to use the building for their own rituals. The local rector, an extreme evangelical, is appalled and blames these inoffensive middle-class witches for infesting the whole community with evil... even calling in the diocesan exorcist, Rev. Merrily Watkins. An atmosphere of stifling menace develops - with the persecution of innocent people, false accusations, and the formation of a Christian vigilante group. As this cauldron of conflict threatens to boil over into serious violence, Merrily uses all the diplomacy she can muster. But, as the confrontation moves towards its climax at Candlemass, she is unaware of a personal threat against her from a deranged and violent man.

Tolly comes to live with his great-grandmother at the ancient house of Green Knowe and becomes friends with three children who lived there in the seventeenth century. "L.M. Boston's classic is a sophisticated mood piece disguised as a children's ghost story. As young Toseland goes to live with his grandmother in the family's ancestral home, the reader is plunged immediately into the world of Green Knowe. Like Toseland, who actually rows up to his new home in the midst of a flood, we have a hard time finding our bearings. Toseland discovers a funny kind of grandmother awaiting him--one who speaks elliptically of the children and animals she keeps around the house: they might be memories, they might be ghosts. It's never quite clear where real life leaves off and magic begins. Toseland admires a deer: "A deer seems more magic than a horse." His grandmother is quick to respond: "Very beautiful fairy-tale magic, but a horse that thinks the same thoughts that you do is like strong magic wine, a love philtre for boys. With this meshing of the magical and the real, Boston evokes a childlike world of wonder. She compounds the effect by combining gorgeous images and eerily evocative writing. Toseland goes out on a snowy morning: "In front of him, the world was an unbroken dazzling cloud of crystal stars, except for the moat, which looked like a strip of night that had somehow sinned and had no stars in it." The loosely plotted story is given more resonance still through liberal use of biblical imagery and Anglo-Saxon mythology. For those willing to suspend their disbelief and read carefully, the world of Green Knowe offers a wondrous escape." Source: www.amazon.com.