Recommendations based on "Let Me Tell You a Story: Tales Along the Road to Happiness"

Enzo knows he is different from other dogs: a philosopher with a nearly human soul (and an obsession with opposable thumbs), he has educated himself by watching television extensively, and by listening very closely to the words of his master, Denny Swift, an up-and-coming race car driver. Through Denny, Enzo has gained tremendous insight into the human condition, and he sees that life, like racing, isn't simply about going fast. Using the techniques needed on the race track, one can successfully navigate all of life's ordeals. On the eve of his death, Enzo takes stock of his life, recalling all that he and his family have been through: the sacrifices Denny has made to succeed professionally; the unexpected loss of Eve, Denny's wife; the three-year battle over their daughter, Zoë, whose maternal grandparents pulled every string to gain custody. In the end, despite what he sees as his own limitations, Enzo comes through heroically to preserve the Swift family, holding in his heart the

Product Description This is an account on audiotape of NASA engineer Hickam's high school days in West Virginia in the 1950s. When 14-year-old Homer watches Sputnik fly over his home town, his life is changed forever. His group of "Rocket Boy" friends launch their own rocket into space, and unite a town and a family. Amazon.com Review Inspired by Werner von Braun and his Cape Canaveral team, 14-year-old Homer Hickam decided in 1957 to build his own rockets. They were his ticket out of Coalwood, West Virginia, a mining town that everyone knew was dying--everyone except Sonny's father, the mine superintendent and a company man so dedicated that his family rarely saw him. Hickam's smart, iconoclastic mother wanted her son to become something more than a miner and, along with a female science teacher, encouraged the efforts of his grandiosely named Big Creek Missile Agency. He grew up to be a NASA engineer and his memoir of the bumpy ride toward a gold medal at the National Science Fair in 1960--an unprecedented honor for a miner's kid--is rich in humor as well as warm sentiment. Hickam vividly evokes a world of close communal ties in which a storekeeper who sold him saltpeter warned, "Listen, rocket boy. This stuff can blow you to kingdom come." Hickam is candid about the deep disagreements and tensions in his parents' marriage, even as he movingly depicts their quiet loyalty to each other. The portrait of his ultimately successful campaign to win his aloof father's respect is equally affecting.--Wendy Smith From Publishers Weekly Great memoirs must balance the universal and the particular. Too much of the former makes it overly familiar; too much of the latter makes readers ask what the story has to do with them. In his debut, Hickam, a retired NASA engineer, walks that line beautifully. On one level, it's the story of a teenage boy who learns about dedication, responsibility, thermodynamics and girls. On the other hand, it's about a dying way of life in a coal town where the days are determined by the rhythms of the mine and the company that controls everything and everybody. Hickam's father is Coalwood, W.Va.'s mine superintendent, whose devotion to the mine is matched only by his wife's loathing for it. When Sputnik inspires "Sonny" with an interest in rockets, she sees it not as a hobby but as a way to escape the mines. After an initial, destructive try involving 12 cherry bombs, Sonny and his cronies set up the Big Creek Missile Agency (BCMA). From Auk I (top altitude, six feet), through Auk XXXI (top altitude, 31,000 feet), the boys experiment with nozzles, fins and, most of all, fuel, graduating from a basic black powder to "rocket candy" (melted potassium chlorate and sugar) to "Zincoshine" (zinc, sulfur, moonshine). But Coalwood is the real star, here. Teachers, clergy, machinists, town gossips, union, management, everyone become co-conspirators in the BCMA's explosive three-year project. Hickam admits to taking poetic license in combining characters and with the sequence of events, and if there is any flaw, it's that the people and the narrative seem a little too perfect. But no matter how jaded readers have become by the onslaught of memoirs, none will want to miss the fantastic voyage of BCMA, Auk and Coalwood. First serial to Life. 10-city author tour. (Sept.) FYI: Rocket Boys is currently in production at Universal, which plans to release it later this year.Copyright 1998 Reed Business Information, Inc. From Library Journal Hickam recalls his distinguished NASA career, which all started when he saw Sputnik as a little boy and began designing and launching homemade rockets. With a ten-city author tour.Copyright 1998 Reed Business Information, Inc. From Booklist In 1957, the national panic set off bySputnik I reached into the hollows of Coalwood, West Virginia, the setting for this affecting story. The second son of a coal mine's manager, teenage Homer went bo

Winner of the Women’s Prize for Fiction“No one writes like Ruth Ozeki—a triumph.” —Matt Haig, New York Times bestselling author of The Midnight Library“Inventive, vivid, and propelled by a sense of wonder.” —TIME“If you’ve lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home.” —David Mitchell, Booker Prize-finalist author of Cloud AtlasA boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both—the brilliantly inventive new novel from the Booker Prize-finalist Ruth OzekiOne year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house—a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world. He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many.And he meets his very own Book—a talking thing—who narrates Benny’s life and teaches him to listen to the things that truly matter.With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki—bold, wise, poignant, playful, humane and heartbreaking.

Awarded the Newbery Honor When a novel like Huckleberry Finn, or The Yearling, comes along it defies customary adjectives because of the intensity of the respouse it evokes in the reader. Such a book, we submit, is Old Yeller; to read this eloquently simple story of a boy and his dog in the Texas hill country is an unforgettable and deeply moving experience.When his father sets out on a cattle drive for the summer, fourteen-year-old Travis is left to take care of his family and their farm, and he faces new, unanticipated and often perilous responsibilities in the wilderness of early fronteir Texas. But Travis is not alone. He finds help and comfort in the courage and unwavering love of the stray animal who comes to be his most loyal and very best friend: the big yellow dog Travis calls "Old Yeller."An enduring and award-winning American classic, Fred Gipson's Old Yeller stands as one of the most beloved novels ever produced in this country, and one that will live in the hearts and minds of readers for generations to come.

These prizewinning stories champion the everyday person who tries to do his or her best in demanding and even demeaning situations. The stories in A Common Person and Other Stories, R. M. Kinder’s third short-story collection and the winner of the Richard Sullivan Prize in Short Fiction, expose the disruption in our modern life and the ever-present threat of violence, and, most importantly, they capture the real heroism of everyday people. The characters in these stories, most set deep in the middle of America, seem to invite trouble through their concern for others: a neighbor’s mistreated dog, a boy standing up to a bully, a woman who faces cancer and the loss of love. Kinder’s characters struggle with conflicts common to us all—to treat humans and animals with compassion, to open minds and hearts to diversity, all while balancing the welfare of the individual and the larger community. The characters aren’t always loveable, but they have their moments of grace—they accept responsibility and take stands. These stories, by turns humorous, unsettling, and utterly believable, expose the dangers of ordinary life as their characters perform acts of defiance, determination, and connection. The memorable characters in A Common Person and Other Stories are, like us, doing the best they can, and that is often remarkable and admirable. Considered closely, Kinder shows us, no person is common.

The gruff and surly Mr Thomas Oakley is less than pleased when he is landed with a scrawny little city boy as a guest, but because it is compulsory that each villager takes in an evacuee he reluctantly agrees. It soon becomes obvious to Mister Tom that young Willie Beech is hiding something, and as the pair begin to form an unlikely bond and Willie grows in stature and in confidence he begins to forget the past. But when he has to return to war-torn London to face his mother again he retreats into his shy and awkward ways once more. Goodnight Mister Tom is one of the most touching and powerful stories ever written. As the relationship between Willie and Tom begins to transform them both, Magorian's powerful yet gentle writing tugs at the heart, taking the reader on an incredibly emotional journey that never once stoops to unnecessary sentimentality. --Susan Harrison

Born into the beautiful bedlam of downtown New York in the eighties, iO Tillett Wright came of age at the intersection of punk, poverty, heroin, and art. This was a world of self-invented characters, glamorous superstars, and strung-out sufferers, ground zero of drag and performance art. Still, no personality was more vibrant and formidable than iO’s mother’s. Rhonna, a showgirl and young widow, was a mercurial, erratic glamazon. She was iO’s fiercest defender and only authority in a world with few boundaries and even fewer indicators of normal life. At the center of Darling Days is the remarkable relationship between a fiery kid and a domineering ma—a bond defined by freedom and control, excess and sacrifice; by heartbreaking deprivation, agonizing rupture, and, ultimately, forgiveness. Darling Days is also a provocative examination of culture and identity, of the instincts that shape us and the norms that deform us, and of the courage and resilience it takes to listen closely to your deepest self. When a group of boys refuse to let six-year-old, female-born iO play ball, iO instantly adopts a new persona, becoming a boy named Ricky—a choice iO’s parents support and celebrate. It is the start of a profound exploration of gender and identity through the tenderest years, and the beginning of a life invented and reinvented at every step. Alternating between the harrowing and the hilarious, Darling Days is the candid, tough, and stirring memoir of a young person in search of an authentic self as family and home life devolve into chaos.

Violence, treachery and cruelty run through the generational veins of Rick Morton's family. A horrific accident thrusts his mother and siblings into a world impossible for them to navigate, a life of poverty and drug addiction One Hundred Years of Dirt is an unflinching memoir in which the mother is a hero who is never rewarded. It is a meditation on the anger, fear of others and an obsession with real and imagined borders. Yet it is also a testimony to the strength of familial love and endurance.

“A remarkable novel. . . . A Prayer for Owen Meany is a rare creation. ... An amazingly brave piece of work ... so extraordinary, so original, and so enriching. . . . Readers will come to the end feeling sorry to leave [this] richly textured and carefully wrought world.” —STEPHEN KING, Washington PostI am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God; I am a Christian because of Owen Meany.In the summer of 1953, two eleven-year-old boys—best friends—are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary.A PBS Great American Read Top 100 Pick

Finalist for the 2009 National Book Award and finalist for two 2010 Will Eisner Comic Industry Awards: the prize-winning children’s author depicts a childhood from hell in this searing yet redemptive graphic memoir. One day David Small awoke from a supposedly harmless operation to discover that he had been transformed into a virtual mute. A vocal cord removed, his throat slashed and stitched together like a bloody boot, the fourteen-year-old boy had not been told that he had cancer and was expected to die.In Stitches, Small, the award-winning children’s illustrator and author, re-creates this terrifying event in a life story that might have been imagined by Kafka. As the images painfully tumble out, one by one, we gain a ringside seat at a gothic family drama where David―a highly anxious yet supremely talented child―all too often became the unwitting object of his parents’ buried frustration and rage.Believing that they were trying to do their best, David’s parents did just the reverse. Edward Small, a Detroit physician, who vented his own anger by hitting a punching bag, was convinced that he could cure his young son’s respiratory problems with heavy doses of radiation, possibly causing David’s cancer. Elizabeth, David’s mother, tyrannically stingy and excessively scolding, ran the Small household under a cone of silence where emotions, especially her own, were hidden.Depicting this coming-of-age story with dazzling, kaleidoscopic images that turn nightmare into fairy tale, Small tells us of his journey from sickly child to cancer patient, to the troubled teen whose risky decision to run away from home at sixteen―with nothing more than the dream of becoming an artist―will resonate as the ultimate survival statement.A silent movie masquerading as a book, Stitches renders a broken world suddenly seamless and beautiful again. Finalist for the 2009 National Book Award (Young Adult); finalist for two 2010 Will Eisner Comic Industry Awards (Best Writer/Artist: Nonfiction; Best Reality-Based Work).