Recommendations based on "Legend of Exorcism: Tianbao Fuyao Lu (Novel) Vol. 3"

A timely look at the impact of China’s booming emergence on the countries of Southeast Asia“An expert and lucid synthesis of the historical context and recent developments of Southeast Asia’s rich and complex relations with Beijing.”—John Reed, Financial TimesToday, Southeast Asia stands uniquely exposed to the waxing power of the new China. Three of its nations border China and five are directly impacted by its claims over the South China Sea. All dwell in the lengthening shadow of its influence: economic, political, military, and cultural. As China seeks to restore its former status as Asia’s preeminent power, the countries of Southeast Asia face an increasingly stark choice: flourish within Beijing’s orbit or languish outside of it. Meanwhile, as rival powers including the United States take concerted action to curb Chinese ambitions, the region has emerged as an arena of heated strategic competition.Drawing on more than a decade of on-the-ground experience, Sebastian Strangio explores the impacts of China’s rise on Southeast Asia, the varied ways in which the countries of the region are responding, and what it might mean for the future balance of power in the Indo-Pacific.

Named a Most Anticipated Book of 2024 by the BBCA sweeping yet intimate portrait of modern China told through the lives of four ordinary women striving for a better future in a highly unequal societyWhile serving as the deputy Beijing bureau chief of the Financial Times, Chinese-British journalist Yuan Yang began to notice common threads in the lives of her Chinese peers—women born during China’s turn toward capitalism in the 1980s and 1990s, who, despite the country's enormous economic gains during their lifetimes, were coming up against deeply entrenched barriers as they sought to achieve financial stability.The product of seven years of intimate, in-depth reporting, this transporting and indelible book traces the journey of four such women as they try to make better lives for themselves and their families in the new Chinese economy. June and Siyue are among the few in their villages to graduate high school. Each makes her way to Beijing, June as a young professional and Siyue an entrepreneur. Like Siyue, Leiya lives with her grandparents in their village while her parents send money home; yearning for a different life than those of the women she sees around her, Leiya soon joins her parents in Shenzhen as an underage factory worker. Born to an urban middle-class family, Sam is outraged when her eyes are opened the poor treatment of workers, and becomes a labor activist, increasingly under threat by the authorities.As the women grapple with government policies that threaten their businesses, their children's access to education, their choice of where to make a home, and, in Sam’s case, their lives, a vivid, damning, and urgent picture emerges of the previously unseen human cost of China’s rising economic tide—and the courage and perseverance of those caught in the swell.

Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy. With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible. One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.

Shanghai, 1930s. Shen Shijun, a young engineer, has fallen in love with his colleague, the beautiful Gu Manzhen. He is determined to resist his family’s efforts to match him with his wealthy cousin so that he can marry her. But dark circumstances—a lustful brother-in-law, a treacherous sister, a family secret—force the two young lovers apart. As Manzhen and Shijun go on their separate paths, they lose track of one another, and their lives become filled with feints and schemes, missed connections and tragic misunderstandings. At every turn, societal expectations seem to thwart their prospects for happiness. Still, Manzhen and Shijun dare to hold out hope—however slim—that they might one day meet again. A glamorous, wrenching tale set against the glittering backdrop of an extraordinary city, Half a Lifelong Romance is a beloved classic from one of the essential writers of twentieth-century China.

An elegant, two-color, pocket-size edition of the bestselling spiritual classic in its finest translation.

When disgraced former inspector, Shan Tao Yun joins a group of reverent Tibetans returning a sacred artefact to its home, it seems he has at last found the peace he has struggled for since leaving prison. What starts as a spiritual pilgrimage, however, quickly turns into a desperate flight through the Tibetan wilderness as the outlawed monk who guides them is murdered and Sham discovers that the artefact has recently been stolen from the Chinese army. But why is the army so desperate to find the artefact entrusted to Shan? Why is an aged medicine lama being stalked by government agents? Why has an American woman, a geologist for an oil company, abandoned the project and fled into the mountains? Shan discovers not answers, but only new mysteries as he is drawn to such unexpected places as the raucous headquarters base of the Western oil venture and a monastery that seems more attuned to the teachings of the party than those of Buddha. And the further he travels into the mountains, the more Shan realises that what is at stake is not only justice but the spiritual survival of those who have joined his strange quest. At the heart of Pattison's powerful tale is a story of a brave, oppressed people who have learned to endure by drawing strength from their land and their rich spiritual traditions.

The Journey to the West, volume 3, comprises the third twenty-five chapters of Anthony C. Yu's four-volume translation of Hsi-yu Chi, one of the most beloved classics of Chinese literature. The fantastic tale recounts the sixteen-year pilgrimage of the monk Hsüan-tsang (596-664), one of China's most illustrious religious heroes, who journeyed to India with four animal disciples in quest of Buddhist scriptures. For nearly a thousand years, his exploits were celebrated and embellished in various accounts, culminating in the hundred-chapter Journey to the West, which combines religious allegory with romance, fantasy, humor, and satire.

What is the sentimental? How can we understand it by way of the visual and narrative modes of signification specific to cinema and through the manners of social interaction and collective imagining specific to a particular culture in transition? What can the sentimental tell us about the precarious foundations of human coexistence in this age of globalization? Rey Chow explores these questions through nine contemporary Chinese directors (Chen Kaige, Wong Kar-wai, Zhang Yimou, Ann Hui, Peter Chan, Wayne Wang, Ang Lee, Li Yang, and Tsai Ming-liang) whose accomplishments have become historic events in world cinema. Approaching their works from multiple perspectives, including the question of origins, nostalgia, the everyday, feminine "psychic interiority," commodification, biopolitics, migration, education, homosexuality, kinship, and incest, and concluding with an account of the Chinese films' epistemic affinity with the Hollywood blockbuster Brokeback Mountain, Chow proposes that the sentimental is a discursive constellation traversing affect, time, identity, and social mores, a constellation whose contours tends to morph under different historical circumstances and in different genres and media. In contemporary Chinese films, she argues, the sentimental consistently takes the form not of revolution but of compromise, not of radical departure but of moderation, endurance, and accommodation. By naming these films sentimental fabulations--screen artifacts of cultural becoming with irreducible aesthetic, conceptual, and speculative logics of their own--Chow presents Chinese cinema first and foremost as an invitation to the pleasures and challenges of critical thinking.

The “unparalleled master of the historical saga" (Newsweek) and internationally bestselling author of Paris and New York takes on an exhilarating new world with his trademark epic style in China: The Novel In China: The Novel, Edward Rutherfurd brings his renowned talents to the Middle Kingdom, when the clash of East and West in the nineteenth century shattered the stability of the two-thousand-year-old empire. This epic tale chronicles the great struggle for power, from the Opium Wars that erupted in 1839 through the Taiping revolt, the British burning of the Summer Palace, the Boxer Rebellion, and the long rule of the Dragon Empress, culminating in the momentous revolution of 1911. We meet a young village wife struggling with rigid traditions, Manchu warriors, powerful eunuchs and concubines of the Forbidden City, rapacious English soldiers and earnest missionaries, savvy Chinese pirates, and sage philosophers. Rutherfurd brings to vivid life the ever-changing fortunes of Chinese, British, and American families as they negotiate the tides of history. A rich human drama as well as a deeply researched portrait that sets the stage for China’s role in the world today, China: The Novel is the enthralling story of a rising global power.

Just over a thousand years ago, the Song dynasty emerged as the most advanced civilization on earth. Within two centuries, China was home to nearly half of all humankind. In this concise history, we learn why the inventiveness of this era has been favorably compared with the European Renaissance, which in many ways the Song transformation surpassed.With the chaotic dissolution of the Tang dynasty, the old aristocratic families vanished. A new class of scholar-officials—products of a meritocratic examination system—took up the task of reshaping Chinese tradition by adapting the precepts of Confucianism to a rapidly changing world. Through fiscal reforms, these elites liberalized the economy, eased the tax burden, and put paper money into circulation. Their redesigned capitals buzzed with traders, while the education system offered advancement to talented men of modest means. Their rationalist approach led to inventions in printing, shipbuilding, weaving, ceramics manufacture, mining, and agriculture. With a realist’s eye, they studied the natural world and applied their observations in art and science. And with the souls of diplomats, they chose peace over war with the aggressors on their borders. Yet persistent military threats from these nomadic tribes—which the Chinese scorned as their cultural inferiors—redefined China’s understanding of its place in the world and solidified a sense of what it meant to be Chinese.The Age of Confucian Rule is an essential introduction to this transformative era. “A scholar should congratulate himself that he has been born in such a time” (Zhao Ruyu, 1194).