Recommendations based on "JUNJO ROMANTICA Volume 8"
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By Sylvia Plath
“The Letters of Sylvia Plath underscores Plath’s jaw-dropping output, her rapid growth from merely talented to singular voice. . . . The result is a comprehensive portrait of the artist as a young woman, ardently — unnervingly — committed to literature and relationships.” —Hamilton Cain, Minneapolis Star-TribuneThe first volume in the definitive, complete collection of the letters of Sylvia Plath—most never before seen.One of the most beloved poets of the modern age, Sylvia Plath continues to inspire and fascinate the literary world. While her renown as one of the twentieth century’s most influential poets is beyond dispute, Plath was also one of its most captivating correspondents. The Letters of Sylvia Plath is the breathtaking compendium of this prolific writer’s correspondence with more than 120 people, including family, friends, contemporaries, and colleagues.The Letters of Sylvia Plath includes her correspondence from her years at Smith, her summer editorial internship in New York City, her time at Cambridge, her experiences touring Europe, and the early days of her marriage to Ted Hughes in 1956.Most of the letters are previously unseen, including sixteen letters written by Plath to Hughes when they were apart after their honeymoon. This magnificent compendium also includes twenty-seven of Plath’s own elegant line drawings taken from the letters she sent to her friends and family, as well as twenty-two previously unpublished photographs.This remarkable, collected edition of Plath’s letters is a work of immense scholarship and care, presenting a comprehensive and historically accurate text of the known and extant letters that she wrote. Intimate and revealing, this masterful compilation offers fans and scholars generous and unprecedented insight into the life of one of our most significant poets.
By A.E. Houseman
A collectible new Penguin Classics series: stunning, clothbound editions of ten favourite poets, which present each poet's most famous book of verse as it was originally published. Designed by the acclaimed Coralie Bickford-Smith and beautifully set, these slim, A format volumes are the ultimate gift editions for poetry lovers. A Shropshire Lad was first published in 1896 at A. E. Housman's own expense. The collection of lyrical poems became hugely successful following the Second Boer War and World War I, with themes such as nostalgia for one's home and the patriotic celebration of the life of the solider striking a chord with English readers. This collection contains Housman's greatest works, demonstrating the lyrical precision and emotional depth of his writing. It includes 'To an Athlete Dying Young', a lyrical elegy to a life lost at its prime and 'When I was One-and-Twenty', a love poem on the ignorance of youth.
By Gerard Manley Hopkins, W. H. Gardner (editor)
Closer to Dylan Thomas than Matthew Arnold in his ‘creative violence’ and insistence on the sound of poetry, Gerard Manley Hopkins was no staid, conventional Victorian. On entering the Society of Jesus and the age of twenty-four, he burnt all his poetry and ‘resolved to write no more, as not belonging to my profession, unless by the wish of my superiors.' The poems, letters, and journal entries selected for this edition were written in the following twenty years of his life and published posthumously in 1918.His verse is wrought from the creative tensions and paradoxes of a poet-priest who wanted to evoke the spiritual essence of nature sensuously, and to communicate this revelation in natural language and speech-rhythms while using condensed, innovative diction and all the skills of poetic artifice. Intense, vital, and individual, his writing is the ‘terrible crystal’ through which the soul—the inscape, the nature of things—may be illuminated.
By Florence Welch
The perfect gift for fans of Florence + the Machine A beautifully illustrated collection of lyrics and never-before-seen poetry and sketches from Florence Welch Songs can be incredibly prophetic, like subconscious warnings or messages to myself, but I often don't know what I'm trying to say till years later. Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic. 'An elegant collaged scrapbook' Observer 'A treasure . . . beautiful . Generous in its honesty , by the end you feel as though you have climbed into the colourful, and sometimes tortured, world of a passionate artist' iNews
By Anne Carson
Following Her Widely Acclaimed Autobiography Of Red (a Spellbinding Achievement --susan Sontag), A New Collection Of Poetry And Prose That Displays Anne Carson's Signature Mixture Of Opposites--the Classic And The Modern, Cinema And Print, Narrative And Verse. In Men In The Off Hours, Carson Reinvents Figures As Diverse As Oedipus, Emily Dickinson, And Audubon. She Views The Writings Of Sappho, St. Augustine, And Catullus Through A Modern Lens. She Sets Up Startling Juxtapositions (lazarus Among Video Paraphernalia; Virginia Woolf And Thucydides Discussing War). And In A Final Prose Poem, She Meditates On The Recent Death Of Her Mother. With Its Quiet, Acute Spirituality, Its Fearless Wit And Sensuality, And Its Joyful Understanding That The Fact Of The Matter For Humans Is Imperfection, Men In The Off Hours Shows Us The Most Exciting Poet Writing In English Today (michael Ondaatje) At Her Best.
By Louise Glück
'Brilliant poems of complex, haunting power... Averno may be Glück's masterpiece' The New York Times Book ReviewAn acclaimed collection from the Nobel prize-winning poetThis startlingly original reworking of the Persephone myth takes us to the icy shores of Averno, the crater lake regarded by the ancient Romans as the entrance to the underworld. Here, the consolations of rebirth and renewal are eclipsed by the immediacy of loss - by a mother's possessive grief, an abducted girl's equivocal memories, a farmer's lament for a lost harvest. This chorus offers neither comfort nor solace but deepened understanding, its sorrow textured by the poet's luminous wit. Together, the poems of Averno swell to a staggeringly powerful lamentation, through which the reader glimpses the ecstasy of the inevitable, only to find it resisted by the insistent, impersonal presence of the Earth.
By Alfred Tennyson
A substantial selection of Tennyson's poetry, edited according to the principles of the Penguin English Poets series. This volume concentrates on the period characterized by "Maud"(1855) and "In Memoriam" (1850).
By Richard Siken
The twentieth-anniversary edition of the influential first poetry collection by Richard SikenSince winning the 2004 Yale Series of Younger Poets competition, Crush has become a modern classic. This twentieth-anniversary edition includes a new introduction by award-winning poet Dana Levin and a new afterword by the author.
By Charles Bukowski
“The Walt Whitman of Los Angeles.”—Joyce Carol Oates, bestselling author“He brought everybody down to earth, even the angels.”—Leonard Cohen, songwriterThere is not a wasted word in Dangling in the Tournefortia, a selection of poems full of wit, struggles, perception, and simplicity. Charles Bukowski writes of women, gambling and booze while his words remain honest and pure.
By Wanda Coleman
This is the first ever UK publication of the poetry of Wanda Coleman- a beat-up, broke Black woman who wrote with anger, humour and clarity about her life on the margins, and who went overlooked by the establishment for much of her career even as she was known colloquially as the 'unofficial poet laureate of Los Angeles'. Nobody wrote about police hassle like she did. Nobody wrote about poverty, about making do with what's on hand, about the slave trade or about their personal vendetta against slow walkers in the supermarket, in quite the same way. Wicked Enchantment gathers 130 of Coleman's best poems, spanning some four decades, in a selection by Terrance Hayes. Mary Karr has called it 'hateful and hilarious, heartbroke and hellbent'; the Washington Post says that 'Wanda Coleman is not just wickedly wise, she is transcendent'; the New Yorker calls her 'one of the greatest poets ever to come out of L. A.' Brutal, hilarious, triumphant, wild and paradoxically, sometimes horrifically precise, these are not poems written for a course, for establishment approval or for polite applause; they were written because Coleman had to write what she saw and felt, and wrote brilliantly. Few if any writers, before or since, have had the courage to write with such honesty about the daily experience of life in a racist world.