Recommendations based on "Jennings As Usual"

Terry Pratchett's profoundly irreverent novels are consistent number one bestseller in England, where they have catapulted him into the highest echelons of parody next to Mark Twain, Kurt Vonnegut, Douglas Adams, and Carl Hiaasen.In this Discworld installment, Death comes to Mort with an offer he can't refuse -- especially since being, well, dead isn't compulsory.As Death's apprentice, he'll have free board and lodging, use of the company horse, and he won't need time off for family funerals. The position is everything Mort thought he'd ever wanted, until he discovers that this perfect job can be a killer on his love life.

The amazingly insightful, funny and brilliant record of Michael Palin's prime years as a member of the famed comedic group, Monty Python.Michael Palin has kept a diary since newly married in the late 1960s. This volume of his diaries reveals how Python emerged and triumphed, how he, John Cleese, Graham Chapman, the two Terrys---Jones and Gilliam---and Eric Idle came together and changed the face of British comedy.But this is but only part of Palin's story. Here is his growing family, his home in a north London Victorian terrace, which grows as he buys the house next door and then a second at the bottom of the garden; here, too, is his solo effort---as an actor, in Three Men in a Boat, his writing endeavours (often in partnership with Terry Jones) that produces Ripping Yarns and even a pantomime.Meanwhile Monty Python refuses to go away: the hugely successful movies that follow the TV (his account of the making of both The Holy Grail and the Life of Brian movies are page-turners), the at times extraordinary goings-on of the many powerful personalities who coalesced to form the Python team, the fight to prevent an American TV network from bleeping out the best jokes on U.S. transmission, and much more---all this makes for funny and riveting reading.The birth and childhood of his three children, his father's growing disability, learning to cope as a young man with celebrity, his friendship with George Harrison, and all the trials of a peripatetic life are also essential ingredients of these diaries. A perceptive and funny chronicle, the diaries are a rich portrait of a fascinating period."A wealth of fascinating stuff about Monty Python."---The Independent (UK)

A new, affordable paperback edition of one O’Neill’s late masterpiecesEugene O’Neill’s last completed play, A Moon for the Misbegotten is a sequel to his autobiographical Long Day’s Journey Into Night. Moon picks up eleven years after the events described in Long Day’s Journey Into Night, asJim Tyrone (based on O’Neill’s older brother Jamie) grasps at a last chance at love under the full moonlight. This paperback edition features an insightful introduction by Stephen A. Black, helpful to anyone who desires a deeper understanding of O’Neill’s work.

WINNER OF THE 2014 GUARDIAN FIRST BOOK AWARD *Winner of the 2014 Frank O'Connor International Short Story Award *Winner of the 2014 Rooney Prize for Irish Literature This magnificent collection takes us to Glanbeigh, a small town in rural Ireland âe" a town in which the youth have the run of the place. Boy racers speed down the back lanes; couples haunt the midnight woods; young skins huddle in the cold once The Peacock has closed its doors. Here the young live hard and wear the scars. It matters whose sister you were seen with. If you are in the wrong place at the wrong time, it matters a very great deal. Colin Barrettâe(tm)s debut does not take us to Glanbeigh alone; there are other towns, and older characters. But each story is defined by a youth lived in a crucible of menace and desire âe" and each crackles with the uniform energy and force that distinguish this terrific collection.

After an unexpected and diabolical farewell breakfast conversation with his father, Spud Milton returns to boarding school for his 1993 Matric year, his last as a schoolboy. Armed with a prefects’ tie and a raging libido, Spud soon discovers that being a large(ish) fish in a small pond has its fair share of challenges. He finds himself embroiled in fighting for his own room, directing a house play where both lead actors refuse to learn their lines, and assisting in Vern Blackadder’s dramatic return from the dead with nothing more than a drip cord and a pair of oven gloves. Amidst mounting pressure in the classroom and on the cricket field, Spud prepares to face down the most feared and dreaded challenge of them all—finding a date for the Matric dance. In this hilarious final installment of the Spud series, John Van de Ruit brings to a close his savagely funny blow by blow account of the agonies of growing up. The embarrassments, thrills, defeats, and the sheer-absurdity of daily life are wittily recorded in Spud’s unique voice as he prepares to make his own exit, pursued by a bear.

Maurice, James Ivory's 1987 adaptation of the E.M. Forster novel, follows an Edwardian man's journey from the awakening of his desire for and love of men to self-acceptance. One of the most politically resistant films of the 1980s, Maurice dared to depict a young man's coming-out story and a happy ending for its lovers, Maurice and Alec. James Ivory and producer Ismail Merchant, a couple whose cinema is synonymous with period film adaptation, released Maurice during the first AIDS decade, a time of flagrant transatlantic homophobia. Criticism following its release described Ivory as a superficial and staid director, while the film was received as a regression to the uncinematic and overly faithful style that characterized the early adaptations by Merchant Ivory Productions. Offering a close reading of Forster's novel and an analysis of Ivory's distinctive visual style, Richard Robbins's indelible score, and the performances of James Wilby, Hugh Grant, and Rupert Graves, David Greven argues that the film is a model of sympathetic adaptation. This study champions the film as the finest of the Merchant Ivory works, making a case for Ivory's underappreciated talents as a director of great subtlety and intelligence, and for the film as one worth recuperating from its detractors. Understanding Maurice as a fully realized work of art and adaptation, this volume offers insight into how a stunning novel of gay love became a classic of queer film.

Lines up David Lodge's trio of comic novels that revolve around the University of Rummidge and the lives of its role-swapping academics. David Lodge exposes the dizzy pursuit of knowledge - literary, commercial, romantic and erotic - with unparalleled wit and insight.

With the sun finally setting on that wondrous earthy paradise that is Blandings, Vicky Underwood finds herself forcibly parted from her beloved, Jeff Bennison. Her Uncle Galahad turns his not inconsiderable talents to reuniting the love-birds. Wodehouse's final chronicle of Blandings is unfinished, but three Wodehouse admirers have supplied a treasure trove of notes and plot details, providing fascinating insights into the mind of the author.

At the center of this hugely comic tale of "free enterprise" America stands JR--an eleven-year-old capitalist, eagerly following the example of the grasping world around him. Operating through pay phones and post-office money orders, JR inadvertently parlays a shipment of Navy surplus picnic forks, a defaulted bond issue, and a single share of common stock into a vast paper empire embracing timber, mineral and natural gas rights, publishing, and a brewery. At once a novel of epic comedy and a biting satire of the American dream, JR displays the style and extraordinary inventiveness that has made Gaddis one of the most acclaimed writers of our time.

Everyone knows about the immaculate conception and the crucifixion. But what happened to Jesus between the manger and the Sermon on the Mount? In this hilarious and bold satirical novel, the acclaimed Christopher Moore shares the greatest story never told: the life of Christ as seen by his boyhood pal, Biff. Just what was Jesus doing during the many years that have gone unrecorded in the Bible? Biff was there at his side, and now after two thousand years, he shares those good, bad, ugly, and miraculous times. Screamingly funny, audaciously fresh, this work of religious satire rivals the best of Tom Robbins and Carl Hiaasen, and is sure to please this gifted writer’s fans and win him legions more.