Recommendations based on "In the Skin of a Lion"

Two of Steinbeck's best-known short novels depict an assortment of characters who inhabit the outer fringes of society

Mitch Albom creates his most unforgettable fictional character—Frankie Presto, the greatest guitarist to ever walk the earth—in this magical novel about the bands we join in life and the power of talent to change our lives.In his most stunning novel yet, the voice of Music narrates the tale of its most beloved disciple, young Frankie Presto, a war orphan raised by a blind music teacher in a small Spanish town. At nine years old, Frankie is sent to America in the bottom of a boat. His only possession is an old guitar and six precious strings.But Frankie’s talent is touched by the gods, and his amazing journey weaves him through the musical landscape of the 20th century, from classical to jazz to rock and roll, with his stunning talent affecting numerous stars along the way, including Hank Williams, Elvis Presley, Carole King, Wynton Marsalis and even KISS.Frankie becomes a pop star himself. He makes records. He is adored. But his gift is also his burden, as he realizes, through his music, he can actually affect people’s futures—with one string turning blue whenever a life is altered.At the height of his popularity, Frankie Presto vanishes. His legend grows. Only decades later, does he reappear—just before his spectacular death—to change one last life.With its Forest Gump-like romp through the music world, The Magic Strings of Frankie Presto is a classic in the making. A lifelong musician himself, Mitch Albom delivers a remarkable novel, infused with the message that “everyone joins a band in this life” and those connections change us all.

Their eyes met across a crowded room. She was just a poor servant girl and he was the son of a rich industrialist. Er, no, this is a Christopher Brookmyre novel, although the eyes meeting across a crowded room part is true. Where it differs from the fairy tales is that the room in question was crowded with hostages and arme d bank-robbers, and his eyes were the only part of him she could see behind the mask. He is an art-thief par excellence and she is a connoisseur of crooks. Her job is to hunt him to extinction; his is to avoid being caught and he also has a secret agenda more valuable than anything he might steal. There are risks he can take without jeopardising his plans. He can afford to play cat-and-mouse with the female cop who's on his tail; it might even arguably be necessary. What he can't afford is to let her get too close: he could could end up in jail or, even more scary, he could end up in love

Dazzling, enchanting and epic, The Bells is the confession of a thief, kidnapper and unlikely lover — a boy with the voice of an angel whose exquisite sense of hearing becomes both his life's tragic curse and its greatest blessing.Moses Froben was born in a belfry high in the Swiss Alps, the bastard son of a deaf-mute woman banished to the church tower to ring each day the Loudest and Most Beautiful Bells in the land. His life is simple but he is content, until the day his father recognizes Moses's singular sense of hearing and its power to expose his sins. Cast into the world with only his ears to protect and guide him, Moses finds refuge in the choir of the great Abbey of St. Gall and becomes its star singer, only to endure the horrifying act of castration meant to preserve his angelic voice and turn him into a musico.In a letter to his son, Moses recounts his humble birth in eighteenth-century Switzerland and his life as a novice monk, and tells of the two noble friends — and a forbidden lover — whom he cherished during his chaotic years in Mozart's Vienna as apprentice to the great Gaetano Guadagni, and even as he ascended Europe's most celebrated stages as Lo Svizzero. But in this letter he will also reveal the astonishing secrets of his past and answer the question that has shadowed his fame: how did Moses Froben, world-renowned musico, come to raise a son who by all rights he could never have sired?

Artemis is no stranger to trouble. In fact he's a magnet for it. Now his mother is gravely ill. Artemis Fowl must travel back through time to steal the cure from the clutches of the young criminal mastermind ... Artemis Fowl. That's right, with fairy ally Captain Holly Short by his side, Artemis is going back in time to do battle with himself. Suggested level: intermediate, junior secondary.

The latest book in Alexander McCall Smith's entertaining and hilarious Professor von Igelfeld seriesProfessor Moritz-Maria von Igelfeld is not just any German professor - he is the author of that great work of scholarship, Portuguese Irregular Verbs. His eminence in language studies is widely recognised, even if it is rarely acknowledged by his colleague, Professor Detlev-Amadeus Unterholzer, author of a much less important work on the subjunctive. Their rivalry bubbles away under the surface, but is apt to come into the open if something unusual disturbs the calm waters of the institute in Regensburg in which they both work.One such event is the arrival from New Orleans of two visiting scholars. These ladies, Professor Pom Pom Boisseau, and her friend, Professor Alice Martinique, are both experts in the Provençal language as well as being keen bikers. When they choose to arrive on large, noisy motorbikes, Unterholzer is shocked, but von Igelfeld is rather taken with Pom Pom. In fact, he is very taken with her, even to the extent of going for a ride with her on her motorbike.Anybody can tell that this infatuation will lead to disappointment, if not worse. But for von Igelfeld, disasters often arrive in twos and threes. The great professor is invited to attend a student occasion in which the old habit of duelling rears its head. He is handed a sword...Von Igelfeld may suffer humiliation after humiliation, but at the end of it all there is the promise of a visit to Louisiana, a culinary paradise, where important research is being undertaken into communication among oysters.

Nothing goes right for Jack all day long. He can't find his favorite sneakers, he spills milk on his math homework, and worst of all, he gets tuna fish for lunch. Will things ever get better?Readers will learn how to tell when something is certain, more likely, less likely, or impossible as Jack keeps hoping his streak of bad luck will break. Maybe, just maybe, pistachio ice cream for dessert will do the trick. But will it happen? Considering how Jack's day has been going, PROBABLY NOT!

Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.

“Only a fool would pass this one up.” —Laurie R. King In 1205, Theophilos—a fool by trade, a family man by choice, and a spy by design—belongs, along with his family, to the Fools’ Guild, a group that secretly maintains the fragile order of society. In Toulouse, that order is threatened when, unexpectedly, a man claiming to be a full brother of the ruling count is found one morning in a local bordello next to a dead whore, killed with his own sword. Now, Theophilos and his family must uncover the truth.

Book 14 in the delightful 44 Scotland Street series, by worldwide bestselling author Alexander McCall Smith At the bottom of a sharply descending street - in the topographical sense - in Edinburgh's Georgian New Town, new residents have moved in to number 44 Scotland Street, joining the already well-known and much-loved denizens of that remarkable building. They appear to be a bit of a mystery, but so, too, do other things. What exactly did Sister Maria-Fiore, the aphorism-coining socialite nun, find on the No. 23 bus? Could it be the remains of a hitherto unknown Neanderthal, homo Watsoniensis? On the romantic front, long-suffering Stuart's hopes of kindling a new relationship are dashed, thanks to chino-wearing narcissist Bruce, effortlessly exercising his powers of charm. The Promised Land beckons for Bertie who is off to Glagow for a school exchange that takes him doon the watter. Back in Edinburgh, the Duke of Johannesburg's desire to learn a new language, involving his Gaelic-speaking driver Padruig, has gone horribly wrong; to be immersed in a language, it seems, can be a captivating linguistic mistake. And the patrons of Big Lou's cafe are in for a gastronomic treat. In other words, everything in Edinburgh is absolutely normal. 'Perfect escapism' Sunday Times, South Africa 'A vividly surreal cast of outlandish characters [and] McCall Smith's wonderfully wry delivery' Scottish Field