Recommendations based on "In the Name of Identity: Violence and the Need to Belong"

#1 New York Times Bestseller and #1 International Bestseller • Now a Peacock Original Series starring Harvey Keitel and Melanie LynskeyThis beautiful, illuminating tale of hope and courage is based on interviews that were conducted with Holocaust survivor and Auschwitz-Birkenau tattooist Ludwig (Lale) Sokolov—an unforgettable love story in the midst of atrocity.“The Tattooist of Auschwitz is an extraordinary document, a story about the extremes of human behavior existing side by side: calculated brutality alongside impulsive and selfless acts of love. I find it hard to imagine anyone who would not be drawn in, confronted and moved. I would recommend it unreservedly to anyone, whether they’d read a hundred Holocaust stories or none.”—Graeme Simsion, internationally-bestselling author of The Rosie ProjectIn April 1942, Lale Sokolov, a Slovakian Jew, is forcibly transported to the concentration camps at Auschwitz-Birkenau. When his captors discover that he speaks several languages, he is put to work as a Tätowierer (the German word for tattooist), tasked with permanently marking his fellow prisoners.Imprisoned for over two and a half years, Lale witnesses horrific atrocities and barbarism—but also incredible acts of bravery and compassion. Risking his own life, he uses his privileged position to exchange jewels and money from murdered Jews for food to keep his fellow prisoners alive.One day in July 1942, Lale, prisoner 32407, comforts a trembling young woman waiting in line to have the number 34902 tattooed onto her arm. Her name is Gita, and in that first encounter, Lale vows to somehow survive the camp and marry her.A vivid, harrowing, and ultimately hopeful re-creation of Lale Sokolov's experiences as the man who tattooed the arms of thousands of prisoners with what would become one of the most potent symbols of the Holocaust, The Tattooist of Auschwitz is also a testament to the endurance of love and humanity under the darkest possible conditions.

As millions of people around the world who have read her diary attest, Anne Frank, the most familiar victim of the Holocaust, has a remarkable place in contemporary memory. Anne Frank Unbound looks beyond this young girl’s words at the numerous ways people have engaged her life and writing. Apart from officially sanctioned works and organizations, there exists a prodigious amount of cultural production, which encompasses literature, art, music, film, television, blogs, pedagogy, scholarship, religious ritual, and comedy. Created by both artists and amateurs, these responses to Anne Frank range from veneration to irreverence. Although at times they challenge conventional perceptions of her significance, these works testify to the power of Anne Frank, the writer, and Anne Frank, the cultural phenomenon, as people worldwide forge their own connections with the diary and its author.

The life-changing story of a young boy’s struggle for survival in a Nazi-run concentration camp.Narrated in the voice of Holocaust survivor Jack Mandelbaum, this harrowing true story includes black-and-white photos from the archives of the U.S. Holocaust Memorial Museum.When twelve-year-old Jack Mandelbaum is separated from his family and shipped off to the Blechhammer concentration camp, his life becomes a never-ending nightmare. With minimal food to eat and harsh living conditions threatening his health, Jack manages to survive by thinking of his family.In this Robert F. Silbert Honor book, readers will glimpse the dark reality of life during the Holocaust, and how one boy made it out alive.William Allen White Award WinnerRobert F. Silbert HonorALA Notable Children’s BookVOYA Nonfiction Honor Book

Solzhenitsyn's gripping epic masterpiece, the searing record of four decades of Soviet terror and oppression, in one abridged volume, authorized by the author

Hannah Arendt’s definitive work on totalitarianism—an essential component of any study of twentieth-century political history—now with a new introduction by Anne Applebaum.In recent years, The Origins of Totalitarianism has become essential reading as we grapple with the rise of autocrats and tyrannical thought across the globe.The book begins with the rise of anti-Semitism in central and western Europe in the 1800s and continues with an examination of European colonial imperialism from 1884 to the outbreak of World War I.Hannah Arendt then explores the institutions and operations of totalitarian movements, focusing on the two genuine forms of totalitarian government in our time, Nazi Germany and Stalinist Russia, which she adroitly recognizes were two sides of the same coin, rather than opposing philosophies of Right and Left. From this vantage point, she discusses the evolution of classes into masses, the role of propaganda in dealing with the nontotalitarian world, the use of terror, and the nature of isolation and loneliness as preconditions for total domination.This edition includes an introduction by Anne Applebaum—a leading voice on authoritarianism and Russian history—who fears that “once again, we are living in a world that Arendt would recognize.”

Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories—multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large. In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.

Now is the sixth shocking, funny and heartbreaking book in Morris Gleitzman's Second World War series. Sometimes facing the past is the bravest act of all... ONCE I didn't know about my grandfather Felix's scary childhood. THEN I found out what the Nazis did to his best friend Zelda. NOW I understand why Felix does the things he does. At least he's got me. My name is Zelda too. This is our story. Now is the sixth in a series of children's novels about Felix, a Jewish orphan caught in the middle of the Holocaust, from Australian author Morris Gleitzman. The other books in the sequence, Once, Then, After, Soon and Maybe are also available from Puffin.

Since the establishment of the state of Israel in 1948, Palestinians have spread out across the region - in Egypt, Lebanon, Syria, Jordan, as well as the occupied territories of Israel itself. Beginning with World War I, and across the geographical borders of their diaspora, this volume explores the evolution of a Palestinian national identity that developed in spite of, and in some cases because of, the obstacles it faced. It illuminates the sources of collective Palestinian identity from the late Ottoman Empire onward: religious beliefs; ethnic backgrounds; local loyalties; education; and external forces such as Zionism.

"How extraordinary it is that compassion and tenderness may flourish in the cruellest conditions; how stubbornly and bravely people survive them. This is not a depressing book but an inspiriting and encouraging one." —Doris Lessing"The sixteen life stories are riveting. . . . testimony to the complexity of the human spirit[,] to miracles of survival and endurance in the most hellish of conditions. . . . Till My Tale Is Told remind[s] us of the importance of remembrance and testimony about this particularly brutal chapter of human history."—The Women's Review of BooksArrest, interrogation, imprisonment, trial and sentencing, transport, labor camps, internal exile, sometimes release, often followed by re-arrest and re-imprisonment and, for those who outlived Stalin, eventual reprieve and rehabilitation these are the outlines of the experiences recorded by 16 courageous Russian women whose moving testimonies, most of them written in secret and at great personal risk, are presented here.

This insightful volume offers a radical reassessment of the infamous “Gulag Archipelago” by exploring the history of Vorkuta, an arctic coal-mining outpost originally established in the 1930s as a prison camp complex. Author Alan Barenberg’s eye-opening study reveals Vorkuta as an active urban center with a substantial nonprisoner population where the borders separating camp and city were contested and permeable, enabling prisoners to establish social connections that would eventually aid them in their transitions to civilian life. With this book, Barenberg makes an important historical contribution to our understanding of forced labor in the Soviet Union and its enduring legacy.