Recommendations based on "How Not to Drown in a Glass of Water: A Novel"

In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies… a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming.Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach is her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life.But these are human concerns. These are the concerns of those confined to land, those with legs. Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Creatures that called sailors to their doom. That dragged them down and drowned them. That feasted on their flesh. The creature that she’s always longed to become: the mermaid.Ren aches to be in the water. She dreams of the scent of chlorine, the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill.

A National Indie BestsellerWinner of the National Book Critics Circle Award, the Story Prize, and a Windham-Campbell Literature PrizeA Best Book of the Year at The New York Times, The New Yorker, Vogue, Houston Chronicle, Roxane Gay’s The Audacity, Mashable, Polygon, Kirkus Reviews, and Library JournalA New York Times Book Review Editor’s Choice“Uncanny and haunting . . . Genius.” ―Michele Filgate, The Washington Post“Dazzling.” ―Maureen Corrigan, NPR’s Fresh AirWhat happens when fantasy tears the screen of the everyday to wake us up? Could that waking be our end?In Bliss Montage, Ling Ma brings us eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home. A woman lives in a house with all her ex-boyfriends. A toxic friendship grows up around a drug that makes you invisible. An ancient ritual might heal you of anything―if you bury yourself alive.These and other scenarios investigate the ways that the outlandish and the ordinary are shockingly, deceptively, heartbreakingly alike.

“Catherine Newman sees the heartbreak and comedy of life with wisdom and unflinching compassion. The way she finds the extraordinary in the everyday is nothing short of poetry. She’s a writer’s writer—and a human’s human.”—New York Times bestselling author Katherine Center“A riotously funny and fiercely loyal love letter to female friendship. The story of Edi and Ash proves that a best friend is a gift from the gods. Newman turns her prodigious talents toward finding joy even in the friendship’s final days. I laughed while crying, and was left revived. Newman is a comic masterhand and a dazzling philosopher of the day-to-day.”—Amity Gaige, author of Sea Wife“The funniest, most joyful book about dying—and living—that I have ever read.”—KJ Dell'Antonia, author of the New York Times bestselling The Chicken SistersFor lovers of Meg Wolitzer, Maria Semple, and Jenny Offill comes this raucous, poignant celebration of life, love, and friendship at its imperfect and radiant best.Edith and Ashley have been best friends for over forty-two years. They’ve shared the mundane and the momentous together: trick or treating and binge drinking; Gilligan’s Island reruns and REM concerts; hickeys and heartbreak; surprise Scottish wakes; marriages, infertility, and children. As Ash says, “Edi’s memory is like the back-up hard drive for mine.”But now the unthinkable has happened. Edi is dying of ovarian cancer and spending her last days at a hospice near Ash, who stumbles into heartbreak surrounded by her daughters, ex(ish) husband, dear friends, a poorly chosen lover (or two), and a rotating cast of beautifully, fleetingly human hospice characters.As The Fiddler on the Roof soundtrack blasts all day long from the room next door, Edi and Ash reminisce, hold on, and try to let go. Meanwhile, Ash struggles with being an imperfect friend, wife, and parent—with life, in other words, distilled to its heartbreaking, joyful, and comedic essence.For anyone who’s ever lost a friend or had one. Get ready to laugh through your tears.

Hello and welcome to my book. Inside you will × The smell of honeysuckle× Heartbreak× A French-kissing rabbit× A haunted house× Death× A vagina singing sad old songs× Young geraniums in an ancient castle× Birth× A dog who appears in dreams as a spiritual guide× Divorce× Electromagnetic energy fields× Emotional horniness× The ghost of a sea captain× And moreI hope you enjoy these little weirds.Love,Jenny Slate

A BEST BOOK OF THE YEAR: The New Yorker · NPR · WBEZ’s Nerdette · The New York Public Library · Literary HubA New York Times Editors’ Choice“One of the most passionate cases I’ve ever read for female interiority, for women’s creative pulse and rich inner life.” ―Katy Waldman, The New Yorker“Always expect the unexpected when you’re not expecting.” ―Sloane CrosleyA woman in Tokyo avoids harassment at work by perpetuating, for nine months and beyond, the lie that she’s pregnant in this prizewinning, thrillingly subversive debut novel about the mother of all deceptions, for fans of Convenience Store Woman and Breasts and EggsWhen thirty-four-year-old Ms. Shibata gets a new job to escape sexual harassment at her old one, she finds that as the only woman at her new workplace—a manufacturer of cardboard tubes—she is expected to do all the menial tasks. One day she announces that she can’t clear away her coworkers’ dirty cups—because she’s pregnant and the smell nauseates her. The only thing is . . . Ms. Shibata is not pregnant.Pregnant Ms. Shibata doesn’t have to serve coffee to anyone. Pregnant Ms. Shibata isn’t forced to work overtime. Pregnant Ms. Shibata watches TV, takes long baths, and even joins an aerobics class for expectant mothers. She’s living a year of rest and relaxation, and is finally being treated by her colleagues as more than a hollow core. But she has a ruse to keep up. Before long, it becomes all-absorbing, and with the help of towel-stuffed shirts and a diary app that tracks every stage of her “pregnancy,” the boundary between her lie and her life begins to dissolve.Surreal and absurdist, and with a winning matter-of-factness, a light touch, and a refreshing sensitivity to mental health, Diary of a Void will keep you turning the pages to see just how far Ms. Shibata will carry her deception for the sake of women, and especially working mothers, everywhere.

A Finalist for the 2016 National Book AwardNew York Times BestsellerA SeattleTimes pick for Summer Reading Roundup 2017The acclaimed New York Times bestselling and National Book Award–winning author of Brown Girl Dreaming delivers her first adult novel in twenty years.Running into a long-ago friend sets memory from the 1970s in motion for August, transporting her to a time and a place where friendship was everything—until it wasn’t. For August and her girls, sharing confidences as they ambled through neighborhood streets, Brooklyn was a place where they believed that they were beautiful, talented, brilliant—a part of a future that belonged to them.But beneath the hopeful veneer, there was another Brooklyn, a dangerous place where grown men reached for innocent girls in dark hallways, where ghosts haunted the night, where mothers disappeared. A world where madness was just a sunset away and fathers found hope in religion.Like Louise Meriwether’s Daddy Was a Number Runner and Dorothy Allison’s Bastard Out of Carolina, Jacqueline Woodson’s Another Brooklyn heartbreakingly illuminates the formative time when childhood gives way to adulthood—the promise and peril of growing up—and exquisitely renders a powerful, indelible, and fleeting friendship that united four young lives.

Winner of the 2023 PEN/Faulkner Award for FictionLong-listed for the 2023 Andrew Carnegie Medal for Excellence in FictionA New York Times Book Review Editors’ ChoiceA Slate Top Ten Book of the YearA TIME Best Fiction Book of 2022Named a Best Book of the Year by The New Yorker, NPR, Los Angeles Times, The Guardian, Los Angeles Review of Books, Financial Times, San Francisco Chronicle, LitHub, Buzzfeed, and more.A magnificent, beguiling tale winding from the postwar rural provinces to Paris, from an English boarding school to the quiet Pennsylvania home where a woman can live without her past, The Book of Goose is a story of disturbing intimacy and obsession, of exploitation and strength of will, by the celebrated author Yiyun Li.Fabienne is dead. Her childhood best friend, Agnès, receives the news in America, far from the French countryside where the two girls were raised―the place that Fabienne helped Agnès escape ten years ago. Now Agnès is free to tell her story.As children in a war-ravaged backwater town, they’d built a private world, invisible to everyone but themselves―until Fabienne hatched the plan that would change everything, launching Agnès on an epic trajectory through fame, fortune, and terrible loss.

FINALIST FOR THE 2023 BOOKER PRIZE. LONGLISTED FOR THE 2022 NATIONAL BOOK AWARD FOR FICTION.Finalist for the 2023 Pen/Faulkner Award, the DUBLIN Literary Award, the Southern Book Award, and the Gordon Burns Award. Nominated for the 2022 National Book Critics Circle John Leonard Prize, the 2023 Pen/Jean Stein Open Book Award, the 2023 Pen/Bingham Prize, the 2022 Story Prize, the Dublin Literary Prize, the 2023 Carnegie Medal for Excellence in Fiction, the 2023 Brooklyn Library Prize, and the 2023 Aspen Words Literary Prize. National Bestseller. IndieNext Pick. One of The New York Times Book Review's 100 Notable Books of 2022.“If I Survive You is a collection of connected short stories that reads like a novel, that reads like real life, that reads like fiction written at the highest level.” ―Ann PatchettA major debut, blazing with style and heart, that follows a Jamaican family striving for more in Miami, and introduces a generational storyteller.In the 1970s, Topper and Sanya flee to Miami as political violence consumes their native Kingston. But America, as the couple and their two children learn, is far from the promised land. Excluded from society as Black immigrants, the family pushes on through Hurricane Andrew and later the 2008 recession, living in a house so cursed that the pet fish launches itself out of its own tank rather than stay. But even as things fall apart, the family remains motivated, often to its own detriment, by what the younger son, Trelawny, calls “the exquisite, racking compulsion to survive.”Masterfully constructed with heart and humor, the linked stories in Jonathan Escoffery’s If I Survive You center on Trelawny as he struggles to carve out a place for himself amid financial disaster, racism, and flat-out bad luck. After a fight with Topper, Trelawny claws his way out of homelessness through a series of odd, often hilarious jobs. Meanwhile, his brother, Delano, attempts a disastrous cash grab to get his kids back, and his cousin Cukie looks for a father who doesn’t want to be found. As each character searches for a foothold, they never forget the profound danger of climbing without a safety net.Pulsing with vibrant lyricism and inimitable style, sly commentary and contagious laughter, Escoffery’s debut unravels what it means to be in between homes and cultures in a world at the mercy of capitalism and whiteness. With If I Survive You, Escoffery announces himself as a prodigious storyteller in a class of his own, a chronicler of American life at its most gruesome and hopeful.

In this “deeply original” (Elif Batuman) and “violently funny” (Myriam Gurba) story, a young lawyer finally confronts her dark past so she can live in a more peaceful future. To the outside observer, Vivian is a success story—a dedicated lawyer who advocates for mentally ill patients at a New York City psychiatric hospital. Privately, Vivian contends with the memories and aftereffects of her bad childhood—compounded by the everyday stresses of being a Black Latinx woman in America. She lives in a constant state of hypervigilant awareness that makes even a simple subway ride into a heart-pounding drama.For years, Vivian has self-medicated with a mix of dating, dieting, dark humor and smoking weed with her BFF, Jane. But after a family reunion prompts Vivian to take a bold step, she finds herself alone in new and terrifying ways, without even Jane to confide in, and she starts to unravel. Will she find a way to repair what matters most to her?A debut from a stunning talent, Post-traumatic is a new kind of survivor narrative, featuring a complex heroine who is blazingly, indelibly alive. With razor-sharp prose and mordant wit, Chantal V. Johnson performs an extraordinary feat, delivering a psychologically astute story about the aftermath of trauma that somehow manages to brim with warmth, laughter, and hope.

"Both a wicked satire of the literary élite and an exploration of art and violence . . . Terrifying, brilliant, and dangerous." ―The New YorkerMona, a Peruvian writer based in California, presents a tough and sardonic exterior. She likes drugs and cigarettes, and when she learns that she is something of an anthropological curiosity―a woman writer of color treasured at her university for the flourish of rarefied diversity she brings―she pokes fun at American academic culture and its fixation on identity.When she is nominated for “the most important literary award in Europe,” Mona sees a chance to escape her downward spiral of sunlit substance abuse and erotic distraction, so she trades the temptations of California for a small, gray village in Sweden, close to the Arctic Circle. Now she is stuck in the company of all her jet-lagged―and mostly male―competitors, arriving from Japan, France, Armenia, Iran, and Colombia. Isolated as they are, the writers do what writers do: exchange compliments, nurse envy and private resentments, stab rivals in the back, and hop in bed together. All the while, Mona keeps stumbling across the mysterious traces of a violence she cannot explain.As her adventures in Scandinavia unfold, Mona finds that she has not so much escaped her demons as locked herself up with them in the middle of nowhere. In Mona, Pola Oloixarac paints a hypnotic, scabrous, and ultimately jaw-dropping portrait of a woman facing down a hipster elite to which she does and does not belong. A survivor of both patronization and bizarre sexual encounters, Mona is a new kind of feminist. But her past won’t stay past, and strange forces are working to deliver her the test of a lifetime.