Recommendations based on "Horatio Nelson and His Victory"

The American West, 1860-1890: years of broken promises, disillusionment, war and massacre. Beginning with the Long Walk of the Navajos and ending with the massacre of Sioux at Wounded Knee, this extraordinary book tells how the American Indians lost their land, lives and liberty to white settlers pushing westward. Woven into a an engrossing saga of cruelty, treachery and violence are the fascinating stories of such legendary figures as Sitting Bull, Cochise, Crazy Horse and Geronimo. First published in 1970, Dee Brown's brutal and compelling narrative changed the way people thought about the original inhabitants of America, and focused attention on a national disgrace.

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review“Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah DailyWinner of the Anisfield-Wolf Book Award, the Dayton Literary Peace Prize, and the Dr. Tony Ryan Book Award · Finalist for the Chautauqua Prize · A Massachusetts Book Award Honor BookA discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American historyKentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack.New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

1939 COPYRIGHT. OUR COPY HAS A DIFFERENT COVER THAN STOCK PHOTO SHOWN, AND IT WAS PUBLISHED BY LITTLE, BROWN & CO. PLEASE SEE OUR SCAN. FORMER LIBRARY BOOK WITH USUAL STAMPS & MARKINGS. SCUFFING & EDGE WEAR ON COVERS/SPINE. AGE RELATED TANNING INSIDE COVERS AND ON PAGES. MUSTY ODOR. SOME CRAYON MARKING ON PAGES, NOT AFFECTING READABILITY.

This revision of the acclaimed and widely assigned Norton Critical Edition of Frederick Douglass’s great autobiography Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself includes key examples of literary and cultural analyses that have engaged scholars over the last three decades. This Norton Critical Edition includes:- Frederick Douglass’s 1845 Narrative, the most influential autobiography of its kind.- A preface and explanatory footnotes by William L. Andrews and William S. McFeely.- Contemporary perspectives by Douglass, Margaret Fuller, James Monroe Gregory, and Elizabeth Cady Stanton.- Essays by William L. Andrews, William S. McFeely, Henry Louis Gates, Jr., Deborah E. McDowell, Houston A. Baker, Jr., Jeannine Marie DeLombard, and Robert D. Richardson, Jr.- A Chronology and a Selected Bibliography.

"Four score and seven years ago..." begins Abraham Lincoln's beautiful speech commemorating the three-day battle that turned the tide of the Civil War. The South had been winning up to this point. So how did Union troops stop General Robert E. Lee's invasion of the North? With black-and-illustrations throughout and sixteen pages of photos, this turning point in history is brought vividly to life.

With interest in nautical adventure stories reaching unprecedented heights -- as evidenced by the success of The Perfect Storm, Patrick O'Brian's bestselling Aubrey/Maturin novels, the Titanic phenomenon, etc. -- now is the ideal time for readers to rediscover the pleasures and excitement of C. S. Forester's epic saga of turmoil and triumph on the high seas.

At the turn of the century, Colorado's Cripple Creek District captured the national imagination with the extraordinary wealth of its gold mines and the unquestionable strength of the militant Western Federation of Miners.In All That Glitters, Elizabeth Jameson tells the better-than-fiction story of Cripple Creek, the scene in 1894 of one of radical labor's most stunning victories and in 1903-4 of one of its most crushing defeats.Jameson's sources include working-class oral histories, the Victor and Cripple Creek Daily Press, published by thirty-four of the local labor unions, and the 1900 manuscript census. She connects unions with lodges and fraternal associations, ethnic identity, families, households, and partisan politics. Through these ties, she probes the differences in age, skill, gender, marital status, and ethnicity that strained working class unity and contributed to the fall of labor in Cripple Creek.Jameson's book will be required reading for western, ethnic, and working-class historians seeking an alternative interpretation of western mining struggles that emphasizes class, gender, and multiple sources of social identity.

Discusses the causes and consequences of the battles which marked the beginning of the American revolution, in April 1775, after local militiamen were warned by Paul Revere that British troops had set out from Boston.

On September 28, 1863, the Galveston Tri-Weekly News caught its readers' attention with an item headlined "A Yankee Note-Book." It was the first installment of a diary confiscated from U.S. Marine Henry O. Gusley, who had been captured at the Battle of Sabine Pass. Gusley's diary proved so popular with readers that they clamored for more, causing the newspaper to run each excerpt twice until the whole diary was published. For many in Gusley's Confederate readership, his diary provided a rare glimpse into the opinions and feelings of an ordinary Yankee—an enemy whom, they quickly discovered, it would be easy to regard as a friend.This book contains the complete text of Henry Gusley's Civil War diary, expertly annotated and introduced by Edward Cotham. One of the few journals that have survived from U.S. Marines who served along the Gulf Coast, it records some of the most important naval campaigns of the Civil War, including the spectacular Union success at New Orleans and the embarrassing defeats at Galveston and Sabine Pass. It also offers an unmatched portrait of daily life aboard ship. Accompanying the diary entries are previously unpublished drawings by Daniel Nestell, a doctor who served in the same flotilla and eventually on the same ship as Gusley, which depict many of the locales and events that Gusley describes.Together, Gusley's diary and Nestell's drawings are like picture postcards from the Civil War—vivid, literary, often moving dispatches from one of "Uncle Sam's nephews in the Gulf."

When Norman Maclean sent the manuscript of A River Runs through It and Other Stories to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, “it has trees in it.” Forty years later, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture—for fly-fishing, for the woods, for the interlocked beauty of life and art—A River Runs through It has established itself as a classic of the American West. This new edition will introduce a fresh audience to Maclean’s beautiful prose and understated emotional insights. Elegantly redesigned, A River Runs through It includes a new foreword by Robert Redford, director of the Academy Award-winning 1992 film adaptation of River. Based on Maclean’s own experiences as a young man, the book’s two novellas and short story are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly-fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean’s own words, “a little of the love I have for the earth as it goes by.”