Recommendations based on "Home"

The third volume ―the book that made Karl Ove Knausgaard a phenomenon in the United States―in the addictive New York Times bestselling series, My Struggle.A family of four―mother, father, and two boys―move to the south coast of Norway, to a new house on a newly developed site. It is the early 1970s and the family's trajectory is upwardly mobile: the future seems limitless. In painstaking, sometimes self-lacerating detail, Karl Ove Knausgaard paints a world familiar to anyone who can recall the intensity and novelty of childhood experience, one in which children and adults lead parallel lives that never meet.Perhaps the most Proustian in the series, My Struggle: Book 3 gives us Knausgaard's vivid, technicolor recollections of childhood, his emerging self-understanding, and the multilayered nature of time's passing, memory, and existence.

In her first book, the popular From the Front Porch podcast host and independent bookstore owner challenges the idea that loud lives are the ones that matter most, reminding us that we don't have to leave the lives we have in order to have the lives of which we've always dreamed.Can life be an adventure, even when it’s just . . . ordinary?Annie Jones always assumed adulthood would mean adventure: a high-powered career; life in a big, bustling city; and travels to far-flung places she’d longed to see. But her reality turned out differently. As the years passed, Annie was still in the same small town running an independent bookstore —the kind of life Nora Ephron dreamed.During that time, she hosted friends’ goodbye parties and mailed parting gifts; wrote recommendation letters and wished former shop staffers well. She stayed in her small town, despite her love of big cities; stayed in her marriage to the guy she met when she was 18; and she stayed at her bookstore while the world outside shifted steadily toward digital retailers. And she stayed loyal to a faith she sometimes didn’t recognize.After ten years, Annie realized she might never leave. But instead of regret, she had an epiphany. She awakened to the gifts of a quiet life spent staying put.In Ordinary Time, Annie challenges the idea that loud lives matter most. Rummaging through her small-town existence, she finds hidden gifts of humor and hope from a life lived quietly. Staying, can itself be a radical act. It takes courage to stay in the places we’ve always called home, Jones argues, as she paints a portrait of possibility far away from thriving metropolises and Monica Gellar-inspired apartments.We’ve long been encouraged to follow our dreams, to pack up and move to new places and leave old lives—and past selves—behind. While there is beauty in these kinds of adventures, Ordinary Time helps us see ourselves right where we are: in the middle of messy, mundane lives, maybe not too far from where we grew up. We don’t have to leave to find what we yearn—we can choose to stay, celebrating and honoring our ordinary lives, which might turn out to be bigger and better than we ever imagined.

WINNER OF THE NATIONAL BOOK AWARDIt was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-Second Street, and eventually to the celebrated round table of Max’s Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous, the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years.Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists’ ascent, a prelude to fame.

That's the good thing with stories. There's always a chance they can come true. Felix is lucky. Unlike the other children in the orphanage, he's certain his parents will come back for him one day. And whatever the Nazis do and however many books they burn, Felix's imagination provides him and his companions with an endless supply of stories - stories that protect them when they're on the run, shield them from the violent madness all around, give them hope when all seems lost, and one day may even save Felix's life. Once & Then is a spellbinding story of hope and imagination in the most terrible circumstances. However my story turns out, I'll never forget how lucky I am.

What if you had just one chance, one letter you could leave behind for the person you love?What would you write?Stella Carey has good reason to only work nights at the hospice where she is a nurse. Married to a war veteran who has returned from Afghanistan brutally injured, Stella leaves the house each night as her husband Vincent, locks himself away, unable to sleep due to Post Traumatic Stress Disorder.During her nights at the hospice, Stella writes letters for her patients containing their final wishes, thoughts and feelings – from how to use a washing machine, to advice on how to be a good parent – and usually she delivers each letter to the recipient after he or she has died.That is until Stella writes one letter that she feels compelled to deliver in time to give her patient one final chance of redemption…

Hundreds of thousands were enthralled by the luminous voice of John Ames in Gilead, Marilynne Robinson's Pulitzer Prize–winning novel. Home is an entirely independent, deeply affecting novel that takes place concurrently in the same locale, this time in the household of Reverend Robert Boughton, Ames's closest friend.Glory Boughton, aged thirty-eight, has returned to Gilead to care for her dying father. Soon her brother, Jack―the prodigal son of the family, gone for twenty years―comes home too, looking for refuge and trying to make peace with a past littered with tormenting trouble and pain.Jack is one of the great characters in recent literature. A bad boy from childhood, an alcoholic who cannot hold a job, he is perpetually at odds with his surroundings and with his traditionalist father, though he remains Boughton's most beloved child. Brilliant, lovable, and wayward, Jack forges an intense bond with Glory and engages painfully with Ames, his godfather and namesake.Home is a moving and healing book about families, family secrets, and the passing of the generations, about love and death and faith. It is Robinson's greatest work, an unforgettable embodiment of the deepest and most universal emotions.Home is a 2008 National Book Award Finalist for Fiction.

Born into the beautiful bedlam of downtown New York in the eighties, iO Tillett Wright came of age at the intersection of punk, poverty, heroin, and art. This was a world of self-invented characters, glamorous superstars, and strung-out sufferers, ground zero of drag and performance art. Still, no personality was more vibrant and formidable than iO’s mother’s. Rhonna, a showgirl and young widow, was a mercurial, erratic glamazon. She was iO’s fiercest defender and only authority in a world with few boundaries and even fewer indicators of normal life. At the center of Darling Days is the remarkable relationship between a fiery kid and a domineering ma—a bond defined by freedom and control, excess and sacrifice; by heartbreaking deprivation, agonizing rupture, and, ultimately, forgiveness.Darling Days is also a provocative examination of culture and identity, of the instincts that shape us and the norms that deform us, and of the courage and resilience it takes to listen closely to your deepest self. When a group of boys refuse to let six-year-old, female-born iO play ball, iO instantly adopts a new persona, becoming a boy named Ricky—a choice iO’s parents support and celebrate. It is the start of a profound exploration of gender and identity through the tenderest years, and the beginning of a life invented and reinvented at every step. Alternating between the harrowing and the hilarious, Darling Days is the candid, tough, and stirring memoir of a young person in search of an authentic self as family and home life devolve into chaos.

The story of of the orphan boy Moon, begun in Watt Key's award-winning Alabama Moon, continues with Dirt Road HomeAfter his recapture, gutsy 14-year-old Hal Mitchell is sentenced to live at Hellenweiler, an institution that is more like a jail than the boys' home it's supposed to be. Hal could walk out in just a few months if he keeps out of trouble. But in a place like Hellenweiler, the more he tries to avoid the gangs and their violence, the stronger Hal's fellow inmates try to make him fail. This title has Common Core connections. "Key does a fabulous job of keeping his readers involved in the story and vested in the characters. Even reluctant readers will most likely find this one hard to put down." -- VOYA

Ramona's father has lost his job and all the family are miserable, so Ramona decides to try and cheer them up, in her own inimitable way.

'A painfully optimistic book that does the favour of making you laugh as it breaks your heart' Kenneth Branagh 'A tender, elegant novel about the beauty and importance of friendship...One of the most moving books I’ve read in some time' John Boyne 'Soaring, lyrical and heart-breaking' Michelle Gallen 'A fresh and authentic voice is found in this impressive and original debut about grief, loss and the enduring power of love' Christine Dwyer Hickey *** A tender coming-of-age story about friendship, first love, loss, and facing the ultimate question: who am I going to be? For fans of Douglas Stuart, Michael Magee, David Nicholls and Andrew O'Hagan Brendan's best friend, his only friend, is Ronan McCoy. He knows things about Brendan that no one else does: about his job washing the cars at Feeney’s Funeral Home, about the loneliness he sometimes feels even when surrounded by hundreds of others at school. But Brendan never told Ronan about the dark feeling that sits at the bottom of his stomach, the feeling that tells him something bad is coming. It never comes when Ronan's around. Ronan is smart and sporty and popular, totally comfortable in his own skin: all the things that Brendan himself isn't. But Ronan always makes him feel like a good friend, a good person, a better Brendan. Standing at the school gates on the first day of term, the dark feeling begins to form in Brendan's stomach. And when Ronan doesn’t turn up, Brendan learns that something terrible happened to his best friend over the summer and he'll never be the same again. Over the course of the final year of school, Brendan will have to learn to navigate the new shape of their friendship and find a place for himself in the world without Ronan to protect him. The Ballad of Ronan McCoy is a beautifully written, tender coming-of-age story about friendship and first love, loss and letting go, and the hopes and fears of a young man standing on the cusp of the rest of his life.