Recommendations based on "Herman Melville: The Complete Novels (The Greatest Writers of All Time Book 6) (English Edition)"

When Black Boy exploded onto the literary scene in 1945, it caused a sensation. Orville Prescott of the New York Times wrote that "if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy." Opposing forces felt compelled to comment: addressing Congress, Senator Theodore Bilbo of Mississippi argued that the purpose of this book "was to plant seeds of hate and devilment in the minds of every American." From 1975 to 1978, Black Boy was banned in schools throughout the United States for "obscenity" and "instigating hatred between the races."This new edition of the once controversial, now classic American autobiography measures the brutality and rawness of the Jim Crow South against the sheer desperate will it took to survive as "black boy." Richard Wright grew up in the woods of Mississippi, with poverty, hunger, fear, and hatred. He lied, stole, and raged at those about him; at six he was "a drunkard," hanging about taverns. Surly, brutal, cold, suspicious, and self-pitying, he was surrounded on one side by whites who were either indifferent to him, pitying, or cruel, and on the other by blacks who resented anyone trying to rise above the common lot. At the end of Black Boy, Wright sits poised with pencil in hand, determined to "hurl words into this darkness and wait for an echo."Wright's eloquent account is at once a profound indictment and an unashamed confession -- a poignant and disturbing record of social injustice and human suffering.HarperCollins is proud to celebrate the sixtieth anniversary of the book's publication with this special hardcover edition, which utilizes the restored text established by The Library of America and features a new foreword by Edward P. Jones, author of the Pulitzer Prize-winning novel The Known World.

Losing control of his anger and nearly killing Simon Bauman, the spoiled son of a rich horse breeder, hard-working farmer Jess Sanford finds himself on the run from the law and the infuriated, embarrassed Simon. Original.

Essayist, poet, and philosopher, Ralph Waldo Emerson (1803–1882) propounded a transcendental idealism emphasizing self-reliance, self-culture, and individual expression. The six essays and one address included in this volume, selected from Essays, First Series (1841) and Essays, Second Series (1844), offer a representative sampling of his views outlining that moral idealism as well as a hint of the later skepticism that colored his thought. In addition to the celebrated title essay, the others included here are "History," "Friendship," "The Over-Soul," "The Poet," and "Experience," plus the well-known and frequently read Harvard Divinity School Address.

1939 COPYRIGHT. OUR COPY HAS A DIFFERENT COVER THAN STOCK PHOTO SHOWN, AND IT WAS PUBLISHED BY LITTLE, BROWN & CO. PLEASE SEE OUR SCAN. FORMER LIBRARY BOOK WITH USUAL STAMPS & MARKINGS. SCUFFING & EDGE WEAR ON COVERS/SPINE. AGE RELATED TANNING INSIDE COVERS AND ON PAGES. MUSTY ODOR. SOME CRAYON MARKING ON PAGES, NOT AFFECTING READABILITY.

Unsurpassed as a gripping tale of historical adventure, Men Against the Sea is the epic account of the eighteen loyal men set adrift on the high seas after the mutiny on the Bounty.With Captain Bligh at the helm of a 23-foot open launch, the loyal sailors are alone on uncharted waters, struggling to survive on scant rations and taking pains to avoid war canoes and inhabited islands under cover of night. Their 3,600-mile voyage from the island of Tofoa in the Friendly Archipelago to the Dutch East Indies remains to this day one of the greatest feats of courage and endurance in maritime history."Splendid...Nordhoff and Hall have done a magnificent job in narrative Captain Bligh's remarkable feat." --Chicago Tribune

With interest in nautical adventure stories reaching unprecedented heights -- as evidenced by the success of The Perfect Storm, Patrick O'Brian's bestselling Aubrey/Maturin novels, the Titanic phenomenon, etc. -- now is the ideal time for readers to rediscover the pleasures and excitement of C. S. Forester's epic saga of turmoil and triumph on the high seas.

For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes served to usefully intensify these conflicts. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America". Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear - a dialectic of "love and theft" - the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery.

A brief biography of the slave who escaped to freedom with his family and other runaway slaves on a captured Confederate gunboat.

"The silent cinema was America's first modern entertainment industry, a complex social, cultural, and technological phenomenon that swept the country in the early years of the twentieth century. Audiences in the lavish new movie palaces were thrilled by such landmark films as The Birth of a Nation, The Gold Rush, and Nanook of the North, and soon they were eagerly following the on-and-off screen activities of a host of glamorous media celebrities. But there is more to this story than glamour and glitz. Richard Koszarski examines the underlying structures that made the silent-movie era work, from the operations of eastern bankers to the problems of neighborhood theater musicians. He offers a new perspective on the development of a major industry and art form and provides a revealing new context for the creative contributions of such screen icons as D.W. Griffith, Cecil B. DeMille, Erich von Stroheim, Gloria Swanson, Rudolph Valentino, and Mary Pickford."--Back cover.

Firmly grounded in the core strengths that have made it the best-selling undergraduate survey in the field, The Norton Anthology of American Literature has been revitalized in this Seventh Edition through the collaboration between three new period editors and five seasoned ones.