Recommendations based on "Heart's Desire"

'If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast.' Hemingway's memories of his life as an unknown writer living in Paris in the 1920s are deeply personal, warmly affectionate and full of wit. Looking back not only at his own much younger self, but also at the other writers who shared Paris with him - literary 'stars' like James Joyce, Wyndham Lewis, Scott and Zelda Fitzgerald, Ezra Pound and Gertrude Stein - he recalls the time when, poor, happy and writing in cafes, he discovered his vocation.

A sensitive portrayal of the healing process that took place in the aftermath of the First World War, J.L. Carr's A Month in the Country includes an introduction by Penelope Fitzgerald, author of Offshore, in Penguin Modern Classics. A damaged survivor of the First World War, Tom Birkin finds refuge in the quiet village church of Oxgodby where he is to spend the summer uncovering a huge medieval wall-painting. Immersed in the peace and beauty of the countryside and the unchanging rhythms of village life he experiences a sense of renewal and belief in the future. Now an old man, Birkin looks back on the idyllic summer of 1920, remembering a vanished place of blissful calm, untouched by change, a precious moment he has carried with him through the disappointments of the years. Adapted into a 1987 film starring Colin Firth, Natasha Richardson and Kenneth Branagh, A Month in the Country traces the slow revival of the primeval rhythms of life so cruelly disorientated by the Great War Joseph Lloyd Carr (1912-1994) attended the village school at Carlton Miniott in the North Riding and Castleford Secondary School. A head teacher, publisher and novelist, his books include A Day in Summer (1964); The Harpole Report (1972); A Month in the Country (1980), which won the Guardian Fiction prize and was shortlisted for the Booker Prize; The Battle of Pollock's Crossing (1985), which was also shortlisted for the Booker Prize; What Hetty Did (1988) and Harpole and Foxberrow, General Publishers (1992). If you enjoyed A Month in the Country, you might like Ford Madox Ford's Parade's End, also available in Penguin Modern Classics. 'Unlike anything else in modern English literature' D.J. Taylor, Spectator

FROM THE NUMBER ONE INTERNATIONALLY BESTSELLING AUTHOR OF THE OLIVE TREE AND THE SHADOW SISTER A heart-rending page turner which sweeps from war-torn Europe to Thailand and back again . . . As a child, Julia Forrester would linger in the hothouse of Wharton Park estate, where exotic flowers tended by her grandfather blossomed and faded with the seasons. Now, recovering from a family tragedy, she once more seeks comfort at Wharton Park, newly inherited by Kit Crawford, a charismatic man with a sad story of his own. But when a years-old diary is found during renovation work, the pair turn to Julia's grandmother to hear the truth about the love affair that turned Wharton Park's fortunes sour . . . And so Julia is plunged back in time, to the world of Olivia and Harry Crawford, a young couple torn apart by the Second World War - and whose fragile marriage is destined to affect the happiness of generations to come, including Julia's own. Outside the UK, this book is published under the title The Orchid House 'Atmospheric, heart-rending and multi-layered' Grazia

First edition thus. Originally published in Mademoiselle. An autobiographical story of Capote's childhood. 10 , 45+ 1 pages. quarter blue cloth, tan cloth-covered boards, paper label with photograph.. 8vo..

A magnificent epic of love, war and Russia from the international bestselling author of TULLY and ROAD TO PARADISE Leningrad 1941: the white nights of summer illuminate a city of fallen grandeur whose palaces and avenues speak of a different age, when Leningrad was known as St Petersburg. Two sisters, Tatiana and Dasha, share the same bed, living in one room with their brother and parents. The routine of their hard impoverished life is shattered on 22 June 1941 when Hitler invades Russia. For the Metanov family, for Leningrad and particularly for Tatiana, life will never be the same again. On that fateful day, Tatiana meets a brash young man named Alexander. The family suffers as Hitler's army advances on Leningrad, and the Russian winter closes in. With bombs falling and the city under siege, Tatiana and Alexander are drawn inexorably to each other, but theirs is a love that could tear Tatiana's family apart, and at its heart lies a secret that could mean death to anyone who hears it. Confronted on the one hand by Hitler's vast war machine, and on the other by a Soviet system determined to crush the human spirit, Tatiana and Alexander are pitted against the very tide of history, at a turning point in the century that made the modern world.

“Dramatic, adventurous, heroic, romantic. . . these historical chronicles, legends, myths, tall tales and fables, featuring warriors, kings, monks, explorers and clever common folk, imaginatively tell the history of Ireland.” — Philadelphia InquirerThis New York Times bestselling epic is an unforgettable tour de force that marries the intimate, passionate texture of the Irish spirit with a historical scope that is sweeping and resplendent. Storyteller extraordinaire Frank Delaney takes his readers on a journey through the history of Ireland, stopping along the way to evoke the dramatic events and personalities so critical to shaping the Irish experience.In the winter of 1951, a storyteller, the last practitioner of an honored, centuries-old tradition, arrives at the home of nine-year-old Ronan O'Mara in the Irish countryside. For three wonderful evenings, the old gentleman enthralls his assembled local audience with narratives of foolish kings, fabled saints, and Ireland's enduring accomplishments before moving on. But these nights change young Ronan forever, setting him on a years-long pursuit of the elusive, itinerant storyteller and the glorious tales that are no less than the saga of his tenacious and extraordinary isle.

Alice Munro's territory is the farms and semi-rural towns of south-western Ontario. In these dazzling stories she deals with the self-discovery of adolescence, the joys and pains of love and the despair and guilt of those caught in a narrow existence. And in sensitively exploring the lives of ordinary men and women, she makes us aware of the universal nature of their fears, sorrows and aspirations.Contents- Walker Brothers Cowboy- The Shining Houses- Images- Thanks for the Ride- The Office- An Ounce of Cure- The Time of Death- Day of the Butterfly- Boys and Girls- Postcard- Red Dress -1946- Sunday Afternoon- A Trip to the Coast- The Peace of Utrecht- Dance of the Happy Shades

Completed in 1914, this novel is a condemnation of the repressive attitudes of British society and a plea for emotional and sexual honesty. Aware that its publication would cause a furore, Forster ensured that it did not appear until after his death in 1970.

The magnificent final volume of one of the most widely acclaimed fictional masterpieces of the postwar era.Few books have been awaited as eagerly as Clea, the sensuous and electrically suspenseful novel that resolves the enigmas of the Alexandria Quartet. Some years and one world war was after his bizarre liaisons with Melissa and Justine, the Irish émigré Darley becomes enmeshed with the bisexual artist Clea. That affair not only changes the lovers, it transforms the dead as well, revealing new layers of duplicity and desire, perversity and pathos in Lawrence Durrell’s masterly construction.“A massive, marvelously concrete, deeply felt statement of faith. . . . His style glows with the mineral deposits of many cultures. One of the most important works of our time has come to an end.”—The New York Times Book Review“Clea rounds out the tetralogy with grace, beauty, and stunning impact. . . . This rich, exciting fare is Durrell’s finest writing style, a manner of writing few living authors can equal. . . . A magnificent achievement.”—The Detriot News“The reader is carried along on a current of superbly accomplished prose, as flexible and colorful as that of any contemporary writer. . . . What Durrell has given us is well worth having.”—San Francisco Chronicle

Patrick Hamilton may be best known now for the plays Rope and Gaslight and for the classic Alfred Hitchcock and George Cukor movies they inspired, but in his heyday he was no less famous for his brooding tales of London life. Featuring a Dickensian cast of pubcrawlers, prostitutes, lowlifes, and just plain losers who are looking for love—or just an ear to bend—Hamilton’s novels are a triumph of deft characterization, offbeat humor, unlikely compassion, and raw suspense. In recent years, Hamilton has undergone a remarkable revival, with his champions including Doris Lessing, David Lodge, Nick Hornby, and Sarah Waters.Twenty Thousand Streets Under the Sky is a tale of obsession and betrayal that centers on a seedy pub in a run-down part of London. Bob the waiter skimps and saves and fantasizes about writing a novel, until he falls for the pretty prostitute Jenny and blows it all. Kindly Ella, Bob’s co-worker, adores Bob, but is condemned to enjoy nothing more than the attentions of the insufferable Mr. Eccles; Jenny, out on the street, is out of love, hope, and money. We watch with pity and horror as these three vulnerable and yet compellingly ordinary people meet and play out bitter comedies of longing and frustration.