Recommendations based on "Harry Styles"

A beautiful gift for those with a fashionable eye Long before Diana’s revenge dress took the world by storm or Princess Anne’s sunglasses went viral, there has always been a fascination with members of the Royal Family and the significance behind their style.

A visual delight and an inspiration for every bibliophile with a growing home library, this dream-and-drool design book features some of the most jaw-dropping book collections of homeowners around the world.NAMED ONE OF JO’S FALL FAVORITES IN MAGNOLIA JOURNALInterior designer Nina Freudenberger, New Yorker writer Sadie Stein, and Architectural Digest photographer Shade Degges give readers a peek at the private libraries and bookshelves of passionate readers all over the world, including Larry McMurtry, Silvia Whitman of Shakespeare and Co., Gay and Nan Talese, and Emma Straub. Throughout, gorgeous photographs of rooms with rare collections, floor-to-ceiling shelves, and stacks upon stacks of books inspire readers to live better with their own collections.Praise for Bibliostyle“Featuring enviable private libraries and packed floor-to-ceiling shelves, this beautiful volume makes a compelling case for books as décor.”—New York“Freudenberger spotlights the splendid, enviable personal libraries of literary figures whose owners obviously care about their book collections and have actually read them, too.”—The Boston Globe“This is a coffee table book that makes you think as well as admire and desire.”—Sydney Herald“Offers a look into the fabulous homes of book lovers the world over, showcasing how their interior design is built around the tomes they love most.”—CN“The photographs of rooms with rare collections, floor-to-ceiling shelves, and stacks upon stacks of books will inspire readers to live better with their own collections.”—Publishers Weekly“Nina Freudenberger teams with Sadie Stein of The New Yorker and photographer Shade Degges of Architectural Digest to showcase beautiful photographs of the private libraries of book lovers from all over the world.”—BookRiot

Lauren Redniss, acclaimed author of the brilliant biography-in-collage Radioactive, delivers a stunning visual journey through the life of the last Ziegfeld girl, Doris Eaton Travis. Now in paperback for the first time, Century Girl spans the brightest moments in early show business, the major historical landmarks of the 20th century, and the intimate milestones of one woman’s long life. Incorporating hundreds of archival photos and personal clippings with inventive line drawings and a compelling, hand-written narrative, Century Girl is a more than a biography, more than a graphic novel, and more than an art book—it is a singularly original and major work of art that Slate magazine calls “a visually dazzling mélange . . . unlike anything . . . ever seen before” (Best Books of 2006).

The story of India's exuberantly colored textiles that made their mark on design, technology, and trade around the world Chintz, a type of multicolored printed or painted cotton cloth, originated in India yet exerted influence far beyond its home shores: it became a driving force of the spice trade in the East Indies, and it attracted European merchants, who by the 17th century were importing millions of pieces. In the 18th century, Indian chintz became so coveted globally that Europeans attempted to imitate its uniquely vibrant dyes and design--a quest that eventually sparked the mechanical and business innovations that ushered in the Industrial Revolution, with its far-reaching societal impacts. This beautifully illustrated book tells the fascinating and multidisciplinary stories of the widespread desire for Indian chintz over 1,000 years to its latest resurgence in modern fashion and home design. Based on the renowned Indian chintz collections held at the Royal Ontario Museum, the book showcases the genius of Indian chintz makers and the dazzling variety of works they have created for specialized markets: religious and court banners for India, monumental gilded wall hangings for elite homes in Europe and Thailand, luxury women's dress for England, sacred hangings for ancestral ceremonies in Indonesia, and today's runways of Lakme Fashion Week in Mumbai. Distributed for the Royal Ontario Museum Exhibition Schedule: Royal Ontario Museum (April 4-September 27, 2020)

Swiss graphic design and "the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic artists saw design as part of industrial production and searched for anonymous, objective visual communication. They chose photographic images rather than illustration, and typefaces that were industrial-looking rather than those designed for books. Written by noted design authority Richard Hollis, this lavishly illustrated volume looks at the uniquely clear graphic language developed by such Swiss designers as Theo Ballmer, Max Bill, Adrian Frutiger, Karl Gerstner, Armin Hoffman, Ernst Keller, Herbert Matter, Josef M�ller-Brockmann, and Jan Tschichold. The style of these artists received worldwide admiration for its formal discipline: images and text were organized by geometrical grids. Adopted internationally, the grid and sans serif typefaces such as Helvetica became the classic emblems of Swiss graphic design. Showcasing design work across a range of media, including posters, magazines, exhibition displays, brochures, advertisements, books, and film, this essential book shows how many of the Swiss designers’ modernist elements remain an indispensable part of today’s graphic language.

"[A]n extraordinary collection of 1,146 images that document the house's output over the past 70 years and through seven creative directors."--Vogue In spring 1947, Christian Dior presented the first collection of his newly founded eponymous fashion house. Soon dubbed the "New Look," it grabbed headlines all over the world and turned Dior into one of the most influential brands of all time. After the couturier's untimely death in 1957, Yves Saint Laurent took the helm of the fashion house before being succeeded by Marc Bohan, who was in turn replaced by Gianfranco Ferré in 1989. In 1996, John Galliano was appointed creative director, designing flamboyant collections for a decade, before the arrival of Raf Simon in 2012, who gave the house a newly imagined identity for the 21st century. Maria Grazia Chiuri's arrival in 2017 as the first woman designer in Dior's history also marks the seventieth anniversary of the "New Look." For the first time, every Dior haute couture collection is gathered here in a single, lavishly illustrated volume--providing a unique opportunity to chart the development of one of the world's most famous fashion brands and to discover rarely seen collections. Dior: The Complete Collections opens with a concise history of the house of Dior before exploring the collections themselves, which are organized chronologically. Each new "era" in Dior's history is inaugurated by a brief overview and biography of the new designer, while individual collections are introduced by a short text unveiling their influences and highlights and illustrated with carefully curated catwalk images. A rich reference section, including an extensive index, concludes this definitive publication.

'A photographic encyclopaedia of one of the 20th century's greatest creators' The Business of Fashion Founded by Yves Saint Laurent and Pierre Bergé in 1961, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection. This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images. These showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book.

Chanel's combination of tradition, originality and style has always made it the most seductive of brands. Here the House of Chanel opens its private archives, revealing a galaxy of brilliant designs created by Coco Chanel from the 1920s onwards, and now reinterpreted to become the motifs for brand new garments, accessories and beauty products.Inspired by the House's signature fragrance, the legendary ‘Chanel No 5’, the book explores five central themes – the suit, the camellia, jewelry, fragrances and make-up, and the little black dress – and follows the threads from past to present to show how these key items have been rediscovered and reinvented by fashion designers working in the footsteps of their illustrious predecessors. This visual journey is enhanced by previously unpublished archive photographs and original drawings by Karl Lagerfeld, as well as glorious images from some of the greatest names in fashion photography.Dazzling clothes, intricate accessories, beautiful models and timeless design leave no doubt as to the lasting fame of the brand and embody everything that has come to symbolize the magic of Chanel.llustrations: 159

Accurate record of actual dress of the Roaring Twenties in over 150 pages of mail-order catalogs, selected and with text by Stella Blum. Over 750 illustrations, captions.

The hippest, hottest, and most fashionable girls in town are "all" about "self-Xpression." This book starring Sasha includes glitter body tattoo stickers, fill-ins, quizzes, and a story. Illustrations. Consumable.