Recommendations based on "Goebbels: A Biography"

Richard Evans' brilliant book unfolds perhaps the single most important story of the 20th century: how a stable and modern country in less than a single lifetime led Europe into moral, physical and cultural ruin and despair. A terrible story not least because there were so many other ways in which Germany's history could have been played out. With authority, skill and compassion, Evans recreates a country torn apart by overwhelming economic, political and social blows: the First World War, Versailles, hyperinflation and the Great Depression. One by one these blows ruined or pushed aside almost everything admirable about Germany, leaving the way clear for a truly horrifying ideology to take command.

From Neil MacGregor, the author of A History of the World in 100 Objects, this is a view of Germany like no other For the past 140 years, Germany has been the central power in continental Europe. Twenty-five years ago a new German state came into being. How much do we really understand this new Germany, and how do its people now understand themselves? Neil MacGregor argues that uniquely for any European country, no coherent, over-arching narrative of Germany's history can be constructed, for in Germany both geography and history have always been unstable. Its frontiers have constantly floated. Königsberg, home to the greatest German philosopher, Immanuel Kant, is now Kaliningrad, Russia; Strasbourg, in whose cathedral Johann Wolfgang von Goethe, Germany's greatest writer, discovered the distinctiveness of his country's art and history, now lies within the borders of France. For most of the five hundred years covered by this book Germany has been composed of many separate political units, each with a distinct history. And any comfortable national story Germans might have told themselves before 1914 was destroyed by the events of the following thirty years. German history may be inherently fragmented, but it contains a large number of widely shared memories, awarenesses and experiences; examining some of these is the purpose of this book. Beginning with the fifteenth-century invention of modern printing by Gutenberg, MacGregor chooses objects and ideas, people and places which still resonate in the new Germany - porcelain from Dresden and rubble from its ruins, Bauhaus design and the German sausage, the crown of Charlemagne and the gates of Buchenwald - to show us something of its collective imagination. There has never been a book about Germany quite like it.

The New York Times bestselling classic of alternate history, a murder mystery set in a world where the Nazis won World War II—for fans of The Plot Against America and The Man in the High CastleBerlin, 1964. The Greater German Reich stretches from the Rhine to the Urals, and keeps an uneasy peace with its nuclear rival, the United States. As the Fatherland prepares for a grand celebration honoring Adolf Hitler’s seventy-fifth birthday and anticipates a conciliatory visit from U.S. president Joseph Kennedy and ambassador Charles Lindbergh, a detective of the Kriminalpolizei is called out to investigate the discovery of a dead body in a lake near Berlin’s most prestigious suburb.But when Xavier March discovers the identity of the body, he also uncovers signs of a conspiracy that could go to the very top of the German Reich. And, with the Gestapo just one step behind, March, together with the American journalist Charlotte Maguire, is caught up in a race to discover and reveal the truth—a truth that has already killed, a truth that could topple governments, a truth that will change history.Praise for Fatherland“A singular achievement displaying original and carefully wrought suspense . . . Fatherland easily transcends convention.”—The Washington Post“A solid thriller, vividly imagined and genuinely frightening.”—The Atlanta Journal-Constitution“Ingenious . . . a triumph . . . suspenseful and elegant.”—San Francisco Chronicle“A dazzler . . . fast-paced . . . Historical fact is blended skillfully with fiction.”—Detroit Free Press“Absorbing . . . expertly written.”—The New York Times Book Review“Truly captivating.”—Robert Ludlum“A strong premise for a police thriller with rich foreign atmosphere and political texture galore? Absolutely!”—Entertainment Weekly“A sly and scary page-turner.”—Los Angeles Times“A well-plotted, well-written detective tale and a fascinating trek through parallel history.”—Chicago Tribune“Fatherland works on all levels. It’s a triumph.”—The Washington Times“Distinguished by vivid details based on impeccable research, the thriller is a crackling-good read in the le Carré tradition.”—Time“Wonderful.”—Newsday“A gripping detective story as well as a chilling visit to the Germany that might have been. It is so plausibly written it seems quite real. Robert Harris is a name to watch for.”—BookPage

Sydney Taylor Award-winning novel Berlin Boxing Club is loosely inspired by the true story of boxer Max Schmeling's experiences following Kristallnacht. Publishers Weekly called it "a masterful historical novel" in a starred review.Karl Stern has never thought of himself as a Jew; after all, he's never even been in a synagogue. But the bullies at his school in Nazi-era Berlin don't care that Karl's family doesn't practice religion. Demoralized by their attacks against a heritage he doesn't accept as his own, Karl longs to prove his worth.Then Max Schmeling, champion boxer and German hero, makes a deal with Karl's father to give Karl boxing lessons. A skilled cartoonist, Karl has never had an interest in boxing, but now it seems like the perfect chance to reinvent himself.But when Nazi violence against Jews escalates, Karl must take on a new role: family protector. And as Max's fame forces him to associate with Nazi elites, Karl begins to wonder where his hero's sympathies truly lie. Can Karl balance his boxing dreams with his obligation to keep his family out of harm's way?Includes an author's note and sources page detailing the factual inspirations behind the novel.

“When this book was first published it received some attention from the critics but none at all from the public. Nazism was finished in the bunker in Berlin and its death warrant signed on the bench at Nuremberg.”   That’s Milton Mayer, writing in a foreword to the 1966 edition of They Thought They Were Free. He’s right about the critics: the book was a finalist for the National Book Award in 1956. General readers may have been slower to take notice, but over time they did—what we’ve seen over decades is that any time people, across the political spectrum, start to feel that freedom is threatened, the book experiences a ripple of word-of-mouth interest. And that interest has never been more prominent or potent than what we’ve seen in the past year.   They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune.   A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.

'you Wanted To See Some Action - Well You're Going To Get It Now. You're Going To Get It Now All Right.' Friday 24th May, 1940 Private Johnny Hawke, Aged Sixteen, Awakens To Artillery Fire. Hours Later, Stukas Scream Down From The Sky. Messerschmit Fighters Roar Towards His Regiment. Trucks Burst Into Flames. Now Men And Mules Lay Dead And Dying, Severed Limbs Twisted Grotesquely As Blood Soaks The Cobbled Streets. Young Private Hawke Just Wants To Do His Duty And Serve His Country. But As He - And His Fellow Soldiers - Prepare To Stop The German Advance, There's Only One Question On Everyone's Lips. How Will They Survive?

When Hitler's war ended in 1945, the war over Hitler--who he really was, what gave birth to his unique evil--had just begun. Hitler did not escape the bunker in Berlin but, half a century later, he has managed to escape explanation in ways both frightening and profound. Explaining Hitler is an extraordinary quest, an expedition into the war zone of Hitler theories. This is a passionate, enthralling book that illuminates what Hitler explainers tell us about Hitler, about the explainers, and about ourselves.

This masterful biography by one of Germany's best known journalists was the leading nonfiction best seller in Germany. Fest shows Hitler as the receptacle of the dreads and resentments of a shaken social order, gifted with an uncanny instinct for all that was hollow behind the appearance of power, at home and abroad. Though a warped human being, he was neither clown nor puppet, as many liked to think; Hitler appears here as an enormously astute politician, impressing and hypnotizing Germans and foreigners alike with the scope of his projects and the theatricality of their presentation. In the last analysis, however, Fest uncovers in Hitler a constantly destructive personality, which aimed at and achieved destruction on an unprecedented scale, not least because an insecure world gave him his opportunities.

This is Winston Churchill's six-volume history of the Second World War.

'of The Great Powers That Dominated Europe From The Eighteenth To The Twentieth Centuries, Prussia Is The Only One To Have Vanished ... Iron Kingdom Is Not Just Good: It Is Everything A History Book Ought To Be ... The Nemesis Of Prussia Has Cast Such A Long Shadow That German Historians Have Tiptoed Around The Subject. Thus It Was Left To An Englishman To Write What Is Surely The Best History Of Prussia In Any Language' Sunday Telegraph